The 5AXISMAKER is a desktop 5-axis multi-fabrication CNC machine that hopes to expand the possibilities of digital fabrication by making it cheap and more versatile. Should the project receive backing on Kickstarter before the 27th October 2014, the possibility of 5-axis milling will become an affordable reality for manufacturing complex design prototypes. The product in development “provides a large cutting volume for it’s size, therefore producing “generously sized objects.” Developed by graduates of London’s Architectural Association, they hope to “shake the manufacturing world with new ways of fabricating using industrial robots right at your desk.”
Behrokh Khoshnevis of the University of Southern California has won Grand Prize in the NASA Tech Briefs magazine’s “Create the Future” contest for his entry, “Robotic Building Construction by Contour Crafting.” The revolutionary construction method was awarded for being a “major innovation” that could potentially 3D print entire neighborhoods in half the time and at 30 percent less cost than traditional building methods.
Though some have visions of using Contour Crafting (CC) to sculpt the moon’s first settlements, Khoshnevis primary desire is combat the world’s housing shortage by using the automated construction method to rapidly deploy housing in impoverished and disaster areas.
More information and an interview with Khoshnevis on CNN, after the break.
Why do we make models? From sketch maquettes and detail tests to diagrammatic and presentation models, the discipline of physically crafting ideas to scale is fundamental to the architect’s design process. For architect and educator Nick Dunn, architectural models ultimately ”enable the designer to investigate, revise and further refine ideas in increasing detail until such a point that the project’s design is sufficiently consolidated to be constructed.” In Dunn’s second edition of his practical guide and homage to the architectural model, the significance and versatility of this medium is expertly visualised and analysed in a collection of images, explanations, and case studies.
The architects of Emerging Objects have devised a scheme for a 3D printed house made from locally harvested salt and concrete. Known as the “3D Printed House 1.0,” the case study residence was commissioned by the Jin Hai Lake Resort Beijing. It integrates traditional construction methods with renewable 3D printed materials, manufactured by Emerging Objects, to build a house that is sustainable, structurally sound and beautiful.
Among the vast coverage of 3D printing in the media, the technology is frequently cited as the ‘future’ of production, focusing on its ability to bring new things into existence quickly and cheaply. But does 3D printing have to be all about the future? As this article originally printed by Metropolis Magazine as “3D Printing Saves a Frank Lloyd Wright Treasure“ attests, 3D printing also has something to offer to the past; specifically, to a deteriorating Frank Lloyd Wright building whose ‘textile block’ was simply too complex to restore through any other modern techniques. Read on after the break to find out how this high-tech rescue mission is being achieved.
Chinese company WinSun Decoration Design Engineering has constructed a set of ten single story, 3D-printed homes which it produced in under 24 hours. The homes, printed in prefabricated panels which fit together on site, were created using WinSun’s custom-built 3D printer which measures 10 meters by 6.6 meters, and took the company twelve years to develop.
Formed with a cement-based mixture containing construction waste and glass fiber, each of the houses cost just $5,000 to build. Read on after the break for more on the development.
Biomimicry is quickly emerging as one of the next architectural frontiers. New manufacturing processes such as 3D printing, coupled with the drive to make buildings more environmentally sustainable, have led to a wave of projects that are derived from natural phenomena or even constructed with biological materials. A recent example of this trend is “Hy-Fi,” this summer’s MoMA PS1 design that is constructed of organic and compostable eco-bricks. Other projects such as MIT Media Lab’s Silk Pavilion have taken biological innovation a step further by actually using a biometric construction processes – around 6,500 silkworms wove the Silk Pavilion’s membrane. “Animal Printheads,” as Geoff Manaugh calls them in his article “Architecture-By-Bee and Other Animal Printheads,” have already proven to be a viable part of the manufacturing process in art, and perhaps in the future, the built environment as well. But what happens when humans engineer animals to 3D print other materials?
On a purely aesthetic level, 3D printing holds great potential for buildings – all the possibilities of sculpted concrete without the bulky and expensive formwork. Taken to an extreme, it could someday make Hadid-like forms so cheap to execute that they become mundane (even for a non-architect) – maybe even causing the profession to re-evaluate what qualifies as high design.
However, the more important advantage of 3D printing, what could spur its acceptance as a viable means of construction, is its supposed sustainability. Among its oft-
One of the major challenges in translating 3D Printing technology into architecture has been the issue of scale. So far, this has generally resulted in ever larger printers, with one of the most successful examples being the KamerMaker, which has been used to 3D print a Dutch Canal House in 2x2x3.5 metre chunks. However, recognizing the limitations on the size of 3D printers, the Institute for Advanced Architecture of Catalonia (IAAC) has developed a family of three small, mobile robots which together can print a structure of any size.
Read on after the break for more on the process.
The skyline of San Francisco is in the process of significant transformation. Projects such as OMA‘s 550-foot residential tower, as well as developments in the pipeline from Foster + Partners and Studio Gang, are sure to change the city dramatically – thankfully, the 3D printed model in this video is there to show exactly how. The 6×6 foot model shows 115 blocks of downtown San Francisco as it will appear in 2017, and was created by visualization company Steelblue and Autodesk. Claimed to be the largest 3D printed model of a city in the world, it can show much more than just how San Francisco’s downtown will look: overlaid projections can show the status of each building, projected traffic patterns and more. Furthermore, each block is individually replaceable to keep the model up to date. Watch the video, and find out more about the model through this article from SFGate.
MIT has developed a way to 3D print sheets of material that self-assemble when baked. With inspiration from Japanese origami, researchers have developed — among other objects — robots. Head researcher Daniela Rus is already looking for potential applications saying, ”I want a robot that will play with my cat.” Check out the full article at HNGN to learn more and watch a video of the assembly in action.
