Earlier this week, the temporary sea wall that had been separating the Louvre Abu Dhabi from the seawater of the Persian Gulf was removed, creating a new harmony between site and structure as envisioned in the original project renderings. The building, which was conceived in 2007 and designed by Jean Nouvel, is set to open later this year.
Jean Nouvel has unveiled the design of his latest project: a 22-story tower located near Avenida Paulista in São Paulo. The skyscraper, dubbed Rosewood Tower, is part of Cidade Matarazzo, a 27,000-square-meter site containing historic buildings that once made up the Filomena Matarazzo maternity hospital. A heritage-listed site, the Allard Group is restoring the buildings and creating a cultural center, of which Nouvel’s new tower will be a central component.
Set to contain a hotel as well as residential units, Nouvel’s tower is designed to be a vertical continuation of the local landscape. Thus, the nearly 100-meter-tall tower develops at different levels, forming terraces and large gardens with small and medium-sized trees.
Jean Nouvel has won approval for "Tours DUO" in Paris. The mixed-use project, planned to rise on a former industrial site on the edge of the Seine in the Paris Rive Gauche district, aims to become a "top business real estate destination" and neighborhood amenity. Its two towers will house an eight-story hotel, office space, retail, a top floor restaurant-bar, gardens and green terraces, as well as a "renewed access" to the Seine.
Sixty years ago Arne Jacobsen designed the Series 7 chair - the "Sevener." Unlike many other Jacobsen designs, the chair was not designed for a specific use, leaving it to interpretation. In light of the chair's 60th anniversary, Fritz Hansen commissioned "seven cool architects" - BIG, Zaha Hadid, Jean Nouvel, Snøhetta and three others - to recreate the chair. The results, after the break.
Norman Foster, Jean Nouvel and Rem Koolhaas are competing to design the new Western Australian Museum (WA Museum) in the Perth Cultural Center. As The West Australian reports, the leading architects are part of three shortlisted consortiums being considered to develop the new $428 million project. Each team is currently working with the government on their proposals. A team is expected to be announced later this year. The museum is slated to open in 2020.
The complete list of the shortlisted teams include...
Recently, Pritzker Prize winner Jean Nouvel has been in the news for all the wrong reasons; after his Philharmonie de Paris opened ahead of schedule in January this year, he has been involved in a very public battle to have his name removed from the project to distance himself from the "aberrational decisions" of the client. In this interview, originally published by the Huffington Post as "Interview With Jean Nouvel," Elena Cué sits down with Nouvel in his Paris Studio to talk about his inspirations, the phenomenon of architectural eroticism, and why he is often disappointed with his completed works.
Elena Cué: The anti-Le Corbusier architect Claude Parent was your mentor when you were starting out at the age of 21. Please tell me about what meeting him meant for your career. You were actively involved in May 68 with a radical stance against the educational model of the École des Beaux-Arts in Paris. What were the things you demanded?
Jean Nouvel: I felt that his studio was one of the most creative at that time. He and his partner, Paul Virilio, created a space where a new approach to architecture could evolve. Paul became a very well-known philosopher and thinker of the time. I joined the intellectual rebellion of "May 68" and it certainly impacted my architectural style in terms of its criticism of the way in which French cities have traditionally been constructed. Later on, I joined with them to create the "March 1976 Movement," which demanded that the design of French cities no longer follow the same traditional model. Soon after, the architecture trade union was formed. It was a time of intellectual excitement.
Jean Nouvel has lost a court battle aimed to remove his name from the newly opened Philharmonie de Paris. As The Telegraph reports, Nouvel claimed that the £280 million concert hall was inaugurated prematurely and parts of the building was "sabotaged" in doing so, thus believing it to be morally inapt from him be associated with the building.
"The architecture is martyred, the details sabotaged," he said in a Le Monde editorial, "so taxpayers will have to pay, once again, to correct these aberrational decisions."
After boycotting the premature opening of the infamous Philharmonie de Paris, Jean Nouvel has taken his frustrations to court demanding that his name and image be removed from all references to the publicly funded €390 million concert hall. The French architect, who has claimed to be wrongly vilified as a “spoilt-star artist” and unfairly blamed for the project’s spiraling costs, does not “wish to express himself any further on the project.”
He has asked the court "to order amending work" to 26 "non-compliance" areas that do not comply with his original design. This areas include parapets, fireplaces, facades, the promenade and 2,400-seat concert hall itself.
Ateliers Jean Nouvel’s long awaited opening of the Philharmonie de Paris concert hall took place yesterday at a VIP event in which the French President, Francois Hollande, officiated the ceremony three years after it was scheduled to take place. Jean Nouvel, however, did not attend the event, instead writing an incendiary column for French Newspaper Le Monde, and releasing a statement saying he feels that the building has opened “too early” and it ”is not finished.” He argues that “there were no acoustic tests of the concert hall [as] the schedule did not allow the architectural and technical requirements to be respected, [...] despite all the warnings which I have been giving since 2013.”
