Back in 2019, Japanese architect Kengo Kumawon the contest to design the expansion of the gardens of the Gulbenkian Foundation and the new entrance of the Modern Collection of the Museum in Lisbon, Portugal. According to the architect, the museum can be a "wise example of the future as coexistence with the Earth and us", taking inspiration from nature and its relationship with architecture. In a recent No País dos Arquitectos podcast, Sara Nunes interviews Kengo Kuma and Rita Topa, architect at Kengo Kuma Associates, to talk about the expansion of the gardens and museum, along with the mission of architecture and the role of the architect, processes, and work references developed for the project.
https://www.archdaily.com/973963/kengo-kuma-and-rita-topa-on-the-refurbishment-of-the-gulbenkian-modern-art-center-and-gardens-in-portugalNo País dos Arquitectos
Sergei Tchoban (b. 1962, Saint Petersburg, Russia) graduated from the Repin Institute for Painting, Sculpture and Architecture at the Russian Academy of Arts in Saint Petersburg in 1986. He started his practicing career in Russia but left for Germany in 1991, becoming a managing partner of nps tchoban voss in Berlin in 1995. Since 2006, he also heads SPEECH, one of the leading architectural offices in Moscow. Apart from building his successful career of a practicing architect, he is a collector of architectural drawings, publisher, and museum owner.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Steven Ehrlich, FAIA, RIBA and Founding Partner of Ehrlich Yanai Rhee Chaney Architects to discuss his working as an architect for the Peace Corps in Morocco, his architecture office in Los Angeles, Julius Shulman, his work, current challenges in the profession, and more.
In this second edition of the ArchDaily Professionals Video Interviews, ArchDaily's Managing Editor, Christele Harrouk, met with Mat Cash, Group Leader of Heatherwick Studio, Signe Nielsen, MNLA's Founding Principal, and David Farnsworth, Arup Principal, to discuss their collaborative work on one of New York City's latest green areas, Little Island Park at Pier 55.
Most of the news coming out of the recently completed climate summit in Glasgow was disappointing. Previous summits had ended in similarly dispiriting ways, and COP26 was no exception. It acknowledged the severity of the problem and the urgency of the moment—the need to keep warming to under 1.5 degrees Celsius (some scientists believe it’s already too late to prevent this)—but put off making the hard commitments necessary to actually solve the problem. At the same time, this summit did feel different. There was a sense of urgency in the Glasgow streets, and the world’s attention was undeniably focused on climate change. How this focus eventually translates into action on the political front remains an open question.
But architect Edward Mazria, executive director of Architecture 2030, believes that despite the immense obstacles facing climate activists, the building sector is on the cusp of helping change the course of the planet. He sees genuine reasons for hope and renewed effort. In the wake of the seemingly grim news out of Glasgow, I spoke with him last week about the way forward, how we’ve reached an important inflection point, why energy use tied to buildings has begun to decline globally, and the steps required to fully decarbonize the built environment.
Courtesy of KARL LAGERFELD, Sierra Blanca Estates and One Atelier
During the past couple of years, luxury and fashion brands began venturing into architecture. Some built museums, foundations, and cultural organizations while others shaped residential structures that translated their identity into space. Following this same concept, KARL LAGERFELD, along with Spanish Developer Sierra Blanca Estates and the Design and Branding Firm The One Atelier, have developed the fashion house’s first “luxury architectural project”, the Karl Lagerfeld Villas in Marbella, Spain. Designed by The One Atelier, of which Andrea Boschetti is Head of Design, the project has low carbon impact, aligned with the brand’s commitment to the Fashion Pact - a global sustainability initiative that seeks to transform the fashion industry through objectives in climate, biodiversity, and ocean protection.
Asking what is “luxury architecture” and questioning why fashion brands are expanding into architecture, ArchDaily met with Andrea Boschetti to further understand the architect and urban planner’s take on the subject.
ArchDaily Professionals is an initiative that focuses on all of the collaborators involved in architecture and construction, who participated and are credited in the projects we have carefully curated and published. This project aims to recognize and highlight the best collaborators responsible for delivering the best architecture, by delivering valuable knowledge related to the different disciplines within our community. Today, we are launching a series of video interviews between architects and collaborating professionals, to learn more about their work and to understand the importance of these relationships to deliver high-quality architectural projects.
For this first interview, ArchDaily’s Managing Editor, Christele Harrouk, met with lighting design firm L’Observatoire International’s founder, Hervé Descottes, and American architect Steven Holl. In this moderated talk, we had the chance to speak to Hervé and Steven about their collaboration in three cultural projects in the United States: the Institute for Contemporary Art at VCU, the Winter Visual Arts Building, and Nancy and Rich Kinder Museum. In this conversation, we learned more about what lighting in architecture means to them, how space and light should be conceived and why a close collaboration between architects and lighting designers is crucial to architecture projects.
Edificio Juana Azurduy 1635 / BAAG. Image Cortesía de BAAG
Since 2008, the BAAG Studio, or Buenos Aires Architectura Grupal, has demonstrated that taking the time to collectively think, experiment, and rethink, not only reinforces architecture as a discipline, it advances it. The group's projects and research have added to the shared-practice-driven critical thinking that has become increasingly essential within the profession.
