Have you ever wanted to look over an entire city from the comfort of your own desk? Do you have a sentimental relationship with the city of Tokyo? If you answered "yes" to these questions, iJet Inc, a 3D print solutions company, along with DMM.com Ltd, have launched a Kickstarter that might be for you.
One Hundred Tokyo is a project aiming to reproduce Tokyo’s urban landscape in the form of one hundred ten by ten centimeter 3D printed models. All of the data and equipment needed to gather visual information of the city has been provided by ZENRIN Co Ltd, who traveled around the landscape in specialized vehicles. The 3D models created by this process are then printed on 3DSystems printers, using gypsum powder that is coated in a special resin in order to harden, and then coated once again in resin paint to achieve the full-color skyline.
After working for OMA, BIG, FR-EE and REX, architect-turned-artist Se Yoon Park has dedicated the last three years to Light, Darkness, and the Tree, a sculpture series employing digital fabrication techniques to express an allegory for life. With assistants, Vladislav Markov, Kelly Koh, David Temann Lu, Ramon Rivera, Kara Moats, and Insil Jang, Park uses dynamic light and shadow to capture movement on surfaces that contort, split and disappear into each other.
A year after the ancient city of Palmyra, Syria was destroyed by the Islamic State, a 3D-printed recreation of one of its most iconic structures has begun its world tour. Originally erected in London’s Trafalgar square in April, on Monday, the replica of Palmyra’s Arch of Triumph was unveiled in its new location outside city hall in New York City.
Part of the beauty of an architectural education is that it provides you with design skills that can be applied to a wide variety to jobs. So when it came time for Kharkov University Architecture School graduate Dinara Kasko to select a career path, she chose to pursue something a little bit sweeter: architectural pastry chef.
The AA School of Architecture’sDRL Masters Program has developed a thesis project, entitled Growing Systems, which explores adaptable building systems using methods of robotic fabrication and generative special printing within the context of housing.
Centered on a new method of structural 3D vertical extrusion, the project combines the precision of prefabricated elements with the adaptability of on-site fabrication, in response to the flux and dynamism of cities. The method becomes a system of elasticity that can accommodate site parameters, as well as future adjustments.
Thinking about investing in some new technology? Creativeboom has compiled a list of 20 dream gadgets for designers that will either make your workflow more efficient or just be a whole lot of fun to play around with.
Bringing together architects, artists, chefs, designers and engineers, pop-up restaurantFood Ink. has laid claim to the title of "world's first 3D-printing restaurant." The restaurant utilizes 3D printers produced by Dutch company byFlow to create dishes out of hummus, chocolate mousse, smashed peas, goat cheese or pizza dough – essentially anything that can take the form of a paste. The paste can then be fed through the extruder to create culinary sculptures.
A team of engineers at Autodesk have been pushing the limitations of conventional 3D printing -- not by redesigning the machines themselves, but by creating a network to harness their collective power. Autodesk's "Project Escher" is a new printing system that utilizes the power of several 3D printers at once to fabricate complex parts in unison, reports FastCoDesign. The new system can increase production speed by up to 90%.
Design group prescription., in conjunction with Arup, have developed a sophisticated sundial based off of solar path data that takes the form of a flowering fan. The geometry is optimized using the specific solar data from any world location, giving the sundial a completely unique form based on where it is constructed, and is materialized in a strong, flexible plastic through a 3D printing process.
Swept up in an age of digitization and computing, architecture has been deeply affected in the past decade by what some critics are calling “The Third Industrial Revolution.” With questions of craft and ethics being heavily present in the current architectural discourse, projects taking advantage of these new technologies are often criticized for their frivolous or indulgent nature. On the other hand, there has been an emergence of work that exemplifies the most optimistic of this “Third Industrial Revolution” – an architecture that appropriates new technology and computation for the collective good of our cities and people.
We’ve collected 7 of these projects, ranging from exemplars of engineering to craft and artistry; projects that 80 years after Le Corbusier’s modernist handbook hint at a further horizon – towards a newer architecture.
