In Berlin, Mies van der Rohe’s Neue Nationalgalerie has begun a new phase today with the opening of David Chipperfield’s intervention, a prologue to the imminent restoration which the famed British architect is about to undertake. Completed in 1968, the gallery was Mies’ last project and his final masterpiece; for nearly fifty years, nobody dared to touch it – until now. Marking this event is a large, site-specific installation, created by Chipperfield as an attempt to engage Mies in a spatial experiment (or perhaps a last, apologetic tribute to the 20th century master) moments before he is about to embark on a mission which will, inevitably, transform Mies’ ultimate legacy.
David Chipperfield has been selected by Selfridges to remodel their flagship London store, creating a new 4,600 square metre accessories department and creating a new entrance to the Eastern side of the building. The additions by Chipperfield are part of the store’s larger 5-year, £300 million project which also includes work by Gensler to better connect the original 1909 building by Daniel Burnham with the later addition behind.
Chipperfield’s addition will aim to improve the store’s presence on Duke Street, which will act as a secondary entrance to the building’s primary public face on Oxford Street, with the new accessories department planned to open in 2016.
Four firms have been shortlisted to design Qatar‘s Lusail Stadium, the centerpiece for the 2022 FIFA World Cup. Foster + Partners, David Chipperfield Architects, Mossessian & Partners and Mangera Yvars Architects are now competing to design the 80,000 seat stadium which will host the international event alongside Zaha Hadid‘s Al Wakrah stadium and others.
Read on after the break for more on the shortlist
Within days of David Chipperfield being appointed to design the Nobel Foundation’s new home in Stockholm, heritage protesters began to assemble a campaign to prevent the project from fruition.
Declaring they are “opposed to star-architects constructing their angular spectacles of glass and steel right in the middle of the protected historic environment, as monuments to themselves, at our expense and the city’s,” as stated in an online petition, the protesters are particularly upset that the project would require the demolition of multiple historic structures. Thousands have even joined a Facebook group to voice disapproval.
However, despite the backlash, the Nobel Foundation refuses to bow down and believes the protest will not succeed.
More on the protest, and structures slated for demolition, after the break…
As we announced earlier, David Chipperfield Architects’ modest proposal for the Nobel Center’s new home in Stockholm has been announced as the winning submission of the Nobel Foundation’s prestigious international competition. Lauded by the jury for its “lightness and openness,” Chipperfield envisioned the glass and stone proposal to “convey dignity” and embody the ideals of the Nobel Prize so it may serve as inspiration for generations to come.
Detailed drawings, images and quotes from the architect, after the break…
David Chipperfield Architects has won the prestigious competition to design Stockholm’s new Nobel Centre in the Blasieholmsudden peninsula. The firm’s proposal – named Nobelhuset - beat out those by Swedish shortlisters Wingårdhs Arkitektkontor and Johan Celsing Arkitektkontor; the three had been selected from 12 high-profile entries (including the likes of BIG, OMA, and SANAA) in November of last year.
The jury unanimously chose Chipperfield’s design for the new headquarters, which will include exhibition spaces, meeting rooms, a library, restaurant, shop and a large auditorium where the annual Nobel Prize award ceremony will take place. Jury chair and Nobel Foundation executive director Lars Heikensten noted: “The jury finds the lightness and openness of the building very appealing and consistent with the Nobel Foundation’s explicit ambition to create an open and welcoming Centre for the general public.”
The Centre is planned to open in 2018. More images of Chipperfield’s winning proposal here.
Earlier this year the University of Cambridge announced an ambitious new urban extension in the north west of the city in order to create a framework for a new district centered on a mixed academic and urban community. The development, planned by Aecom, has aspirations of achieving urban space that is well balanced, permanent and sustainable. Containing 1,500 homes for its key workers, accommodation for 2,000 postgraduate students, 1,500 homes for sale, 100,000 square metres of research facilities and a local centre with a primary school, community centre, health centre, supermarket, hotel and shops, proposals from Mecanoo and MUMA are now entering the planning phase. Future lots are expected to be filled by the likes of Stanton Williams, Alison Brooks Architects and by Cottrell and Vermeulen working with Sarah Wigglesworth and AOC.
After an open competition that sought to attract “the very best British architecture can offer,” six architects – including Zaha Hadid and Richard Rogers – have been selected as the potential architects of the project to rebuild the Crystal Palace in south London. See the full shortlist after the break.
As we reported last week, The Menil Collection has unveiled details on the Menil Drawing Institute (MDI), designed by Los Angeles-based Johnston Marklee, in Houston, Texas. The building will be the first freestanding facility in the United States created especially for the exhibition, study, storage, and conservation of modern and contemporary drawings.
Situated in an extensive 30-acre masterplan designed by David Chipperfield Architects, the institute will be located amongst Renzo Piano’s main museum building, Piano’s Cy Twombly Gallery, the Dan Flavin Installation at Richmond Hall, and the Rothko Chapel. More info on the design, and all the renderings, after the break.
