Founded in 2022 by art advisor Filipe Assis, ABERTO is an exhibition platform celebrating the convergence of art, design, and architecture in Brazil and beyond. Staging exhibitions in private and public modernist spaces, its past editions have highlighted the global connections forged by Brazilians from the 20th century onwards. Following three exhibitions in São Paulo, "ABERTO 4 – Brazil After Le Corbusier" marks its first international edition, taking place at Le Corbusier's Maison La Roche in Paris, from 14 May to 8 June 2025. The exhibition presents around 35 design and art pieces by Brazilian artists, spotlighting Le Corbusier's seminal connection to Brazilian modernist architecture and exploring his influence on contemporary Brazilian creatives. Previous editions of ABERTO have featured over 100 artists from Brazil and abroad in houses designed by Oscar Niemeyer (2022), Vilanova Artigas (2023), and Ruy Ohtake and Chu Ming Silveira (2024).
In partnership with the European Cultural Center (ECC), ArchDaily has launched its inaugural exhibition as part of the seventh iteration of Time Space Existence, an architectural showcase occurring concurrently with the 19th VeniceArchitecture Biennale. Open from May 10 to November 23, 2025, in various locations throughout Venice, this edition centers on the theme of "Repair, Regenerate, and Reuse," promoting innovative and sustainable approaches in architecture. ArchDaily's contribution is located at Palazzo Mora, complementing other venues like Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.
Fondation Cartier pour l'art contemporain announced plans to move into a historic building in Place du Palais-Royal in Paris. Originally built in 1855, the Haussmannian building is reimagined by architect Jean Nouvel and scheduled to open on October 25, 2025. The collaboration between Fondation Cartier and Jean Nouvel dates back to 1994 when the architect designed the "Parisian Monument," a glass and steel building on Boulevard Raspail that serves as the institution's current headquarters.
Theaters, concert halls, and opera houses are more than just venues — they are meticulously orchestrated environments where architecture, technology, and human emotion converge. Unlike conventional buildings, these spaces must accommodate a dynamic interplay between acoustics, sightlines, stage mechanics, and audience engagement, all while maintaining an architectural identity that resonates with performers and spectators alike. Whether it is the immersive embrace of a vineyard-style concert hall or the grandeur of a proscenium theater, every design decision shapes how performances are experienced and remembered.
According to several recent studies, noise in cities has become an increasing hazard to health. Environmental noise, that is, noise from traffic, industrial activities, or amplified music, which reaches internal spaces, is not merely an annoyance. It has been linked to cardiovascular disease, diabetes, dementia, and mental health. As the world urbanizes, more people are exposed to excessive levels of noise. How can urban design and architectural strategies help to prevent this?
Symbiosis, a Prototype for Living and Working. Image Courtesy of contexo
The future of urban life is increasingly being imagined as collective, layered, and adaptable. As cities grow denser and the boundaries between work, home, and leisure blur, architects are rethinking the traditional notion of residential living, shifting from isolated units to integrated, community-driven environments. This collection of unbuilt projects, submitted by the ArchDaily community, reflects this shift: a global exploration into how design can shape more resilient, inclusive, and connected ways of living.
The exhibition is based on the observation that France is expected to experience a temperature rise of +4°C by the year 2100. Its current temperate climate is projected to shift toward a subtropical one. In response, the exhibition turns to warmer latitudes for architectural models that can inform how to build today in France—and in other regions currently considered temperate—an architecture capable of withstanding this increase in heat.
https://www.archdaily.com/1028990/sana-frini-and-philippe-rahm-announce-participants-for-the-2025-versailles-biennale-of-architecture-and-landscapeArchDaily Team
Following an international competition, Polish American architect Daniel Libeskind's firm, Studio Libeskind, in collaboration with La Compagnie de Phalsbourg, has been selected to design the flagship building for the Léon Blum district, adjacent to the future Line 15 station of the Grand Paris Express. The competition featured eight teams, including Snøhetta, Valode et Pistre, Stefano Boeri, Sou Fujimoto, and Jean-Paul Viguier. The winning project is a mixed-use building of over 20,000m², featuring a green wall and incorporating bio-sourced materials. The project is part of a broader urban development strategy for Issy-les-Moulineaux, an extra-wall area of Paris currently undergoing significant transformation.