We sat down with BAAG to hear more about their inspiration, processes, education, and their predictions going forward.
Hydro Healing Center, Yerevan, Armenia, 2015. Image Courtesy of Nishan Kazanian
What follows this short introduction is my unusually personal interview with a Lebanese-American architect and artist Nishan Kazazian. His work is inspired by numerous sources that come from many directions such as Kintsugi, the Japanese art of putting broken pottery pieces back together, primary color geometric abstractions evocative of Russian Constructivism, as well as paintings by Piet Mondrian and Paul Klee. Yet, a stronger inspiration comes from his memories of home and family history. Layering and superimposition of cultures and languages were constantly present in his life since childhood and remain guiding forces to Kazazian, who is both a licensed architect and a professional artist.
"Architecture encompassed my interest in reality and societal issues," says architect Dorte Mandrup, in an extensive conversation with Louisiana Channel, in which the founder and creative director of Dorte Mandrup Arkitekter reflects on formative years and the values of her architecture practice. Four years in the making, the film takes viewers on a journey through Dorte Mandrup's architecture, with compelling footage telling the story of designs such as the Ilulissat Icefjord Centre, Jaegersborg Water tower, or Ama'r Children's Culture House. Through the portrait film, the architect touches on numerous topics such as sustainability and climate change, the relationship of the built environment with the landscape, and as well as the profession itself and its present transformations and challenges.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Randy Collins S.E., Founder and Principal of FTF Engineering, Inc., to discuss the role and responsibilities of the structural engineer, designing structures to withstand earthquakes, the limitations of the buildings code’s structural requirements, hiring an engineer, working with architects, creating value for clients, and more.
https://www.archdaily.com/970298/the-second-studio-podcast-interview-with-randy-collins-structural-engineerThe Second Studio Podcast
Belmont (Monty) Freeman (b. 1951) founded his New York-based, currently eight-person practice, Belmont Freeman Architects in 1986. Its active projects are half institutional and half residential, with a special focus on adaptive reuse, predominantly in New York and nearby states. Among the firm’s most exemplary projects are the LGBT Carriage House on the University of Pennsylvania campus, a series of restorations at the Four Seasons restaurant in the Seagram Building, renovations at the Yale Club in Manhattan, and the renovation of the Ezra and Cecile Zilkha Gallery at Wesleyan University in Connecticut, designed by Kevin Roche. Current projects include an expansive but minimalist residential compound on Martha’s Vineyard, branch library renovations in New York City, and redevelopment of a former meatpacking building into a new Innovation Hub for Columbia University’s Business School.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Jacob van Rijs, Founding Partner of MVRDV, Architect and Urban Planner to discuss the beginnings of MVRDV, working internationally, the office's structure and growing from 3 people to 300, creating a positive office environment (the MVRDV house), design process, having fun in design, MVRDV's diagrams, why clients hire MVRDV.
Salone is the most important furniture event in the world, strongly connected to the city and the design culture. This year we are seeing a new expanded format to mark the 60th anniversary of Salone del Mobile, titled "SuperSalone", a prequel to the 2022 edition, with a very accentuated focus on the materiality and the sustainable aspect.
Managing to put together the physical and the digital, in order to make the event more accessible for the world, Salone ran during the first week of September, at the Rho Fiera. During these design days, ArchDaily had the chance to speak with the curator, Stefano Boeri, discussing this very special edition, the relationship between the city of Milano and Salone, the democratization of design as well as the environmental quality in his projects around the world.
American architect Brian Mac grew up near Detroit. He graduated from the Architecture School at the University of Detroit in 1988 and for the next five years worked for a preservationist firm, Quinn Evans Architects in Ann Arbor. There he learned to love historic architectural detailing, and, while working at the firm, in 1992, became a licensed architect. Then followed a short period of disillusion with the profession and moving to Ohio to work in a residential treatment center for adolescent felony offenders.
In a Design and the City episode - a podcast by reSITE on how to make cities more livable – architect and founder of Doula x Design and co-founder of SHoP Architects Kim Holden discusses how rethinking and redesigning the ways birth is approached can change the outcomes of labor and birth experiences, and improve the qualities of life for both the babies and women giving birth to them. The interview explores how it is crucial to investigate the spaces where generations come into this world, just as we have been planning and building better cities for them to work and live in.
Serpentine Gallery Pavilion. Image Courtesy of Toyo Ito & Associates, Architects
Examining the work of Tokyo architect Toyo Ito (b. 1941) – particularly his now seminal Sendai Mediatheque (1995-2001), Serpentine Gallery (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), Tama Art University Library (Tokyo, 2007), and National Taichung Theater (2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.
Social justice begins with building understanding and community. For Sam Olbekson, Principal of Native American Design at Cuningham Group and Founder of Full Circle Indigenous Planning, community holds a deep relationship to local cultures and traditions. As a member of the White Earth Nation of Ojibwe, Sam brings the perspective of a tribal member who grew up in Native communities, both on and off the reservation. Today, he's using design to reflect contemporary social values and build for future generations.
Nacasa___Partners.jpg?1629103408 "Tod's Omotesando Building_interior. Image © Nacasa & Partners")
Kai_Nakamura.jpg?1629103497 "'Minna no Mori' Gifu Media Cosmos. Image © Kai Nakamura")
