Norman Foster, Jean Nouvel and Rem Koolhaas are competing to design the new Western Australian Museum (WA Museum) in the Perth Cultural Center. As The West Australian reports, the leading architects are part of three shortlisted consortiums being considered to develop the new $428 million project. Each team is currently working with the government on their proposals. A team is expected to be announced later this year. The museum is slated to open in 2020.
The complete list of the shortlisted teams include...
Recently, Pritzker Prize winner Jean Nouvel has been in the news for all the wrong reasons; after his Philharmonie de Paris opened ahead of schedule in January this year, he has been involved in a very public battle to have his name removed from the project to distance himself from the "aberrational decisions" of the client. In this interview, originally published by the Huffington Post as "Interview With Jean Nouvel," Elena Cué sits down with Nouvel in his Paris Studio to talk about his inspirations, the phenomenon of architectural eroticism, and why he is often disappointed with his completed works.
Elena Cué: The anti-Le Corbusier architect Claude Parent was your mentor when you were starting out at the age of 21. Please tell me about what meeting him meant for your career. You were actively involved in May 68 with a radical stance against the educational model of the École des Beaux-Arts in Paris. What were the things you demanded?
Jean Nouvel: I felt that his studio was one of the most creative at that time. He and his partner, Paul Virilio, created a space where a new approach to architecture could evolve. Paul became a very well-known philosopher and thinker of the time. I joined the intellectual rebellion of "May 68" and it certainly impacted my architectural style in terms of its criticism of the way in which French cities have traditionally been constructed. Later on, I joined with them to create the "March 1976 Movement," which demanded that the design of French cities no longer follow the same traditional model. Soon after, the architecture trade union was formed. It was a time of intellectual excitement.
Jean Nouvel has lost a court battle aimed to remove his name from the newly opened Philharmonie de Paris. As The Telegraph reports, Nouvel claimed that the £280 million concert hall was inaugurated prematurely and parts of the building was "sabotaged" in doing so, thus believing it to be morally inapt from him be associated with the building.
"The architecture is martyred, the details sabotaged," he said in a Le Monde editorial, "so taxpayers will have to pay, once again, to correct these aberrational decisions."
After boycotting the premature opening of the infamous Philharmonie de Paris, Jean Nouvel has taken his frustrations to court demanding that his name and image be removed from all references to the publicly funded €390 million concert hall. The French architect, who has claimed to be wrongly vilified as a “spoilt-star artist” and unfairly blamed for the project’s spiraling costs, does not “wish to express himself any further on the project.”
He has asked the court "to order amending work" to 26 "non-compliance" areas that do not comply with his original design. This areas include parapets, fireplaces, facades, the promenade and 2,400-seat concert hall itself.
Ateliers Jean Nouvel’s long awaited opening of the Philharmonie de Paris concert hall took place yesterday at a VIP event in which the French President, Francois Hollande, officiated the ceremony three years after it was scheduled to take place. Jean Nouvel, however, did not attend the event, instead writing an incendiary column for French Newspaper Le Monde, and releasing a statement saying he feels that the building has opened “too early” and it ”is not finished.” He argues that “there were no acoustic tests of the concert hall [as] the schedule did not allow the architectural and technical requirements to be respected, [...] despite all the warnings which I have been giving since 2013.”
Winners have been announced for the 2014 LEAF Awards. Spanning 14 categories, including best refurbishment of the year (pictured above), all winning projects “demonstrate buildings that are setting the benchmark for the international architectural and design community.”
See which project landed Jean Nouvel top honors, after the break.
Jean Nouvel's long-awaited 53 West 53rd Street, also known as the Tower Verre or the MoMA Tower, may finally be ready to move ahead with construction after the project's developer Hines purchased $85.3 million worth of air rights from its neighbors MoMA and the St Thomas Episcopal Church and arranged the $860 million construction loan required for the project.
Originally proposed in 2007, the design has been plagued by problems, including significant delays due to the financial crisis and a difficult approval process which resulted in the building's height being slashed from 1,250 feet to its current planned height of 1,050 feet. However, according to a statement from Hines groundbreaking on the project is now "imminent."
The Council on Tall Buildings and Urban Habitat (CTBUH) has announced the regional winners of its 2014 Best Tall Building award. Chosen from a selection of 88 nominees, the four winning buildings will go on to compete for the Best Tall Building Worldwide Award, due to be announced in December.
The winners and finalists this year show significant diversity in form, function and philosophy; normally low-rise typologies such as education, green buildings, renovations and boundary-pushing shapes have all made the list. Jeanne Gang, founder of Studio Gang and Chair of the jury, said: "The submissions this year... reflect the dawning of a global recognition that tall buildings have a critical role to play in a rapidly changing climate and urban environment."
Read on after the break for the full list of winners and finalists
JeanNouvelDesign, the studio led by French architect Jean Nouvel, presented their new collection of furniture during Paris Design Week. Among them is the Oxymore chair, designed by JeanNouvelDesign and produced by specialty group-seating manufacturer Figueras International Seating. This fetishistic chair, a result of research conducted at the Figueras Design Centre, has a singular cubic appearance that provides extreme comfort, softness. It is precisely this unapparent relationship between look and feeling that gives the seat its name—since an oxymoron means a union of contradictory elements.
