When designing buildings, attention often focuses on residential units, prioritizing apartment comfort and functionality. However, it is equally important to consider common areas, which play a fundamental role in residents' quality of life and in building a community that shares the same space. In addition to their social benefits, these communal spaces can also play a significant role in promoting sustainability and user well-being. After all, the integration of green areas and spaces dedicated to leisure and sports reduces stress and provides new activities for residents.
Light and color are intrinsically linked, as color cannot exist without the presence of light. In 1665, Isaac Newton made a momentous discovery when he observed that white light breaks down into different colors as it passes through a prism, creating a spectrum. This discovery laid the foundation for understanding the nature of light and developing color theory, which had a significant impact not only in the scientific field but also in artistic disciplines such as painting, photography and architecture.
https://www.archdaily.com/1001361/laminated-glass-skylights-infused-with-vibrant-colors-the-kaleidoscopic-stationEnrique Tovar
The China Philharmonic Concert Hall in Beijing, China, designed by MAD Architects led by Ma Yansong, is nearing completion. The design of the concert hall began with a competition, won by MAD in 2014. Upon completion, the 26,000-square-meter building will become the first permanent residence for the China Philharmonic Orchestra, transforming the area into a new locus for classical music and cultural exchange. The project is scheduled to be completed in 2024.
When asked about his memories of the house where he spent part of his childhood, Finnish architect Juhani Pallasmaa says that more than sight, his memories are based on the smell of the house. According to him, each house has its own smell, which we do not always perceive when we are in it, but immediately recognize upon returning.
In parallel to this year's Venice Architecture Biennale, The European Cultural Centre (ECC) presented the sixth edition of its extensive architecture exhibition titled Time Space Existence. The 2023 iteration of the group show draws attention to expressions of sustainability in its numerous forms, ranging from a focus on the environment and urban landscape to the unfolding conversations on innovation, reuse, community, and inclusion. A total of 217 projects by established participants like Snøhetta or MADWORKSHOP and emerging players such as Urban Radicals or ACTA are currently on show through the 26th of November, 2023, at Venice's Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens.
In response to climate change, the installations on show investigate new technologies and construction methods that reduce energy consumption through circular design and develop innovative, organic, and recycled building materials. Participants also address social justice by presenting living solutions envisioned for displaced communities and minorities, while others examine the tensions between the built urban environment and the nature surrounding it to identify opportunities for coexistence.
The Unhão complex, constructed in Salvador, Brazil in the 17th century, consisted of a sugar mill with a big house, chapel, and slave quarters. At the time, Salvador was one of the largest and most important Brazilian cities, and its port was the site of a large portion of the Portuguese colony's sugar exports, an economy fueled primarily by slave labor. The ensemble drew the attention of Italian-Brazilian architect Lina Bo Bardi at her first visit in 1958, during which she spent some years working and teaching in the city. Following Bo Bardi's decisive contributions, the buildings were restored and became the new home of the Museum of Popular Art and the Popular University. But within the whole complex, the element that draws the most attention for its plasticity, functionality, and symbolism is the helical wooden staircase.
Already known to be a great tool for experiencing a building before it’s built, real-time visualization also serves as an excellent means to understand the history of buildings that no longer exist.
Here’s how two researchers from the University of Salerno (UNISA) retraced thousands of years of existence and unveiled the rich past of Villa Rufolo with the help of real-time visualization.
Construction has begun at the last remaining empty sites in Chengdu’s Jiaozi Park Financial and Business District, where MVRDV has designed a complex comprised of three mixed-use office towers and a conference center united by a ring-shaped plinth. The building shape and functional structure are informed by its surrounding context, with a retail village that references the traditional structures that were once located on the site.
The redevelopment of maritime and riverfront areas is a crucial element in the transformation of many urban areas, providing a series of significant benefits for cities and their inhabitants. The presence of water, whether in rivers, lakes or seas, has historically played a fundamental role in the formation and development of many cities, intimately related to their dynamics. This relationship has changed and presented itself in different ways over time, and these spaces have often been neglected in numerous ways, particularly by a certain type of urban planning that disregarded their potential in favor of other imperatives, such as road transport and industrial equipment.
I always consider myself fortunate to have grown up outside the city, where my ‘cross-country’ lessons, for example –national right of hardship for 11-16-year-olds– were through the actual countryside rather than the high street. For many children, however, modern school life is not so close to nature.
Already over-populated cities are continuing to expand, meaning more schools are suffering from the limitations presented by inner-city architecture including noise, air, and light pollution; a lack of space, especially green space; restrictive budgets and building regulations resistant to change.
With innovative and considered design solutions, however, these four inner-city schools show the rest of the class how to work through their architectural answers and provide quality, green spaces for all.
More than ten thousand kilometers away from the capital Brasilia, a jewel of Brazilian modern architecture overlooks the Mediterranean Sea. Located in another Brasilia, a district in Beirut named after the Brazilian capital, the Residence of the Ambassador of Brazil in Lebanon, designed by Olavo Redig de Campos, combines tropical modernism with elements of Middle Eastern culture.
For the first time, the house will be open to the public through guided tours focused on historical heritage. Geared towards architecture, design, and art professionals and students, the visits will be guided by Dr. George Arbid, director of the Arab Center for Architecture, a renowned institution in modern architecture in the region.
Concrete, second only to water, is the most consumed material worldwide due to its structural strength, ease of handling, and versatility. Comprised of cement, sand, gravel, and water, it is extensively used in construction projects of various scales. However, even this resilient material can deteriorate over time, necessitating maintenance or, in severe cases, demolition. Abrasion and erosion are factors that can adversely affect the appearance of concrete, remove its protective layer, create a rough surface, and potentially lead to structural issues. These challenges are particularly critical in large and complex construction sites, where any irregularities or unevenness can result in significant losses and complications for architects, engineers, and contractors.
