We will be publishing Nikos Salingaros’ book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. In Chapter 12, Salingaros concludes his discussion of the physiological and psychological effects of architecture, demonstrating how ornament can lead to an enriching human environment. If you missed them, make sure to read the previous installments here.

Ornament and Human Intelligence

Ornament and function go together. There is no structure in nature that can be classified as pure ornament without function. In traditional architecture, which was more tied to nature, such a separation never existed. The breakdown of the human adaptation of architecture can be traced to the forced conceptual separation of ornament from function, a relatively recent occurrence in human history. It is only in 20th-century architectural discourse that people began to think of ornament as separate from function: see “How Modernism Got Square” (Mehaffy & Salingaros, 2013).

The winners of the Atlanta Bridgescape Competition were announced today at the American Institute of Architects' (AIA) National Convention. The urban design challenge sought proposals for creative interventions at two existing freeway overpasses in the city’s Midtown and Downtown districts, with a referential budget of $3 million per bridge. The winners were selected from five finalists by a panel of industry experts.

See the two winning proposals as well as the winners of the People’s Choice Award after the break. 

Tonight the Pritzker Prize will hold its annual award ceremony, this year honoring the work of 2015 laureate Frei Otto, who sadly passed away the day before he was announced as this year's winner on March 10th. This year, the ceremony will be hosted in Miami Beach at Frank Gehry's New World Center, the first time the ceremony has been held in the Miami Area. Speakers will include Tom Pritzker and Chair of the Jury, Lord Peter Palumbo, alongside a selection of past Pritzker Laureates.

Urban waterfronts have historically been the center of activity for many cities. They began as economic, transportation and manufacturing hubs, but as most industries changed their shipping patterns and consolidated port facilities, many industrial waterfronts became obsolete. In Europe, smaller historic ports were easily converted to be reused for leisure activities. However, in North America, where the ports were larger, it was more difficult to convert the waterfronts due to logistical and contamination issues.

Over the past 40 years or so, architects and urban planners have started to recognize the redevelopment potential for waterfronts across the United States and Canada, and the impact they can have on the financial and social success of cities. Though cold-climate cities pose a unique challenge for waterfront development, with effective planning waterfront cities with freezing winter months can still take advantage of the spaces year-round.

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A temporary pavilion designed by London-based firm Adjaye Associates is housing a selection of works for the 56th International Art Exhibition, "All the World's Futures," in Venice. Curated by Okwui Enwezor, the exhibition explores the numerous ways in which art can be experienced in "an unfolding of typologies." Adjaye Associate's temporary museum seeks to parallel Enwezor's curatorial vision, and is nestled within a 316-meter-long, 16th-century ship-building warehouse in the Arsenale district.

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Videos

Waterlicht (or 'water light') is a new light installation which has temporarily transformed Amsterdam's Museumplein into a "dream landscape" expressing both the power, and the poetry, of water. The shifting shapes and liquid movement of the artwork also have a very real purpose: like a virtual flood, the level of the lights show how high the water could submerge Holland and parts of The Netherlands without constant human intervention. The installation highlights how innovation in engineering, something which is embedded "within the DNA of the Dutch landscape" of polders and dikes, has been "almost forgotten." The nation's vulnerability against the power of the oceans is pertinently expressed in this experiential urban intervention.

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In the midst of the American Institute of Architects’ (AIA) 2015 National Convention in Atlanta, Georgia, we had the chance to sit down with Elizabeth Chu Richter, CEO of Richter Architects and the AIA President for 2015 to discuss some of the important issues facing the architecture profession today.

The Architectural League of New York has announced the winners of its 2015 Prize for Young Architects + Designers. Launched in 1981 and organized by a committee comprising League Programs Director Anne Rieselbach and a selection of winners from last year, the Architectural League Prize is one of the United States' most prestigious awards for young architects, recognizing provocative work and offering a platform for the winners to disseminate their ideas. This year's theme, "Authenticity," asked designers how technological changes in computation, visualization, material intelligence, and fabrication technologies are altering our perception of design and the role of the architect.

The jury for the prize consisted of Keller Easterling, Sanford Kwinter, Michael Meredith, Lyn Rice, and Billie Tsien, as well as previous winners Carrie Norman, John Rhett Russo, and Jenny Sabin. As part of their prize, in June the six winning practices will present a series of lectures, and their work will be on display in an exhibition during the summer.

Read on for the complete list of winners.

