After previously documenting the Bruder Klaus Field Chapel, photographer Aldo Amoretti once again captures the grounded simplicity of Peter Zumthor, this time with images of his Allmannajuvet Zinc Mine Museum in Sauda, Norway. The three-building campus calls upon the aesthetics of the country's abandoned zinc mines from the 1800s, evoking the toilsome labor of the workers in its rough stone and exposed joint work. The museum is situated on one of Norway's National Tourist Routes and was commissioned by the state as part of an effort to increase tourism in the region. As such, the buildings are poised in and above the landscape, providing views of the natural gorge that unfold as visitors move through Zumthor's dark, shaftlike interiors.
Amoretti's photos express the modesty of the project, from the blackness of the interior galleries to the thin stilts that support the buildings within their rocky surroundings. The museum structures are suspended in balance with the harsh, gray climate—a noble representation of the working conditions of the miners the project aims to memorialize.
The Rubell Family Collection/Contemporary Arts Foundation announces its move to a newly design space by Selldorf Architects, a 100,000 square foot museum in Miami's Allapattah District that will open in December 2018.With 40 exhibition galleries, a research library, lecture hall, event space, sculpture garden, and restaurant, the Rubell Family will be able to expand their programming and showcase a large proportion of their collection.
The Seattle Art Museum (SAM) has unveiled initial designs by 2016 AIA Architecture Firm of the YearLMN Architects for the upcoming renovation and expansion of the Asian Art Museum. The plans comprise an expansion containing a 2650 square foot art gallery and event space, as well as preserving the museum’s historic Art Deco façade and bringing the museum to modern standards of climate control, fire safety and seismic system upgrades. The historic building was placed on the National Register of Historic Places in July 2016.
Virtually unknown until just a few years ago, Hilma af Klint produced her first abstract paintings in 1906, years ahead of traditional abstract pioneers like Kandinsky and Mondrian. 110 years later, she is still waiting for her due recognition - and a home for her collection. A Temple for Hilma seeks to address this by asking participants to imagine an art museum dedicated to Hilma af Klint and her work.
Chee Pearlman, journalist, conference creator, and design curator at TED Conferences moderates a conversation between design critic Ralph Caplan, graphic designer Milton Glaser, and architect Beverly Willis on the heritage of the design profession and its eventual legacy within the ecological, social, and service spheres, at the Solomon R. Guggenheim Museum.
The event is in celebration of the publication of "Twenty Over Eighty: Conversations on a Lifetime in Architecture and Design," a collection of insightful, intimate, and often irreverent interviews with twenty architecture and design legends over the age of eighty. The book’s authors, Aileen Kwun and Bryn Smith, will
Civil and social justice are the two most important fundamentals of human rights. The issues unequal civil rights and social injustice are not confined to a particular region and country but are a global phenomenon. These issues are a result of unequal resource distribution and unfair treatment of individuals with different traits i.e. race, culture, sexual orientation etc. Civil unrest broods violence and forces retaliation against the segregation and unfair laws and rules. The issues of civil and social injustice are more complex as they involve a wide category of issues such as a racial profiling, LGBT rights, equal opportunities (jobs and healthcare), ageism, criminal justice, freedom of speech, social security, immigration, internet privacy, bullying etc. The importance of civil rights still remains a non-issue at the global level. The champions of civil rights and social justice are often portrayed as enemies of the state, to hide the government inefficiencies.
Among the dignitaries in attendance at the dedication ceremony of the Museo de Arte de Ponce (MAP) in Puerto Rico was Roberto Sánchez Vilella. In his capacity as Governor of the island, he gave a tongue-in-cheek speech directed at his political opponent and founder of the museum, Luis A. Ferré:
I feel that I have contributed, in my small way, to the building of this museum. Had I not defeated Luis Ferré in the election, he would not have had sufficient leisure time to devote to this cultural project.
Studio Pei-Zhu has unveiled their design for the Jingdezhen Historical Museum of Imperial Kiln, a museum dedicated to the unique history of ceramics in Jingdezhen, China. Located in the heart of the historic china-making district of the city, nestled between ceramic workshops that date back to the Ming and Qing dynasties, the museum draws inspiration from the special forms of the kilns, creating gallery spaces out of a series of hand-crafted vaulted structures.
Dutch firm Benthem Crouwel Architects have won a competition to renovate and expand Museum Arnhem, a museum located in Arnhem, Netherlands housing a collection of modern and contemporary art. The winning proposal was selected by the jury from its “clarity and simplicity, the preservation of the centuries-old lateral moraine, and the brilliant idea of incorporating a publicly open veranda into the new extension.”
Milan studio Piuarch unveiled their design for the new Latteria Sociale Valtellina cooperative dairy in the Italian Alps. The competition, commissioned by the Latteria, sought to renovate the old building and expand it to include a sales outlet, restaurant, conference room and small museum. Piuarch's winning design builds on the economic and historic context of the area and surrounding landscape.
Architecture competition organizers Bee Breeders have announced the winners of the London Internet Museum competition. This speculative project challenged architects to design a museum for “something historically profound and typologically unprecedented — the internet.” Given a site at the former Great Eastern Railway terminal station building, designers were tasked with creating a location that would “connect visitors to both the history of the internet and open them to the possibilities of the future.” Submissions took a wide variety of approaches, and prizes were awarded to projects that rejected the typical associations and precedents that the internet calls to mind.
Continue reading to see the winning entries with brief descriptions.
Though it was once an essential element of all classical structures, the frieze has largely been left behind by architects looking for contemporary façade systems. But at the recently-opened addition to the Kunstmuseum Basel, designed by Swiss architects Christ & Gantenbein in collaboration with design group iart, the frieze returns with an eye-catching, technological twist, as hidden pixels within the facade light up to display moving images and text to those below.
The belief that a building can both blend in and stand out at the same time is embodied by the Lois and Richard Rosenthal Center for Contemporary Art (CAC), located in Cincinnati. Though it's heavy volumetric massing makes it appear as an independent and impenetrable sculptural element, the Rosenthal Center is in fact designed to pull the city in – past its walls and up, toward the sky. This inherent dynamism is well-suited to a gallery which does not hold a permanent collection, and is situated at the heart of a thriving Midwestern city.
The Lima Art Museum (MALI) announces the launch of an open competition for the design of its new contemporary art wing. The project will include new gallery spaces, a library, classrooms, workshops, a café, a public plaza, access to a future metro station, and a landscape proposal for the park where the museum is located. Our goal is to establish the MALI as a new civic and cultural platform in the city, as well as a referent for future competitions regarding the design of public spaces in Lima.
1. INTRODUCTION “The Obama Presidential Center will bring to life the vision and legacy of President Obama, including inspiring an ethic of citizenship, expanding opportunity in a global age, and promoting peace, justice, and dignity throughout the world.” (Source: Obama Foundation)
This competition challenges designers to create an exceptional presidential library for U.S. President Obama (OPL). We look for design proposals with wide reaching architectural interventions that deal with the challenging South Side of Chicago, and make a case for a sustainable urban and economic growth. There are currently two potential site locations – one on the east side and the other on the west side of the University of Chicago (see p1.jpg): The Washington Park site and Jackson Park site. You are asked to make a choice between the two sites. There were numerous alter-native site proposals, e.g. sites in New York, Hawaii, Chicago etc. The Obama Foundation has identified these two properties as the ones with the most potential, based on key assumptions, opportunities and limitations relative to their contexts.