After NASA’s discovery of water beneath the surface of Mars earlier this year, and the subsequent critical and popular success of the movie The Martian, it's safe to say that the planet named after the God of War is all the rage. Those revelations have led to speculative looks at how our neighboring planet could be colonized from numerous designers, such as Norman Foster.
Many of those plans, including those of SpaceX founder Elon Musk, involve dumping Earthen construction materials onto the alien surface, potentially starting an inclination for pollution of our new world before it is even occupied. Spanish architect Alberto Villanueva of IDEA Architecture Office saw this as an opportunity for design to intervene. Using Martian soil and the fungus mycelium, Villanueva proposes a strategy utilizing 3D printing and bioluminescence that has gained the attention of both NASA and the European Space Agency.
Fashion and architecture often intersect, with OMA/AMO designing runways for Prada, and architects, such as Zaha Hadid, designing swimwear and shoes. This time, we’ve rounded up four designers who have created jewelry lines inspired by the built world around them. From cityscape and protractor rings to wearable sculptures, check out the collections after the break.
In 2013, Skylar Tibbits of the MIT Self-Assembly Lab introduced a new phrase to the architectural lexicon: 4D Printing. The concept, which built on the hype surrounding 3D printing and added the dimension of time, describes materials that can be constructed through 3D printing in such a way that they later react and change shape in response to an external stimulus such as heat or moisture.
Tibbits demonstrated his idea with a composite of two materials, but now researchers led by materials scientist Jennifer Lewis at Harvard have gone one better, creating a method that produces the same effects with just one material.
Four Masters students from Bartlett School of Architecture - Francesca Camilleri, Nadia Doukhi, Alvaro Lopez Rodriguez and Roman Strukov - have developed a new method for 3D printing large-scale, self-supporting concrete structures. With their project Fossilised, the team, known as Amalgamma, combined two existing concrete 3D printing methods - the extrusion printing method and the powder printing method - to create a form of supported extrusion that allows for "more volumetric" concrete structures.
"The supported extrusion method has therefore presented the opportunity to design forms that are more varied and more volumetric, as opposed to the very straight vertical forms so far achieved in 3D concrete practice," says Amalgamma.
You’ve probably never given much thought to the seemingly basic interior partitions of an airplane, but building codes are a walk in the park compared to the exacting standards of aviation design. Those thin panels that separate the seats from the plane's galley must also be capable of supporting the weight of flight attendant jumpseats and providing a removable section to accommodate emergency stretchers - not to mention the rigorous safety standards and crash testing that aviation components must satisfy. With all of these challenges in mind, The Living, an Autodesk Studio, in collaboration with Airbus and APWorks, have developed the Bionic Partition Project, which harnesses generative design and 3D printing to maximize the structural efficiency of the panel, reducing the weight of an aircraft, and saving fuel. And while this particular application is specific to a single aircraft type, the technological advances could have far-reaching implications.
Netherlands-based Ittyblox has created yet another series of miniature 3D-printed buildings, this time featuring typical and iconic buildings and sites in Paris. Adding to their series of New York, London, and Chicago, among others, the new Parisian series follows suit as a 1:1000 scale model of customizable city blocks.
Vincent Callebaut Architectures has envisioned a radical underwater colony for "climate change refugees" 3D printed from recycled materials taken from the ocean's floating garbage patches. This particular proposal of "oceanscrapers" is sited off the shore of Rio de Janeiro. It's aim is to provide a sustainable habitat with 10,000 housing units, office and work space, sea farms, gardens, community orchards and much more, while fostering marine life.
3D printing has been used in architectural practice since the 1990s, and while its use for producing design models continues to be adopted, the aesthetics and stylistic potential of its output remain unexplored by many architects. In his book “Digital Craft: 3D Printing for Architectural Design,” Bryan Ratzlaff examines the relationship between the architect, the model and the 3D printer, creating a better understanding of how when integrated, these entities can lead to a refinement in the communication of architectural design with 3D printing.