The Metropolitan Museum of Art in New York has tapped British architect David Chipperfield to design its new Southwest Wing for modern and contemporary art. The commission, a result of an international competition, aims to increase gallery space, double the size of the museum’s popular roof garden, and establish accessible on-site storage. “The new design will also enhance gallery configuration and visitor navigation throughout the Southwest Wing, and support a more open dialogue between the Museum and Central Park,” says the architects.
Born and raised in London in 1953, British architect David Chipperfield‘s career has spanned decades and continents as an architect, designer and professor. Since 1984, he has been at the helm of David Chipperfield Architects, an award winning firm with over 180 staff at offices in London, Berlin, Milan, and Shanghai. Chipperfield is an honourary fellow of the American Institute of Architects and Germany’s Bund Deutscher Architekten, and was appointed a Commander of the Order of the British Empire (DBE) in 2004. In 2012, Chipperfield curated the Venice Biennale of Architecture under the theme Common Ground. Most recently, Chipperfield was named Artistic Director of Italian design brand Driade.
Read more about Chipperfield’s career and projects after the break
In 2020, the world will celebrate the 250th birthday of Beethoven, and soon after the anniversary of his death. In light of this, a new “world-class” concert hall, a “Festspielhaus”, is being planned for the banks of Beethoven’s beloved Rhine River in his hometown of Bonn, Germany. More than 50 practices were considered in the pulmonary selection process, following a shortlist of ten, and now three final proposals by David Chipperfield Architects, kadawittfeldarchitektur and Valentiny hvp architects have been selected to move on to the competition’s final round.
“The new Festspielhaus will not only bring Beethoven’s music to life, it will serve as an international “house of music” that brings together diverse genres – from classical to crossover to pop – and attracts music lover of all ages,” stated the competition organizer.
The privately-funded “Beethovenhalle” is planned for completion in 2019. You can review the top three final designs after the break, alongside the seven other shortlisted proposals – by Zaha Hadid, UNStudio, Snøhetta, and more – they were selected over.
CEMEX has announced both the international and national winners of the XXIII Building Awards, which aim to recognize the best architecture and construction both internationally and within Mexico. All projects were reviewed by a panel of judges comprised of some of the most important and prestigious representatives of the industry at an international level.
The international awards recognizing housing, institutional/industrial and large-scale infrastructure projects that were built during 2013 and stand out for their constructive solutions, aesthetics and innovative techniques. Finalist projects ranged from Frank Gehry’s Biomuseo in Panama to Plan B Arquitectos’ Click Clack Hotel in Bogotá, Colombia, covering a range of countries and architectural styles.
The CEMEX Building Award is itself a unique piece of art created by Mexican sculptor Miguel Angel Gonzalez and made out of black marble and concrete.
Read on after the break for both the international and national winners…
The French government has cancelled its £8 million contribution towards the £43 million Musée des Beaux-arts by David Chipperfield Architects, causing the Reims’ mayor to “shelve” the museum for being too costly. As reported by the Architects’ Journal, the funds will be reallocated towards the redevelopment of a recently closed sports complex. The museum, originally awarded to Chipperfield following an international competition, was intended to be built on an excavation area and display mediaeval relics. You can review the design, here.
Wright & Wright Architects has revealed their designs for the Geffrye Museum in East London, a £15 million redesign that will increase the museum’s total space by almost 40% through “unlocking” previously unused areas of the museum’s 18th century almshouses. The design replaces a scheme by David Chipperfield Architects, which last year failed to secure planning permission in part because of the hugely controversial proposal to demolish the former Marquis of Lansdown Pub that occupies the corner of the site.
In Berlin, Mies van der Rohe’s Neue Nationalgalerie has begun a new phase today with the opening of David Chipperfield’s intervention, a prologue to the imminent restoration which the famed British architect is about to undertake. Completed in 1968, the gallery was Mies’ last project and his final masterpiece; for nearly fifty years, nobody dared to touch it – until now. Marking this event is a large, site-specific installation, created by Chipperfield as an attempt to engage Mies in a spatial experiment (or perhaps a last, apologetic tribute to the 20th century master) moments before he is about to embark on a mission which will, inevitably, transform Mies’ ultimate legacy.
David Chipperfield has been selected by Selfridges to remodel their flagship London store, creating a new 4,600 square metre accessories department and creating a new entrance to the Eastern side of the building. The additions by Chipperfield are part of the store’s larger 5-year, £300 million project which also includes work by Gensler to better connect the original 1909 building by Daniel Burnham with the later addition behind.
Chipperfield’s addition will aim to improve the store’s presence on Duke Street, which will act as a secondary entrance to the building’s primary public face on Oxford Street, with the new accessories department planned to open in 2016.
Four firms have been shortlisted to design Qatar‘s Lusail Stadium, the centerpiece for the 2022 FIFA World Cup. Foster + Partners, David Chipperfield Architects, Mossessian & Partners and Mangera Yvars Architects are now competing to design the 80,000 seat stadium which will host the international event alongside Zaha Hadid‘s Al Wakrah stadium and others.