If New Yorkers thought that construction during Michael Bloomberg's tenure as Mayor was frantic, then what's coming next might be quite a shock: courtesy of CityRealty, these images show the New York skyline in 2018, when many of the city's current projects will be complete. Produced from building models by TJ Quan and Ondel Hylton as a marketing ploy for Jean Nouvel's 53 West 53rd street which recently (finally) began construction, the images include all of Nouvel's illustrious future neighbors: the "Billionaire's Row" including 111 West 57th Street, 220 Central Park South, 225 West 57th Street (Nordstrom Tower) and One57; new Midtown developments such as 432 Park Avenue, 520 Park Avenue, 425 Park Avenue, One Vanderbilt, 610 Lexington, 15 Penn Plaza, and the Hudson Yards towers; and even the latest financial district towers, 1WTC, 30 Park Place, 125 Greenwich, and 225 Cherry Street.
This year’s title of “Best Tall Building Worldwide” has been awarded to One Central Park, in Sydney, Australia. The award, presented by the Council on Tall Buildings and Urban Habitat (CTBUH), was chosen after a year long selection process across 88 entries in four regions. Senior representatives of each of these four winners presented at the CTBUH Awards Symposium on November 6th at the Illinois Institute of Technology, Chicago, and the winner was announced at the Awards Dinner following the Symposium. Read on after the break to learn more about the winning building.
Winners have been announced for the 2014 LEAF Awards. Spanning 14 categories, including best refurbishment of the year (pictured above), all winning projects “demonstrate buildings that are setting the benchmark for the international architectural and design community.”
See which project landed Jean Nouvel top honors, after the break.
Jean Nouvel's long-awaited 53 West 53rd Street, also known as the Tower Verre or the MoMA Tower, may finally be ready to move ahead with construction after the project's developer Hines purchased $85.3 million worth of air rights from its neighbors MoMA and the St Thomas Episcopal Church and arranged the $860 million construction loan required for the project.
Originally proposed in 2007, the design has been plagued by problems, including significant delays due to the financial crisis and a difficult approval process which resulted in the building's height being slashed from 1,250 feet to its current planned height of 1,050 feet. However, according to a statement from Hines groundbreaking on the project is now "imminent."
The Council on Tall Buildings and Urban Habitat (CTBUH) has announced the regional winners of its 2014 Best Tall Building award. Chosen from a selection of 88 nominees, the four winning buildings will go on to compete for the Best Tall Building Worldwide Award, due to be announced in December.
The winners and finalists this year show significant diversity in form, function and philosophy; normally low-rise typologies such as education, green buildings, renovations and boundary-pushing shapes have all made the list. Jeanne Gang, founder of Studio Gang and Chair of the jury, said: "The submissions this year... reflect the dawning of a global recognition that tall buildings have a critical role to play in a rapidly changing climate and urban environment."
Read on after the break for the full list of winners and finalists
JeanNouvelDesign, the studio led by French architect Jean Nouvel, presented their new collection of furniture during Paris Design Week. Among them is the Oxymore chair, designed by JeanNouvelDesign and produced by specialty group-seating manufacturer Figueras International Seating. This fetishistic chair, a result of research conducted at the Figueras Design Centre, has a singular cubic appearance that provides extreme comfort, softness. It is precisely this unapparent relationship between look and feeling that gives the seat its name—since an oxymoron means a union of contradictory elements.
The rumors are true: Jean Nouvel has been selected as the official winner of the highly acclaimed National Art Museum of China (NAMOC) competition in Beijing. According to Dezeen, the news has been confirmed by Nouvel’s adviser, Oliver Schmitt. Though little has been released about the winning design, earlier reports have described it as a “vast structure” based on the simplicity of a single line - “a single brush stroke.”
In an interview with Financial Times, Nouvel quoted the Chinese artist Shi Tao (1642-1707): “A single line is the source of everything in existence. [...] We started with calligraphy. [...] Pupils used to spend half a year just on that first line with a brush. That first line contains all of Chinese culture – painting, writing and the energy of Chi.”
Madrid-based architect Angel Borrego Cubero of Office for Strategic Spaces (OSS) has directed and produced the first documentary focused on the tense process that characterizes an architectural competition. Appropriately titled The Competition, the film captures a fascinating account on how five world renowned architects - Jean Nouvel, Frank Gehry, Dominique Perrault, Zaha Hadid and Norman Foster - “toil, struggle and strategize to beat the competition.” The premise is based on a nearly forgotten, 2008 competition for a new National Museum of Art of Andorra, a small Pyrenees country nestled between Spain and France, which has yet to be realized.
This week, 2008 Pritzker Prize laureate Jean Nouvel is expressing his vision for the workspaces of the future at the Salone Internazionale del Mobile in Milan. Nouvel was asked by Cosmit, the Salone's parent company, to create a huge project tailored specifically to the Saloni that would document the tremendous changes that have altered living and working spaces over the past few years. Nouvel responded with a project that "frees up the office space" and is a "counter to urban segregation and the zoning of other specially dedicated workplaces." He achieves these goals in his design by rejecting cloned and enclosed spaces as well as serial repetitiveness, suggesting more cohesive formulas that will better serve the domestic and international workplaces of the future.
More from Cosmit on "Project: office for living" after the break.