The rumors are true: Jean Nouvel has been selected as the official winner of the highly acclaimed National Art Museum of China (NAMOC) competition in Beijing. According to Dezeen, the news has been confirmed by Nouvel’s adviser, Oliver Schmitt. Though little has been released about the winning design, earlier reports have described it as a “vast structure” based on the simplicity of a single line - “a single brush stroke.”
In an interview with Financial Times, Nouvel quoted the Chinese artist Shi Tao (1642-1707): “A single line is the source of everything in existence. [...] We started with calligraphy. [...] Pupils used to spend half a year just on that first line with a brush. That first line contains all of Chinese culture – painting, writing and the energy of Chi.”
Madrid-based architect Angel Borrego Cubero of Office for Strategic Spaces (OSS) has directed and produced the first documentary focused on the tense process that characterizes an architectural competition. Appropriately titled The Competition, the film captures a fascinating account on how five world renowned architects - Jean Nouvel, Frank Gehry, Dominique Perrault, Zaha Hadid and Norman Foster - “toil, struggle and strategize to beat the competition.” The premise is based on a nearly forgotten, 2008 competition for a new National Museum of Art of Andorra, a small Pyrenees country nestled between Spain and France, which has yet to be realized.
The Competition is expected to debut in late 2013. Updates will be available on OSS’s website and facebook.
This week, 2008 Pritzker Prize laureate Jean Nouvel is expressing his vision for the workspaces of the future at the Salone Internazionale del Mobile in Milan. Nouvel was asked by Cosmit, the Salone's parent company, to create a huge project tailored specifically to the Saloni that would document the tremendous changes that have altered living and working spaces over the past few years. Nouvel responded with a project that "frees up the office space" and is a "counter to urban segregation and the zoning of other specially dedicated workplaces." He achieves these goals in his design by rejecting cloned and enclosed spaces as well as serial repetitiveness, suggesting more cohesive formulas that will better serve the domestic and international workplaces of the future.
More from Cosmit on "Project: office for living" after the break.
The Louvre Abu Dhabi Museum, designed by Ateliers Jean Nouvel, aims at creating a welcoming world which associates lights and shadows as well as shimmers and calm places in a serene atmosphere. Its objective is to belong to its country, to its history, to its geography, avoiding being either a dull translation of this reality or a pleonasm meaning boredom and convention. It also aims at emphasizing the fascination generated by rare encounters. More images and architects’ description after the break.
This exhibition presents the predicament for architects working on a large scale in cities scarred by the twentieth-century approach to urbanism. It is shown through the example of a major master plan for the Slussen area of Stockholm, designed by Jean Nouvel (Ateliers Jean Nouvel) and Mia Hägg (Habiter Autrement).
“The city of the twentieth century was the result of a series of sector-based decision that were dominated by ideologies bound up with function and urgency. Time-honored cities were disregarded, brutalized, traumatized, invaded, and asphyxiated by combustion engines and their exhaust fumes. Pedestrians were pushed aside, driven back to narrow footpaths.”
Rumors are flying that Pritzker Prize winning architect Jean Nouvel has been selected to design the new National Art Museum of China (NAMOC) in Beijing. Although the official announcement isn’t due until November, Architectural Record has claimed that multiple, unidentified sources confirmed the news. If the reports are true, the French architect will have beat out fellow Pritzker Prize-winning architects Frank Gehry and Zaha Hadid for the highly coveted commission. In a post-2008 Olympics attempt to attract more visitors to the area, the massive, 1.3 million square foot structure will be built next to the Herzog & de Meuron-designed Bird’s Nest. It will be one of three buildings planned for the area – the others being a museum dedicated to arts and crafts and a Sinology museum. Continue after the break to learn what may have given Nouvel the edge.
Four innovative towers in Canada, Qatar, Australia and Italy have named the best tall buildings in the world for 2012 by the Council on Tall Buildings and Urban Habitat (CTBUH), the international not-for-profit association. These towers demonstrate the continued renaissance of tall building development worldwide, as a record number of 88 tall buildings soaring over 200 meters were completed in 2011, compared to 32 buildings in 2005. Another 96 tall buildings are projected to compete this year, with China being the largest contributor. The four regional winners include the Absolute Towers in Mississauga, Canada (Americas); 1 Bligh Street, Sydney (Asia and Australia); Palazzo Lombardia, Milan (Europe); and Doha Tower in Doha, Qatar (Middle East and Africa). Additionally, Al Bahar Towers in Abu Dhabi won the CTBUH’s first Innovation Award for the project’s computer sun-screen. “The winners display remarkable creativity, as well as a respect for the environment, connection with place, and the urban surroundings,” said Richard Cook, awards committee chairman and founding partner of Cook+Fox Architects. Continue after the break to learn more.