Read on after the break for more on the shortlist
Within days of David Chipperfield being appointed to design the Nobel Foundation’s new home in Stockholm, heritage protesters began to assemble a campaign to prevent the project from fruition.
Declaring they are “opposed to star-architects constructing their angular spectacles of glass and steel right in the middle of the protected historic environment, as monuments to themselves, at our expense and the city’s,” as stated in an online petition, the protesters are particularly upset that the project would require the demolition of multiple historic structures. Thousands have even joined a Facebook group to voice disapproval.
However, despite the backlash, the Nobel Foundation refuses to bow down and believes the protest will not succeed.
More on the protest, and structures slated for demolition, after the break…
As we announced earlier, David Chipperfield Architects’ modest proposal for the Nobel Center’s new home in Stockholm has been announced as the winning submission of the Nobel Foundation’s prestigious international competition. Lauded by the jury for its “lightness and openness,” Chipperfield envisioned the glass and stone proposal to “convey dignity” and embody the ideals of the Nobel Prize so it may serve as inspiration for generations to come.
Detailed drawings, images and quotes from the architect, after the break…
David Chipperfield Architects has won the prestigious competition to design Stockholm’s new Nobel Centre in the Blasieholmsudden peninsula. The firm’s proposal – named Nobelhuset - beat out those by Swedish shortlisters Wingårdhs Arkitektkontor and Johan Celsing Arkitektkontor; the three had been selected from 12 high-profile entries (including the likes of BIG, OMA, and SANAA) in November of last year.
The jury unanimously chose Chipperfield’s design for the new headquarters, which will include exhibition spaces, meeting rooms, a library, restaurant, shop and a large auditorium where the annual Nobel Prize award ceremony will take place. Jury chair and Nobel Foundation executive director Lars Heikensten noted: “The jury finds the lightness and openness of the building very appealing and consistent with the Nobel Foundation’s explicit ambition to create an open and welcoming Centre for the general public.”
The Centre is planned to open in 2018. More images of Chipperfield’s winning proposal here.
Earlier this year the University of Cambridge announced an ambitious new urban extension in the north west of the city in order to create a framework for a new district centered on a mixed academic and urban community. The development, planned by Aecom, has aspirations of achieving urban space that is well balanced, permanent and sustainable. Containing 1,500 homes for its key workers, accommodation for 2,000 postgraduate students, 1,500 homes for sale, 100,000 square metres of research facilities and a local centre with a primary school, community centre, health centre, supermarket, hotel and shops, proposals from Mecanoo and MUMA are now entering the planning phase. Future lots are expected to be filled by the likes of Stanton Williams, Alison Brooks Architects and by Cottrell and Vermeulen working with Sarah Wigglesworth and AOC.
After an open competition that sought to attract “the very best British architecture can offer,” six architects – including Zaha Hadid and Richard Rogers – have been selected as the potential architects of the project to rebuild the Crystal Palace in south London. See the full shortlist after the break.
As we reported last week, The Menil Collection has unveiled details on the Menil Drawing Institute (MDI), designed by Los Angeles-based Johnston Marklee, in Houston, Texas. The building will be the first freestanding facility in the United States created especially for the exhibition, study, storage, and conservation of modern and contemporary drawings.
Situated in an extensive 30-acre masterplan designed by David Chipperfield Architects, the institute will be located amongst Renzo Piano’s main museum building, Piano’s Cy Twombly Gallery, the Dan Flavin Installation at Richmond Hall, and the Rothko Chapel. More info on the design, and all the renderings, after the break.
In a recent article for the Denver Post, Ray Rinaldi discusses how the box is making a comeback in U.S. museum design. Stating how architecture in the 2000’s was a lot about swoops, curves, and flying birds – see Frank Gehry and Santiago Calatrava - he points out the cool cubes of David Chipperfield and Renzo Piano. We’ve rounded up some of these boxy works just for you: the Clyfford Still Museum, the Kimbell Art Museum Expansion, The St. Louis Art Museum’s East Building, Tod Williams and Billie Tsien’s Barnes Foundation, and Shigeru Ban’s Aspen Art Museum. Each project begins to show how boxes can be strong, secure, and even sly. Check out more about the article here.
With completion aimed for 2018, the Nobel Center plans to become on of Stockholm’s most attractive destinations. Not only will the Center’s large auditorium host the annual Nobel Prize Award Ceremony, but it will offer key amenities to serve its surrounding public; In addition to a library, restaurant and retail shop, the Center will include spaces for exhibitions, school programs, events, and interdisciplinary meetings.
The proposals, listed in no particular order, are:
London’s King’s Cross has seen a surge of redevelopment in recent years, the most iconic of which – John McAslan + Partner’s new concourse for King’s Cross Station – was completed last year. The area has also been defined by the new Central Saint Martin’s campus, designed by Stirling Prize winner Stanton Williams, and Google’s new London headquarters. Plans have now been unveiled for Gridiron (One St. Pancras Square), a 50,000 square foot office building nestled between St. Pancras International and King’s Cross Stations, designed by David Chipperfield Architects and set for completion in the first half of 2014.