Water, with its religious connotations as a symbol of purification and life, holds great significance in many cultures. Nowhere is this respect for water more evident than in India, a country that reveres its rivers as holy. Water bodies serve as a testament to the veneration and use of water in religious rituals, embodying cultural heritage as public spaces, ritual sites, and places for cremation. Central to daily life in India, water and water architecture intertwine spirituality, and cultural traditions, offering a glimpse into the rich traditions of communities.
Tic Art Exhibition Center / Ann Yu. Image: Ann Yu, 2022. Image Courtesy of A' Design Award
As a designer, it can be difficult to find one's way through the many awards and competitions that currently exist. One award, however, offers a one-stop solution to honor designers, architects and design-oriented companies, anywhere in the world, and with global recognition and publicity. The A' Design Award is an international, juried design competition that spans over 100 categories, from Furniture Design, Architecture, Building and Structure Design, to Landscape Planning and Garden Design, and Bathroom Furniture and Sanitary Ware Design.
The American Institute of Architects has elected Evelyn Lee as the 2025 President-elect. During the AIA annual meeting, Lee has been selected to take the position of 2024 First VP President-Elect, and afterward to become president in 2025. AIA has also elected Heather Philip-O'Neal to serve as Treasurer between 2024-2025, and Latoya N. Kamdang as the elected At-large Director.
Evelyn Lee is the Global Head of Workplace Strategy and Innovation at Slack Technologies, Founder of the Practice of Architecture, and Co-Host of the Podcast Practice Disrupted. She is also a member of the National Organization of Minority Architects (NOMA). From 2020 to 2021, she served as the first female Treasurer to the AIA National Board. She is also widely published, having managed a monthly column for Contract magazine, in addition to various other online publications, where she developed recurring content on the business of architecture. Additionally, Evelyn Lee has been featured as a speaker, panelist, and moderator at national design and architecture conferences, including AIA National Convention, Dwell on Design, and Women in Green.
Rabab Raes Kazem, Envisioning the future of Kuwait, 2023. Collage, Print on Mylar, 42cmx29.7cm. Image Courtesy of NCCAL
The Kuwait Pavilion, titled 'Rethinking Rethinking Kuwait,' at the 18th International Architecture Exhibition — La Biennale di Venezia, delves into innovative architectural and urban design methods arising from space and time. The project is an ongoing exploration addressing the consequences of modernist urban planning, which erased much of Kuwait's historic built environment.
Old and compartmentalized plants, small openings, and lower floors receive scarce natural light. Improving natural lighting in an apartment can be challenging. However, some strategies can help maximize light entry into interiors and bring benefits such as comfort, spaciousness, well-being, and energy savings.
In the center of Cairo, The Nile River, one of the world's most iconic waterways, has shaped the course of civilization for thousands of years. Serving as a vibrant lifeline, connecting neighborhoods, and providing a bustling hub for transportation, the Nile River is an essential natural resource for arid Cairo. Throughout the country’s history, it has often been regarded as the source of life in fertility in its annual flooding, bringing richness to the surrounding lands. Interestingly, this year's edition of La Biennale di Venezia, the Pavilion of Egypt "NiLab" focused on exploring this layered water source and unfolding its effects on the built environment.
On January 24th, the fifth edition of the 'International Education Day' was celebrated under the slogan "Invest in people, prioritize education". Proclaimed by the United Nations General Assembly, it promotes a strong political mobilization seeking to chart the way and accelerate progress towards the 4th Sustainable Development Goal: Quality Education.
Mexican architect Carlos Lazo's Cuevas Civilizadas project in Mexico City. Image Courtesy of The Isamu Noguchi Foundation and Garden Museum
Contemporary architecture's approach to space is fairly linear: enveloping a specified volume within some form of material construct. But if we take a look at humanity's first intentional dwellings, it becomes clear that they were much less premeditated.
Rather than manmade areas to be furnished with pride, our earliest homes were naturally occurring cave lairs that offered hunter-gatherers temporary protection from the elements and potential predators. It wasn't until the appearance of agriculture that our ancestors took permanent, built residences. To this day, troglodytism — or cave living — continues to be connected to ideas of societal disassociation and a hermetic desire to exist outside of orthodox architectural norms. And yet, from Northern China to Western France and Central Turkey, hundreds of millions of people still choose to spend their lives at least partially underground.
The greenhouse is a commonplace architectural typology, a frequent fixture in a host of cities, built to shield plants from the elements — from excess heat or cold or to prolong the growing season of crops. Evidence of the presence of greenhouses in some form stretches as far back as the 1450s during the Korean Joseon dynasty, but it is in the 1700s that the greenhouse was born as a specific architectural form. Glassmaking improved, and thus the largely transparent, wide-span structures we know today were born. Nestled under the intricate iron metalwork of greenhouses are also wider stories — of control and undeserved wealth, and resistance.
The circular economy concept became more defined in 1990 when it appeared in the article Economics of Natural Resources and the Environment, by British economists and environmentalists David W. Pearce and R. Kerry Turner. At the time, the main purpose of the research was to demonstrate that the traditional economy did not incorporate recycling. In this way, the environment assumed a secondary role, just like a simple waste reservoir. Therefore, the circular economy would gain strength as an opposition to the linear (or traditional) economy, in which the production chain motto is “extract, produce and discard”. A model deeply rooted in our economy that has become unsustainable for several reasons, like the depletion of natural resources and the contamination of the environment resulting from production and disposal.
As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.
Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.
