Swiss architect Mario Botta is known for his geometrically imposing, spatially captivating structures that are invariably dressed in zebra-like horizontal stripes in either black and white or red and white combinations. These both traditional and strikingly modern villas, chapels, wineries, schools, libraries, museums, company headquarters, banks, and residential blocks are scattered throughout towns and mountainous villages in the architect’s native Ticino region in southern Switzerland, extend all over Europe and can be encountered in places as far away as China, India, South Korea, Japan, and the USA.
Madame Architect, the platform dedicated to the built environment and to the empowerment, advancement, and visibility of the women who work in it, has just reached a milestone, publishing over 250 interviews with the females who shape our world. “Designed to break the architect’s mold”, the website was founded 3 years ago by Julia Gamolina, an architect that shaped her own path in the field, becoming Director of Strategy at Trahan Architects, focusing on the business, its development, growth, and evolution.
Archdaily's Christele Harrouk had the chance to speak to Julia Gamolina, Founder, Editor-in-Chief of Madame Architect, and one of Professional Women in Construction's "20 Under 40", to discuss her career choices, the online magazine, the business of architecture and communication.
ODA has just launched its latest project, an urban vision for the future of the streets of New York. The project titled Beyond the street- Reimagining the flower district proposes to transform a city block from the outside in, altering the pedestrian experience and introducing new zoning changes that would give landowners air rights or tax credits in exchange for handing over their inner courtyards to be transformed into public/private spaces.
ArchDaily had the chance to talk with Eran Chen, founding principal and executive director of ODA, about the firm’s very special proposal that seeks to improve our urban environment. Check the interview and watch ODA’s explanatory movie.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Archie Lee Coates IV, a Co-Founder of the extremely multi-disciplinary design studio PLAYLAB. Archie discusses the evolution and future of PLAYLAB, naïveté in design and art, social equity in design practices and design, believing in humanity, design office as permeable amoeba, working with Virgil Abloh for the Louis Vuitton Show, and more.
Stefan Fuchs & Raphael Dillhof interview Adam Nathaniel Furman and discuss the role and importance of facades in today's urban fabric, "in the context of a broader range of social, economic, and political issues". Part of a more in-depth study examining the role of facades in the 21st century, this discussion also raises the question of why buildings always embody the values of their creators.
https://www.archdaily.com/963168/adam-nathaniel-furman-buildings-always-embody-the-values-of-their-creatorsRaphael Dillhof, Stefan Fuchs
Vladimir Belogolovsky speaks with Antoine Predock about the soon-to-be-built Bahías, a community of 13 houses in Costa Rica, inspired by a vision of manmade foliage.
Despite the emergence of collective and interdisciplinary practices, architectural entrepreneurship remains a vague discipline. As academic institutes focus on cultivating students' hard skills during their undergraduate years, their soft skills are often overlooked, left to be acquired or strengthened during their work experience. Stepping into the "real world", fresh graduates who decide to venture into their professional journey as freelancers or in start-ups, often find themselves overwhelmed with questions; 'How do I convince the client? Am I communicating my concept properly to the contractors? Am I charging the client enough? Why is the project not being executed like I designed it? Why is this project taking a lot more time than I intended it to? How can I run a successful business if I've never taken a business course in architecture school?'
Exploring the question of slavery in Architecture, the building materials and the construction industry, Michael J. Crosbie interviews Sharon Prince, the women behind Design for Freedom, discussing the initiative's report "on the pervasive use of slavery in the design and construction industry, and how design professionals can respond".
https://www.archdaily.com/962116/architecture-and-the-stain-of-modern-day-slaveryMichael J. Crosbie
Scheduled originally from August to November 2020, the 17th Venice Architecture Biennale was postponed, like every other event this year, and will be held from May 22nd to November 21st, 2021, due to the pandemic. Questioning “How will we live together?” the original statement of curator Hashim Sarkis, called upon architects “to imagine spaces in which we can generously live together”. Relevant today more than ever, with the current worldwide circumstances, the theme of the Biennale is in fact the focus of interest of the global scene.
After having discussed “How will we live together?” in 2019 with Hashim Sarkis in Venice, ArchDaily had the chance to open the debate once more and re-examine the question of the Architecture Biennale. In a two-part interview, the architect tackles the theme, the Biennale, the present situation, and the future.
José Adrião. Douradores Apartments Lisbon | 2013–2020. Photo by Nuno Almendra, 2020
"The house is among the first concepts shared by society and architecture", states André Tavares and Pippo Ciorra, curators of the exhibition called At Home: Projects for Contemporary Housing, on display at Garagem Sul / Centro Cultural Belém, in Lisbon. The show, which is the unfolding of another one previously held at the MAXXI Museum in Rome, gathers pieces from the huge collection of the Italian institution and seeks intersections with contemporary Portuguese architectural production. Its main topic – the house, the home – has never been more discussed than right now.
