Location: China, 淄博市张店区淄博 邮政编码: 255000
Design Team: Han Wen qiang, Cong Xiao, Huang Tao
Area: 3795.0 sqm
Project Year: 2015
Photographs: Courtesy of ARCHSTUDIO
Gould Evans has unveiled its newest project: the DeBruce Center for the Original Rules of Basketball, a 32,000 square-foot museum that will house the 1891 original typed rules of basketball by James Naismith.
The museum will serve as an addition to the University of Kansas’ Allen Fieldhouse, and seeks not only to provide an exhibition place for the historical document, but also to tell a three-dimensional history of the evolution of basketball through various points along a linear path.
Architects: waa (we architech anonymous)
Site: YinChuan City, Ning Xia Province, China
Design Team: Zhang Di, Jack Young, Ruben Bergambagt, Huang Yisu
Area: 13188.0 m2
Photography: NAARO, waa
Fernando Romero EnterprisE (FR-EE) has revealed their proposal for the “Museo Mazatlán” in Mexico, which will be dedicated to the local culture of Mazatlán. Inspired by Mazatlán’s nickname, “The Pearl of the Pacific”, the design resembles an oyster with a pearl at its centre. This “pearl” is a geodesic dome, bringing together views of the sky with views of the city and sea.
The Bordeaux Wine Museum’s wooden structure has been completed, the first step in an ambitious project slated to open in 2016. Designed by XTU Architects, and situated along the coast of the river Garonne in Bordeaux, France, the museum aims to stand as a beacon and “guardian angel” against the skyline of the riverbank. Inspired by the timeless spirit of French wine, the building forms flow in a continuous space without corners, evoking the circular motion that awakens a wine before tasting.
David Adjaye’s Temporary Museum Hosts "All the World's Future's" at Venice's 56th International Art Exhibition
A temporary pavilion designed by London-based firm Adjaye Associates is housing a selection of works for the 56th International Art Exhibition, "All the World's Futures," in Venice. Curated by Okwui Enwezor, the exhibition explores the numerous ways in which art can be experienced in "an unfolding of typologies." Adjaye Associate's temporary museum seeks to parallel Enwezor's curatorial vision, and is nestled within a 316-meter-long, 16th-century ship-building warehouse in the Arsenale district.
Neutelings Riedijk Architects have revealed the final design for the expansion and renovation of the Naturalis Biodiversity Center in Leiden, the Netherlands. With construction set to begin in October 2015, the rejuvenation scheme will see the renovation of 20,000m2 of the existing museum and the construction of an additional 19,000m2.
Learn more about the project and view selected images after the break.
In an article for Metropolis Magazine, Zachary Edelson speaks to architect and critic Michael Sorkin about The Next Helsinki - a competition set up "to inquire as to whether this very valuable site in this wonderful city can’t somehow be leveraged beyond a franchise museum building." The esteemed jury, replete with distinguished artists and architects (many of whom are Finnish), is not just "a counter-competition" to the recent Guggenheim competition: "we’re trying to raise the question of whether a big foreign institution is the most logical way to prompt the arts to flourish at the community level." Read Sorkin's comments about the Finns' attitude to their city and his thoughts on the shortlist of the recent Guggenheim competition in full here.
Commissioned by the Tianjin Urban Planning Bureau, Holm Architecture Office (HAO) and Archiland International (AI) have unveiled their competition proposal for the Bolong 3D Movie Museum and Mediatek in Tianjin.
Envisioned as part of a new media park slated for construction in the city, the building's design is playful and contemporary, offering visitors a "series of unique spatial experiences." Learn more about the project and view selected images from the proposal after the break.
After inaugurating his first building in China – “The Building on the Water” – Álvaro Siza has just announced his second project in the country, again in collaboration with Portuguese architect Carlos Castanheira. This time the two architects will develop a museum for Hangzhou Art Academy.
The new museum - which will have approximately 15,000 sqm, a total area similar to that of Serralves Foundation building – will host an important collection of pieces from the famous German school of arts and design, Bauhaus, founded by Walter Gropius in 1919.
