Russian artist Nikolay Polissky has completed yet another of his impressive, handcrafted installations. Located in Zvizzhi Village, in the Ugra National Park in Russia, Polissky’s newest creation—called SELPO, which stands for The Rural Consumer Association, in Russian—wraps around an abandoned soviet building, which used to house the village shop.
The project utilizes off-cut materials from Polissky’s previous work, which has ranged “from temporary pieces of landscape proportions, collectively created […] to public art works in city parks or sculpture parks […] in Europe and in Russia, as well as museum installations.”
Born in 1957 in Moscow, artist Nikolay Polissky creates impressive, handcrafted structures in the middle of Russia's vast landscapes. Mostly carried out in the town of Nikola Lenivets -- located 200 km from the Russian capital -- his works are built entirely by the area's residents, using local materials, such as branches, trunks and wooden tables. Traditional construction techniques are used as a starting point for the projects.
His work is inspiring not only because of its imposing form, but also because he managed to re-activate a semi-abandoned village through art and architecture, involving residents in the creative process and transforming the region into a sort of open cultural center. Since 2003, his work has been part of Archstoyanie, the largest Land-Art festival in Russia.
Japanese office, The Shelter Corporation, has announced their 17th international architectural ideas competition, open to undergraduate and post-graduate students (as of September 11, 2015) across the world. The Shelter Corporation, which focuses on timber and wood-framed buildings, hosts this competition annually to generate discussion among students on the future of wood and timber construction. Believing in the importance of a sustainable built environment, the firm hopes that this competition can be the gateway for many young architects-to-be to enter the workplace with new ideas.
A new study shows that timber buildings can be up to 10-15% cheaper to construct than traditional designs in several different building types. The study, “Commercial Building Costing Case Studies – Traditional Design versus Timber Project,” was led by Andrew Dunn, chief executive of the Timber Development Association (TDA) in Australia. Part of a seminar series touring Australia, the report contains detailed designs of four building types in both timber and conventional construction, with a quantity surveyor comparing cost estimates between them. See how timber compared to conventional methods after the break.
The purpose of the Competition is to engage students to imagine the repurposing of our existing cities with sustainable buildings from renewable resources, offering expedient affordable construction, innovating with new and old wooden materials, and designing healthy living and working environments.
Seattle-based architects Olson Kundig have opened their "Outpost Basel" pavilion for the Collectors Lounge at Design Miami/Basel in Basel, Switzerland. Incorporating materials and cultural elements from America, Japan, Austria, and Romania, the pavilion is a “high-design space made from everyday materials,” with a design centered on the idea of contrast, much like the concept of yin-yang. Different levels of lighting, material colors, and uses of space are contrasted with balance in order to create a functional, flexible meeting and gathering space.
Michael Green has teamed up with Finnish forestry company Metsä Wood and Equilibrium Consulting to redesign the Empire State Building with wood as the main material. The project is part of Metsä Wood’s “Plan B” program, which explores what it would be like for iconic buildings to be made of timber. Their work shows that not only can wood be used to produce enormous structures in a dense urban context, but also that timber towers can fit into an urban setting and even mimic recognizable buildings despite differences in material.