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This article was originally published by Metropolis Magazine under the title "Taking a Second Look at This Year's Nebulous Venice Architecture Biennale."
One of the few incontrovertible truths to emerge from the 16th International Architecture Exhibition, which opened in Venice on May 26 and runs through November 25, is that sensitivity and skill in making architecture do not necessarily transfer to the work of organizing an architecture exhibition.
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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Australian Pavilion. To read the initial proposal, refer to our previously published post, "Australian Pavilion at 2018 Venice Biennale to Explore Architecture's Relation to Endangered Plants."
The theme for the Australian Pavilion at the 2018 Venice Biennale is Repair. Created by Baracco+Wright Architects in collaboration with Linda Tegg, it consists of a living installation, Grasslands Repair, that presents more than 60 species of Western Plains Grasslands plants from South East Australia. By covering the ground of the pavilion with these plants, it explores the relationship between architecture and the natural environment, especially in regards to the ecologically sensitive landscape of Australia and the cultural importance of the land for the Indigenous people.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Finnish Pavilion. To read the initial proposal, refer to our previously published post, "Finnish Pavilion at the 2018 Venice Biennale to Examine the Future of Libraries."
Conceived by Commissioner Hanna Harris, Director of Archinfo Finland, and Curator Dr Anni Vartola, the Finnish Pavilion presents Mind-Building at the 2018 Venice Biennale, an exhibition that explores the importance of the public library in Finnish culture. With exhibition design by Tuomas Siitonen and graphic design by Johannes Nieminen, it showcases Finnish libraries through a thematic selection of architectural designs, objects and specially commissioned sound and video work.
For the 2018 Venice Biennale, Stefano Boeri Architetti presents Slow Food Freespace, the first Slow Village to be constructed in Sichuan, China. Made in collaboration with Slow Food Movement, speakers Stefano Boeri and Carlo Petrini discussed the project at the event “Across Chinese Cities - The Community.”
For the Slow Food China project, Stefano Boeri Architetti has designed a school, a library and a small museum for the villages involved, free of charge. The program attempts to encourage millions of Chinese farmers to stay in their rural districts, combatting the unprecedented emigration to cities which has grown in the last few years. By offering educational facilities and cultural landmarks to these rural communities, it inspires the preservation of local culture and acknowledges the importance of the agricultural economy.
With the opening of the 16th Venice Architecture Biennale comes a look at the first ever contribution by the Holy See, an exhibition that brings together architects to design chapels that, after the Biennale, can be relocated to sites around the globe.
Located in a wooded area on the Venetian island of San Giorgio Maggiore, 10 chapels by architects including Norman Foster, Eduardo Souto de Moura, and Smiljan Radic, are joined by the Asplund Chapel by MAP Architects. This 11th structure serves as a prelude to the other chapels, while reflecting on Gunnar Asplund's 1920 design for the Woodland Chapel.
British architect, historian, critic and educator Kenneth Frampton has been announced as this year’s recipient of the Golden Lion for Lifetime Achievement at the 2018 Venice Biennale. The decision was made by the Board of The Venice Biennale chaired by Paolo Baratta, upon recommendation from the Biennale’s curators, Yvonne Farrell and Shelley McNamara of Grafton Architects.
Having studied at the Architectural Association in London, Frampton has taught at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York since 1972. He has also lectured at several leading institutions, including ETH Zurich, the Royal College of Art in London, and the Berlage Institute in Amsterdam. Perhaps his most influential work, “Modern Architecture: A Critical History,” was described by Biennale President Paulo Baratta as a book which “no student of the faculties of architecture is unfamiliar with.”
Foster + Partners has released details of their proposed chapel to form part of the Vatican’s inaugural entry to the Venice Biennale. The Holy See Pavilion will comprise ten chapels designed by ten architects, to be situated on the Venetian Island of San Giorgio Maggiore. Among the architects contributing to the circuit of chapels are Foster + Partners, Eduardo Souto de Mourao, and Francesco Cellini.
At a press conference earlier today, curators of the 2018 Venice Biennale Yvonne Farrell and Shelley McNamara of Grafton Architects revealed more information about this year's upcoming event, to be hosted from May 26th to November 25th. Building on the thematic concept the duo presented last June—“Freespace”—the event will feature a main exhibition in the Central Pavilion of the Giardini and the Arsenale featuring work by 71 participants, while two Special Sections will feature a total of 29 further participants. Elsewhere, 65 national pavilions will present contributions from around the world, including 7 first-time participants: Antigua & Barbuda, Saudi Arabia, Guatemala, Lebanon, Mongolia, Pakistan and the Holy See.