A team lead by Arup has developed a method of designing and 3D Printing steel joints which will significantly reduce the time and cost needed to make complex nodes in tensile structures. Their research is being touted as “a whole new direction for the use of additive manufacturing” which provides a way of taking 3D printing “firmly into the realm of real-world, hard hat construction.”
Aside from creating more elegant components which express the forces within each individual joint - as you can see in the above photo – the innovation could potentially reduce costs, cut waste and slash the carbon footprint of the construction sector.
Read on for more on this breakthrough
The following article is presented by ArchDaily Materials. In this article, originally published by Metropolis Magazine, Lara Kristin Herndon and Derrick Mead explore seven innovative architectural materials and the designers behind them. Some materials are byproducts, some will help buildings breathe and one is making the leap from 3D printing to 4D printing.
When Arthur C. Clarke said that any sufficiently advanced technology is indistinguishable from magic, he was speaking from the spectator’s point of view, not the magician’s. As our list of smart materials shows, technology solves difficult problems, but getting there requires more than just a wave of the magic wand. Each of the following projects looks past easy answers. Whether it’s a new way of looking at old problems, a new material that maximizes the efficiency of an old technique, or a new method to tap the potential of an abundant or underutilized resource, here are seven innovators who take technology out of the realm of science fiction.
Andrew Carnegie once said, “Aim for the highest.” He followed his own advice. The powerful 19th century steel magnate had the foresight to build a bridge spanning the Mississippi river, a total of 6442 feet. In 1874, the primary structural material was iron — steel was the new kid on the block. People were wary of steel, scared of it even. It was an unproven alloy.
Nevertheless, after the completion of Eads Bridge in St. Louis, Andrew Carnegie generated a publicity stunt to prove steel was in fact a viable building material. A popular superstition of the day stated that an elephant would not cross an unstable bridge. On opening day, a confident Carnegie, the people of St. Louis and a four-ton elephant proceeded to cross the bridge. The elephant was met on the other side with pompous fanfare. What ensued was the greatest vertical building boom in American history, with Chicago and New York pioneering the cause. That’s right people; you can thank an adrenaline-junkie elephant for changing American opinion on the safety of steel construction.
So if steel replaced iron – as iron replaced bronze and bronze, copper – what will replace steel? Carbon Fiber.
Archibot, a project currently being developed by South Korean architectural designer Han Seok Nam, aims to “revolutionize” how architects and contractors work on construction sites by printing digital CAD plans onto the ground “error free.” Having recently been granted a patent, the robot seeks to avoid the human errors associated with interpreting information from construction documents.
According to Nam, a contractor “will be able to grasp exactly where the door and the wall needs to be constructed by having the construction documents be printed directly onto the site without measurements. Errors will be easily detectable since the construction document can be directly compared to a life-size print out directly on the construction site.” It would be “just like following a map and driving towards a destination.”
See a video of the robot at work, after the break…
This article by Marc Kristal from Metropolis Magazine, originally titled “Digital Details,” looks at the work of NRI, a New York company that is leading the way when it comes to 3D Printing (or rather, additive manufacturing) – finding that there is a craft in these machine-produced models after all.
First things ﬁrst: The term “3-D printing” is a misnomer according to Arthur Young-Spivey, the digital fabrication specialist at NRI—a 116-year-old, New York–headquartered supplier of reprographic services to architects and their tradespeople. “The correct term is ‘additive manufacturing,’” he explains. “People call it 3-D printing because it enables you to wrap your head around it, but in some ways it’s confusing.”
Young-Spivey has a point, as the process by which a digital ﬁle is converted into an object isn’t “printing” in the commonly understood sense of applying pigment on a substrate. With 3-D printing, he says, “Instead of using paper, you’re printing with powder or plastics. It’s all one layer at a time.” The thinner the layer, the better the quality, and the longer the process takes. “And there’s always post-production processing, to clean up the model,” he adds. “That’s why ‘additive manufacturing’ is a more accurate description.”
Read on for more on the work of NRI
“The building industry is one of the most polluting and inefficient industries out there,” Hedwig Heinsman of Dus Architects tells The Guardian‘s Olly Wainwright, “With 3D-printing, there is zero waste, reduced transportation costs, and everything can be melted down and recycled. This could revolutionise how we make our cities.”
Working with another Dutch firm, Ultimaker, Dus Architects have developed the KamerMaker (Room Maker), a 3D Printer big enough to print chunks of buildings, up to 2x2x3.5 meters high, out of hotmelt, a bio-plastic mix that’s about 75% plant oil. The chunks can then be stacked and connected together like LEGO bricks, forming multi-story homes whose designs can be adapted according to users’ needs/desires. For Dus’ first project, they’ve taken as inspiration the Dutch canal house, replacing hand-laid bricks with, in Wainwright’s words, “a faceted plastic facade, scripted by computer software.”
So far, only a 3m-high, 180-kg sample corner of the future canal house has been printed; moreover, the blocks will need to be back-filled with lightweight concrete, meaning it’s not yet as biodegradable as its creators would like. However, its game-changing potential is already provoking much interest in the public; over 2,000 people have come to visit the site, including Barack Obama. Learn more at The Guardian and in the video above.
Adobe has unveiled a major update to Photoshop CC (Creative Cloud) with the hope that a “radically simplified 3D printing process” will make their software the “go-to tool for anyone who wants to print a 3D model.” Their new software allows for designers to create a model from scratch or refine an existing design leading to perfect print ready 3D models. Since one of the most common problems with 3D printing is the human errors in virtual modeling, Photoshop includes automatic mesh repair and will insert a support structure if necessary to ensure that the model will print reliably and without faults.
You can find out more about Adobe Photoshop and 3D Printing here. This update to Photoshop is already available for those who are subscribed to Adobe’s Creative Cloud.