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The world’s longest glass skywalk has been inaugurated in China, jutting off the edge of a 718-meter tall cliff in the Longgang National Geological Park in Chongqing, reports CCTV. Aptly named Yuanduan, which means “at the end of the clouds,” the horseshoe-shaped walkway offers visitors stunning (and a bit terrifying) views of the surrounding mountains and canyon below. Extending for more than 26 meters off the cliff’s edge, the bridge is five meters longer than the Grand Canyon Skywalk. Only 30 tourists will be allowed on the bridge at a time. View a gallery of photos at The Daily Mail.

Deemed “the biggest architectural awards programme in the world,” the World Architecture Festival (WAF) annually awards and recognizes inspiring and innovative built projects from around the globe. The awards have been held over the past seven years, honoring buildings across 30 categories and ultimately selecting the World Building of the Year. From Grafton Architects' School of Economics at the Universita Luigi Bocconi — the first Building of the Year awarded in 2008 — to A21 Studio’s The Chapel — the most recent winner — the awarded projects have included everything from a chapel to an art gallery and even a public garden, spanning the world from South Africa to Vietnam, Italy and Spain.

This year WAF will be held from November 4-6, featuring three days of conferences, exhibitions and lectures in addition to the awards ceremony. As the 2015 award ceremony nears closer we look back at the World Building of the Year winners from the past seven years. See who has taken home the award after the break and learn how to submit your project here. Projects can be submitted for consideration until May 22nd. Use the code ARCHDAILY10 to receive a discount.

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Videos

David Chipperfield Architects have revealed plans to connect the two Grade II*-listed London bases of London's Royal Academy of Arts - the 17th century Burlington House and the 19th century 6 Burlington Gardens - as part of a £50million ($80million) masterplan of "subtle interventions." According to the Architects' Journal, the two structures will be linked by a concrete bridge which will span fifteen metres across a service area and courtyard, and will see the creation of a number of new exhibition spaces, a lecture theatre, and a new space for the Royal Academy's world-renowned schools of art and architecture. A series of roof extensions and terraces will allow for new views over central London.

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New images of Thomas Heatherwick's recently approved Garden Bridge depicts how it will look once built in 2018. With 270 trees, 2,000 shrubs, hedging plants and climbers, over 22,000 perennials, ferns and grasses and 64,000 bulbs planted on the bridge, the lush river crossing will take pedestrians through London's horticultural history, "from wild marshland to cultivated gardens," as the Garden Bridge Trust reports. Five distinct landscaped areas, created by landscape designer Dan Pearson, will span the bridge's 6000 square-meters of open space and represent the capital city's plant cultivation from centuries past.

Assemble, a collective of artists, designers and architects based in London, have been shortlisted for the Turner Prize - the UK's foremost annual award for British visual artists. Much to the delight and surprise of members of the profession, this young collaborative team are the first spatial designers to be recognised by this prize in its three decade history, leading Sam Jacob to assert that they "represent something different: a validation of the belief that there are other ways of doing things." The four nominees for the award also include London artist Bonnie Camplin and German-born Nicole Wermers.

Renzo Piano has designed a limited-edition handbag for the Italian fashion brand Max Mara to match his newly completed Whitney Museum of American Art in New York. The leather, top-handle bag, inspired by the "pure design and sophisticated materials" of the Whitney, features distinct ribbing inspired by the museum's facade.

"Our aim was to apply one of the most characteristic elements of the museum project - the facade - to the bag: hence the idea of the modular strips enveloping the exterior," said Piano in an interview with Max Mara. "We tried to maintain a simple, pure design, working only on the details by applying a creative use of technology and placing the accent on respect for the materials."

Videos

Stockholm-based Full Scale Studio of KTH School of Architecture have designed and built their first project to date -- a new studio space called "The Friggatto." Deriving its name and form from the hybridization of two Swedish building types, the Friggatto is a non-permit, rolling house that explores how to combine these typologies to produce a larger, more affordable volume.

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In an article for The Guardian, Turner Prize winning ceramic artist Grayson Perry has written for the first time about his "plans for a Taj Mahal in Essex." The designs for the House for Essex, which have been realised over the last three years by FAT and led by Charles Holland, are of a "secular chapel" in the heart of the southern English countryside. The building was commissioned by the Living Architecture Project, which is headed by Alain de Botton and are the proprietors of property designed by the likes of Peter Zumthor, MVRDV, and David Kohn. This, their fifth foray into experimental collaborative architecture between architects and artists, is set to open its doors for holiday letting this year.