As anyone who has recently attempted apartment-hunting in a major urban area will know, reasonably-priced housing can be difficult to come by for many and salaries don’t always seem to match the cost of living. This gap is contributing to housing crises in developed and developing countries worldwide. People are simply being priced out of cities, where housing has become a commodity instead of a basic human right. Financial speculation and states’ support of financial markets in a way that makes housing unaffordable has created an unsustainable global housing crisis.
Earlier this year the 13th Annual Demographia International Housing Affordability Survey was released for 2017, revealing that the number of “severely unaffordable” major housing markets rose from 26 to 29 this year; the problem is getting worse. The study evaluates 406 metropolitan housing markets in nine of the world's major economies and uses the “median multiple” approach to determine affordability. By dividing the median house price by the median household income of an area, this method is meant to be a summary of “middle-income housing affordability.”
The "Spaceship" has landed and the dust, it appears, is starting to settle. In an article by Adam Rogers, which follows Wired's exclusive breakdown of the new Apple Campus in Cupertino, California, a convincing case is put forward against its design and wider masterplan. "You can’t understand a building without looking at what’s around it," Rogers argues – and most, including its architects, Foster+Partners, would surely be inclined to agree.
Whether you call it the Ring (too JRR Tolkien), the Death Star (too George Lucas), or the Spaceship (too Buckminster Fuller), something has alighted in Cupertino. And no one could possibly question the elegance of its design and architecture. This building is $5 billion and 2.8 million square feet of Steve Jobsian-Jony Ivesian-Norman Fosterian genius.
http://www.archdaily.com/873463/splendid-isolation-questions-raised-about-apple-cupertino-campus-foster-partnersAD Editorial Team
Humanity always cherishes great works of art that stand the test of time. This June, for example, marks the 50th anniversary of The Beatles’ psychedelic Sgt. Pepper's Lonely Hearts Club Band, and the 20th anniversary of Radiohead’s dystopian Ok Computer. These psychologically satisfying birthdays have generated serious appreciation and nostalgia. Similarly, we also love to praise the longevity of innovative architecture. The AIA bestows an annual “Twenty-five Year Award” to acknowledge projects that have "stood the test of time” and “exemplify design of enduring significance.” But one project a year seems stingy. Below are 15 modern classics which, though not always given the easiest start in life, we’ve come to adore:
What did Pritzker Prize winner Frank Gehry get when he designed the Stata Center, an exuberantly whimsical academic complex for MIT? A very large check, plus a major lawsuit, alleging negligence and breach of contract due to rampant leaks, mold, cracks, drainage problems and sliding ice. Sometimes the most inspired designs can go awry. And when they do, some clients lawyer up. Here are 9 fascinating examples.
With rapid advancements in technology and crystal clear imagery, drones have allowed us to experience our cities and landscapes from unimaginable vantage points and perspectives. In its series of videos, YouTube channelMingomatic uses drones to capture the sights and scenes of predominantly American cities and various locations from above, offering glimpses of skylines, oceans, highways and terrains (and seals!). Check out the 10 videos below for some spectacular views, and find Mingomatic’s full selection, here.
These may well be the ultimate, true romantic architects, said Christian Narkiewicz-Laine, President of The Chicago Athenaeum. Form4 Architecture’s design philosophy conveys a ‘vision of the future’ and all the artistic possibilities of imagination, emotional meaning, and lyrical expressionism for a consequentially better and more enlightened world around us.
Gensler has "more than 2,700 active clients, work[ing] across the global economy," as their profile attests. In this interview with Fortune, Arthur Gensler—founder of the firm in question and now 81 years of age—offers insight into his own beginnings, as well as to his company's wild success. With a $1.3 billion revenue bracket last year alone, the largest architecture firm in the world have become "best known for designing interiors – everything from the original Apple Stores to headquarters for Facebook and Airbnb." Read the interview in full, here.
http://www.archdaily.com/868250/insights-from-the-man-behind-gensler-the-worlds-biggest-architecture-firmAD Editorial Team
Vision Zero is an initiative that started in Sweden in 1997 when the country began implementing a series of road safety measures to reach their goal of zero deaths from traffic accidents. As a result, the country managed to reduce the number of deaths to 3 people per 100 thousand inhabitants.
Since then the plan has been adopted by different cities and has inspired the creation of various organizations that are looking to make our streets a safer places. One of them being the Vision Zero Network that brings together traffic engineers, health professionals, local leaders, and policy makers.
Plans for 555 Howard, a mixed-use hotel and residential tower to be located in San Francisco’s Transbay neighborhood, have been revealed by the city’s Planning Department. Designed by Renzo Piano Building Workshop for developer Pacific Eagle, the 36-story tower would house 69 residential units and 255 hotel rooms, as well as a publicly-accessible open-air rooftop terrace. The project represents Piano’s second project in the city, following 2008’s California Academy of Sciences.
Earlier this year construction started on the new home for The Mexican Museum, designed by TEN Arquitectos. Located in San Francisco’s Yerba Buena Cultural District, it will fill the first four floors of Millennium Partners’ 700,000 square foot luxury residential tower. The new museum will become a social, cultural and educational center for the promotion of Mexican and Mexican-American art and culture in San Francisco, California.
"The project encourages social commitment and celebrates diversity. The museum is a plural space via a social bond with the community’s history and culture and urban management strategies based on diverse uses and social gatherings," states TEN Arquitectos.
The museum plans to open its doors in the spring of 2019. See below for more details.