Over a four day period during the New Generations Festival, curators Edouard Cabay (Appareil, ES) and Margherita Del Grosso (MaDGStudio, IT) led an experimental workshop within a shipyard at the Historical Center of Genoa that resulted in a "Bent" installation inspired by navel construction.
"By bending wood into an (in)habitable structure reminiscent of naval craft, a dialogue was created between the medieval urban fabric of Genoa and its tradition as maritime city," says the curators. "Although is still at the heart of the city's economy, its industry has been relegated to the margins of Genoa, generating conflict and ambiguity between the shore and the urban fabric. The workshop provided an occasion to mend this detachment through an architectural installation that, rather than bringing the city towards the sea, brings the marine element back into the urban fabric."
Designed by Félix Guyon of Les Ateliers Guyon in Verchères, Quebec, "Sails Benches" is a monument to the original founding families of Verchères, commissioned by the municipality. Having worked in Montreal for many years, Guyon returned to his native village for this personal project, which was selected as the winning design of the Furniture Category at the World Interiors Awards 2015 in London, "charming" the judges with the personal narrative and sensitivity of his Sail Benches, according to a press release. Read more about the project after the break.
Set in the depths of rural Hungary, Hello Wood has emerged from the landscape for its 2015 edition, entitled 'Project Village'. Since 2010, the Hungarian-led collective of architects, designers, students and artists have gathered from around the world to create temporary wooden installations. Now in its sixth year, Hello Wood was realized with the help of 150 volunteers from 30 countries, and co-curated by Johanna Muszbek, with the shared vision to build a series of community-driven pavilions. Together the teams created fifteen unique wooden pavilions, each centred on a different component of the architecture of a village.
Over the course of two days, architect Jan Tyrpekl created The Nest, an experimental structure built without any investors, sponsors, assignment, or project documentation in Strančice, in the Czech Republic. Made of about $120 USD worth of Osier Willow wood, The Nest perches in a park in the designer’s hometown, interlaced between tree branches, so as not to damage or affect the tree.
DITTEL | ARCHITEKTEN GmbH has created Pop Up Box, a convertible retail space located in a shopping center in Stuttgart, Germany. With its cube design, the Box serves as a self-contained, customizable presentation area, where retailers can move three of the four pieces to create his or her own sales space.
International manufacturer of wood wool panels, Troldtekt, has announced the opening of its Wood Wool Award 2015, celebrating the 80th anniversary of the company. Open to entries from September 14 to October 16, 2015, the competition will recognize two projects that best implement visible wood wool acoustic solutions: one that uses wood wool panels not manufactured by Troldtekt, and one project featuring Troldtekt cement-bonded wood wool panels.
The jury features Mikkel Frost (CEBRA), David Gianotten (OMA) and ArchDaily’s own, David Basulto. The two selected projects will receive an award of €5,000, and interested architects and designers can submit their projects via ArchDaily.
"An avid yachtsman," Frank Gehry has designed his first yacht. As Esquire reports, the traditional larch wood sailboat boasts titanium and red accents with windows clad in warped lattice work. "Foggy," as it's named (an acronym for Frank Owen Gehry), was designed for Gehry's friend and developer Richard Cohen. Gehry collaborated with naval architect Germán Frers, who was charged with keeping Gehry's design practical. "Don't let me go too crazy," Gehry told Frers. "The boat has to work."
Russian artist Nikolay Polissky has completed yet another of his impressive, handcrafted installations. Located in Zvizzhi Village, in the Ugra National Park in Russia, Polissky’s newest creation—called SELPO, which stands for The Rural Consumer Association, in Russian—wraps around an abandoned soviet building, which used to house the village shop.
The project utilizes off-cut materials from Polissky’s previous work, which has ranged “from temporary pieces of landscape proportions, collectively created […] to public art works in city parks or sculpture parks […] in Europe and in Russia, as well as museum installations.”
Born in 1957 in Moscow, artist Nikolay Polissky creates impressive, handcrafted structures in the middle of Russia's vast landscapes. Mostly carried out in the town of Nikola Lenivets -- located 200 km from the Russian capital -- his works are built entirely by the area's residents, using local materials, such as branches, trunks and wooden tables. Traditional construction techniques are used as a starting point for the projects.
His work is inspiring not only because of its imposing form, but also because he managed to re-activate a semi-abandoned village through art and architecture, involving residents in the creative process and transforming the region into a sort of open cultural center. Since 2003, his work has been part of Archstoyanie, the largest Land-Art festival in Russia.
Japanese office, The Shelter Corporation, has announced their 17th international architectural ideas competition, open to undergraduate and post-graduate students (as of September 11, 2015) across the world. The Shelter Corporation, which focuses on timber and wood-framed buildings, hosts this competition annually to generate discussion among students on the future of wood and timber construction. Believing in the importance of a sustainable built environment, the firm hopes that this competition can be the gateway for many young architects-to-be to enter the workplace with new ideas.
A new study shows that timber buildings can be up to 10-15% cheaper to construct than traditional designs in several different building types. The study, “Commercial Building Costing Case Studies – Traditional Design versus Timber Project,” was led by Andrew Dunn, chief executive of the Timber Development Association (TDA) in Australia. Part of a seminar series touring Australia, the report contains detailed designs of four building types in both timber and conventional construction, with a quantity surveyor comparing cost estimates between them. See how timber compared to conventional methods after the break.
The purpose of the Competition is to engage students to imagine the repurposing of our existing cities with sustainable buildings from renewable resources, offering expedient affordable construction, innovating with new and old wooden materials, and designing healthy living and working environments.
Seattle-based architects Olson Kundig have opened their "Outpost Basel" pavilion for the Collectors Lounge at Design Miami/Basel in Basel, Switzerland. Incorporating materials and cultural elements from America, Japan, Austria, and Romania, the pavilion is a “high-design space made from everyday materials,” with a design centered on the idea of contrast, much like the concept of yin-yang. Different levels of lighting, material colors, and uses of space are contrasted with balance in order to create a functional, flexible meeting and gathering space.
Michael Green has teamed up with Finnish forestry company Metsä Wood and Equilibrium Consulting to redesign the Empire State Building with wood as the main material. The project is part of Metsä Wood’s “Plan B” program, which explores what it would be like for iconic buildings to be made of timber. Their work shows that not only can wood be used to produce enormous structures in a dense urban context, but also that timber towers can fit into an urban setting and even mimic recognizable buildings despite differences in material.