In a recent article for the Denver Post, Ray Rinaldi discusses how the box is making a comeback in U.S. museum design. Stating how architecture in the 2000’s was a lot about swoops, curves, and flying birds – see Frank Gehry and Santiago Calatrava - he points out the cool cubes of David Chipperfield and Renzo Piano. We’ve rounded up some of these boxy works just for you: the Clyfford Still Museum, the Kimbell Art Museum Expansion, The St. Louis Art Museum’s East Building, Tod Williams and Billie Tsien’s Barnes Foundation, and Shigeru Ban’s Aspen Art Museum. Each project begins to show how boxes can be strong, secure, and even sly. Check out more about the article here.
With completion aimed for 2018, the Nobel Center plans to become on of Stockholm’s most attractive destinations. Not only will the Center’s large auditorium host the annual Nobel Prize Award Ceremony, but it will offer key amenities to serve its surrounding public; In addition to a library, restaurant and retail shop, the Center will include spaces for exhibitions, school programs, events, and interdisciplinary meetings.
The proposals, listed in no particular order, are:
London’s King’s Cross has seen a surge of redevelopment in recent years, the most iconic of which – John McAslan + Partner’s new concourse for King’s Cross Station – was completed last year. The area has also been defined by the new Central Saint Martin’s campus, designed by Stirling Prize winner Stanton Williams, and Google’s new London headquarters. Plans have now been unveiled for Gridiron (One St. Pancras Square), a 50,000 square foot office building nestled between St. Pancras International and King’s Cross Stations, designed by David Chipperfield Architects and set for completion in the first half of 2014.
Out of 140 architects considered, 12 architects have been selected by the Nobel Foundation to compete to design their new home, a Nobel Center in Blasieholmen, Stockholm. The conspicuously European selection, chosen for their “design and artistic abilities and experience working in intricate urban environments,” includes some very big names – including BIG, David Chipperfield Architects, Herzog & de Meuron, and OMA. The only non-Europeans to compete will be SANAA’s Kazuyo Sejima and Ryue Nishizawa.
See the full list of competitors, and more information on the competition, after the break…
Karakusevic Carson and David Chipperfield have been announced as the “preferred bidder” for a pair of residential towers the East London district of Shoreditch. As reported on BDOnline, the £25 million project at Colville Estate will rise up to 14 and 20 stories high to replace the existing 1950‘s low-rise buildings. This will be the second and last phase of the largest council-backed housing development in London and the first UK mass housing project for Chipperfield.
As a follow up to our recent post on the recent win by Boltshauser Architekten for their Basel Aquarium design in Switzerland, we wanted to share with you the other entries by Zaha Hadid Architects, David Chipperfield Architects and Caruso St John Architects. Zaha Hadid’s ‘Blue Cave,’ while praised for its excellent quality, was criticised for its thin visitor aisles; the jury felt the “dynamic” styling of the building’s interior would have been in competition with the aquariums, and so the project came in third out of the 15 shortlisted entries. More information and images on the other entries, after the break.
Arising from the historic town fortifications, David Chipperfield Architects’ new Musée des Beaux-arts is situated on the periphery of a long green space in between the old and new parts of Reims, France. The Gallo-Roman gate and the modernist market hall, located in its vicinity, are evidence of Reims’s architectural history from antiquity to modern times. Clad with marble slabs and glass ceramic panels, the translucent Musée des Beaux-arts building shares a site with an excavation area filled with mediaeval findings.
Continue reading to learn more about the Musée des Beaux-arts.
Prior to becoming a Pritzker laureate, Italian architect Renzo Piano was commissioned to design the Menil Collection in a quiet inner-city neighborhood of Houston, Texas. Since celebrating its opening in 1987, the museum has expanded, adding Renzo’s second commission, the Cy Twombly Gallery (1995), along with the permanent, site-specific installation at Richmond Hall by minimalist sculptor Dan Flavin and the Byzantine Fresco Chapel (1997-2012) by owner Dominique de Menil. Surrounded by ample amounts of open space, the long-term master plan of the museum’s campus has been under the review of architect David Chipperfield.
Now, after an extensive international search to select the architect for the campuses new major addition that will house the Menil Drawing Institute (MDI), the architecture selection committee has announced the four architects under consideration. Once completed, MDI will be the first freestanding facility in America dedicated to modern and contemporary drawing, and one of the most advanced in the world.
Continue after the break to find out the finalists.
David Chipperfield, Stirling Prize-winning architect and director of the 13th international Venice Biennale, has been commissioned by the Prussian Cultural Heritage Foundation (PCHF) to renovate the Neue National Gallery. The 20th century icon was designed by the legendary Ludwig Mies van der Rohe, who celebrated his 126th birthday this week.
Hermann Parzinger, president of the Prussian Cultural Heritage Foundation, said: “With David Chipperfield, I know this icon of modern architecture in the best hands. In working with him on the Museum Island, I learned the sensitivity in dealing with the architectural heritage and the conceptual clarity of his approach is greatly appreciated.”