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the UAE Pavilion. Below, the participants describe their contribution in their own words.
The National Pavilion UAE will present “Lifescapes Beyond Bigness,” an exhibition exploring human-scale architectural landscapes, at the 2018 Venice Biennale. The exhibition aims to highlight the role of architecture and urban design in forming the choreography of people’s daily routines. It particularly investigates the role of ‘quotidian’ (every day) landscapes in accommodating, enhancing, and facilitating social activities across different places in the UAE.
The Danish pavilion at the 2018 Venice Architecture Biennale will demonstrate the power of collaborative innovation through large-scale installations. Architect and Head of Institute of Architecture & Technology at The Royal Danish Academy of Fine Arts, Natalie Mossin was selected to be the Danish pavilion curator by several prestigious organizations including The Danish Architecture Centre, The Danish Ministry of Culture, Realdania and the Danish Arts Foundation.
The curators of the U.S. Pavilion exhibition at the 2018 Venice Biennale have revealed five film and video works that will be featured within their Dimensions of Citizenship exhibition at next year’s Venice Biennale.
Entitled “Transit Screening Lounge,” the collection of videos will explore narrative, speculative and impressionistic perspectives on the spatial conditions of citizenship.
Venice? Chicago? Lisbon? Seoul? Architecture biennials, biennales, triennials, and triennales have become a vital part of the culture of modern architecture. Every two or three years, they debut new ideas, discuss popular topics, and showcase the best of what is happening in the field for both today and tomorrow. But, with the proliferation of these events in countries around the world, they can be tough to keep track of. How many are there, and when are they? ArchDaily has you covered. Below we have compiled what we believe is a comprehensive list showing the what, where, and when of the world's architecture and design biennials, triennials, and a handful of the larger yearly events. We've also included some more in-depth descriptions of a handful that have (in recent years at least) proven themselves to be big names.
The curatorial team for the U.S. Pavilion at the 2018 Venice Architecture Biennale have announced the seven designers who will create the pavilion’s main exhibitions. Consisting of architects, landscape architects, artists and designers, the group will produce responses to the theme of Dimensions of Citizenship, exploring “the meaning of citizenship as a cluster of rights and responsibilities at the intersection of legal, political, economic, and societal affiliations.”
The seven exhibitors include:
In 2018, Germany will be reunified for 28 years, the precise amount of time that the inner German border wall—which was active from between 1961 and 1989—stood between "East" and "West". With this in mind, the German State have announced "Unbuilding Walls" as the theme of the German Pavilion at the 2018 Venice Architecture Biennale. Curated by GRAFT with Marianne Birthler, the exhibition will be designed to "respond to current debates on nations, protectionism, and division."
The U.S. State Department has announced the individuals and institutions that will serve as curators and commissioners of the United States Pavilion at the 2018 Venice Architecture Biennale.
Selecting through an open competition and recommendations from the Federal Advisory Committee on International Exhibitions, the exhibition will be led by co-commissioners The School of the Art Institute of Chicago (SAIC) and the University of Chicago and curators Niall Atkinson, Associate Professor of Architectural History at the University of Chicago; Ann Lui, Assistant Professor at SAIC and co-founder of Chicago-based architecture practice Future Firm; and Mimi Zeiger, a critic, editor, curator, and educator based in Los Angeles.
Under the theme of Dimensions of Citizenship, the exhibition will explore “the meaning of citizenship as a cluster of rights and responsibilities at the intersection of legal, political, economic, and societal affiliations.”
At a meeting convened today at the Biennale's headquarters at Ca’ Giustinian in Venice, Italy, Grafton Architects—Yvonne Farrell and Shelley McNamara—revealed the theme and outline for the 2018 Venice Architecture Biennale, which they have titled Freespace. According to the Directors, the forthcoming Biennale will celebrate "generosity and thoughtfulness," and "a desire to engage."
We believe that everyone has the right to benefit from architecture. The role of architecture is to give shelter to our bodies, but also to lift our spirits. A beautiful wall forming a street edge gives pleasure to the passer-by, even if they never go inside.
Freespace will "reveal diversity, specificity, and continuity in architecture. Together," they proposed, "we can reveal the capacity of architecture to connect with history, time, place, and people. These qualities sustain the fundamental capacity of architecture to nurture and support a meaningful impact between people and place." In their closing statement, Farrell and McNamara chose to quote an Ancient Greek proverb: a society grows great when old men plant trees whose shade they know they will never sit in.
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