Although it went largely unnoticed until Wang Shu was awarded the Pritzker Prize, China's going through a major cultural boom. A recent article in the Wall Street Journal notes that, since 2012, hundreds of (often privately established) cultural institutions have popped up across the country, honouring everything from the famous Terracotta Soldiers to the local city planning department. We've rounded up a couple of these projects for your pleasure: Jean Nouvel's winning design for the National Art Museum, Steven Holl's mind-warping Sifang Museum, the seemingly extra-terrestrial Ordos City + Art Museum by MAD Architects, Trace Architecture Office's small museum of handcraft paper in the countryside, and a regional museum by Rocco Design Architects that takes inspiration from traditional Chinese lacquered boxes. Enjoy!
Last year the University of California, Davis invited three architectsto compete for the chance to design their new $30 million art museum, slated to open in 2016. The competition was a design-build affair, with each entrant being asked to pair up with a contractor and submit a holistic design. For those who missed it, SO - IL were announced yesterday as the winners of the competition.
Here we present one of two runner-up submissions, this one from WORKac. The concept revolves around creating a distinctive beacon, which would be a centerpoint for an overlap between art, higher-education, and everyday-life. The parallelogram form is intended to create a dynamic space which creates opportunities for interplay with the proposed landscape and surrounding area. Inside a collection of formal and informal, open and intimate are arranged along two axes, pinned together with a bright common space.
Read the architects description after the break...
The WKCDA (West Kowloon Cultural District Authority) has made two big announcements today: (1) the winners of the competition to design the Xiqu Center, what will be the District's first landmark building; and (2) the shortlist of six architects who will compete to design the M+ Museum for Visual Culture. The Museum and Center are part of a Masterplan, designed by Foster + Partners, to transform Hong Kong's West Kowloon Cultural District into a world-class destination for arts and culture.
Hong-Kong born architects Bing Thom and Ronald Lu (of Bing Thom Architects and Ronald Lu & Partners) beat out the Master-planners themselves, Foster + Partners, to design the Xiqu Center, the "gateway of access" to the district, scheduled for commissioning in 2016.
The designer for the M+ Museum has yet to be determined, however, and, judging by the 6 world-famous architectural firms shortlisted, the competition is sure to be fierce.
Klassik Stiftung Weimar, host of the competition for the New Bauhaus Museum in Weimer, has announced that Berlin-based architect with Professor Benedict Tonon, has been selected as the winning proposal. Last March, ArchDaily announced the shortlist for the New Bauhaus Museum in Weimer design competition. The jury had provided the four finalists with recommendations to improve their proposals in preparation for the VOF Procedure (Contracting Regulations for the Awarding of Professional Services). Thuringian Minister of Culture and Foundation Board Chairman Christoph Matschie congratulated the winner: “The Bauhaus is now finally being provided with a fitting location at its Weimar cradle. Once again, the Bauhaus will become a symbol of reawakening in the time to come. The building of the museum is providing animportant impulse for the entire development of the city of Weimar.” Follow us after the break for more on the winning proposal.
Engaging. Sophisticated. Pragmatic. Timeless. These qualities are essential to the architectural concept for the new Scottsdale Museum of the West designed by Jones Studio. Coupled with an imaginative and stimulating exhibit experience, guests will find a building that embodies the idea of the Old West meeting the New West.
The Libyan Museum of History located in Tripoli, Libya proposes a unique twist on the traditional museum typology. Consolidated Consultants/Jafar Tukan Architects has taken an approach that blends the building experience into the existing urban fabric through the integration of two surrounding pathways that define both experience and building geometry and massing. Unfortunately, the project has suffered numerous setbacks since concept approval including delays related to property issues, which was followed by a six month delay. Construction of the project is currently undetermined as the current national conflict within Libya continues. More details after the break.
“You do not have to look at it for long before you realize that this is as sensual a building as New York has seen in a very long time,” stated Pulitzer-prize winning architecture critic Paul Goldberger of the American Folk Art Museum. Completed by architects Tod Williams and Billie Tsien in 2001 the museum is 40 feet wide and 100 feet long and is surrounded by the Museum of Modern Art on three sides. It was the first new museum built in New York in over three decades. More on the American Folk Art Museum after the break.