Bringing together houses of different scales, built in diverse locations by various methods and techniques, and designed by Italian, Portuguese and international architects, the exhibition gathers, in groups of three, projects from which it is possible to weave relationships that go beyond geographies and materialities and foster reflections about the future of housing and what the home of tomorrow will look like.
We had the opportunity to talk with Tavares and Ciorra about the exhibition, its motivations and expectations with its opening in the physical venue of Garagem Sul. Read below.
Believing firmly that "architecture is [...] too important to leave solely to architects", Ole Bouman embarked on diverse activities throughout his three decades of work, reflecting on “architecture, not so much as the art or technique of making buildings, but architecture as the intelligent way to organize our lives on earth, and infuse it with purpose”.
After having shared Bouman's essay Finding Measure, ArchDaily had the chance to discuss with DesignSociety’s founding director his thoughts on the role of architecture, the current challenges of the world, the digital revolution, and many other thought-provoking topics.
Stefan Sagmeister - Levi's Billboard. Image Courtesy of reSITE
For the fourth episode of Design and the City, a podcast by reSITE on how to make cities more livable and lovable, by raising questions and proposing solutions for the city of the future, the team interviewed Stefan Sagmeister, an Austrian-born graphic designer and typographer. In this episode, the designer discusses the importance of beauty in design, its utility for any properly functioning space or city, and how it contributes to the happiness of citizens.
HerCity is a platform that involves women in urban development, in order to make better cities for everyone. Turning the tables and putting girls in the expert position, the digital toolbox aims to create more inclusive, equal, and sustainable cities and communities. The initiative makes methods and tools available to urban actors globally, in order to support cities in integrating girls’ participation in their long-term strategies.
Launched on Women’s day 2021, the guide for urban planning and design is a collaborative effort between UN-Habitat and Global Utmaning, the Swedish independent think tank. ArchDaily had the chance to talk with the team behind this digital toolbox, discussing the narratives, the process, and inclusive planning on a worldwide level.
Many architects and designers have highlighted the importance of taking into account all five senses during the design process, in order to create a successful user experience. Fortunately, many strategies have been implemented to facilitate the experience of those who are physically impaired, however, little is being done to aid those who feel helpless and restricted due to mental illnesses and traumatic experiences.
Healing from these experiences is a journey that requires a lot of effort from both the individual and everything and everyone around him/her. Oftentimes, victims of trauma are advised to spend more time in the outdoors, embracing the restorative qualities of nature. But what about interiors? Since people are now spending almost 90% of their time indoors, it is only natural that these spaces contribute to the healing process as well. And while these spaces can look beautiful with an abundance of natural light and neutral color palettes, are they truly beneficial to their mental health?
Desplans and KooZA/rch have revealed the three final winners of the #mycityscape competition. Inviting young creatives to this conversation, the open call questions the definition of the city, by asking “What establishes the identity of a city? What distinguishes one urban environment from the other? And What defines our relationship to the built landscape we inhabit?”
Trying to find the tools to map the city of the 21st century, the competition encouraged young creatives to record the essence of their cityscape into one image. After selecting 12 shortlisted entries, the contest solicited a wider audience to decide the final winning designs, by voting for their favorites on social media. Following the release of the results, Christele Harrouk from ArchDaily had the chance to talk about the #mycityscape competition with both Desplans and KooZA/rch, discussing the theme and the whole process. Discover in this article the exchange as well as the final winning designs.
When it comes to the design process behind architectural projects, brainstorming is never the same for everyone. Some find inspiration in crowded rooms with loud music in the background, some walk around public spaces and observe people’s behaviors, and some need almost no resources whatsoever, just a pen, paper, and complete silence.
In an interview with architecture filmographers Spirit of Space, Steven Holl shares how being completely isolated in the Watercolor Hut contributed to some of his office’s most notable creations.
Under the theme of “good neighbors”, the IE School of Architecture and Design celebrated World Architecture Day, highlighting the importance of our commitment and collective responsibility for the future of human beings, societies, and built environments.
To celebrate the projects that have impacted our daily lives positively, the university showcased these buildings on their social media platforms and asked renowned architects and program directors on the importance of maintaining a sense of community and what makes buildings our good neighbors. The school hosted its dean Martha Thorne and award-winning international architect Jeanne Gang during a live interview on Instagram to discuss the evolution of the field of architecture after this year’s new set of living conditions.
“It all started with the question: What if I’m going to build my own house?" It was this consideration that prompted Alexis Dornier to note that when he's providing architectural design service he's mostly catering, filtering and catalyzing input from other people that have budgets, preferences and tastes and it’s up to him to channel or organize that and let it "stream through" him. Using his craft to put it in order. "But what if you did not have that other hand [designer's help]? What would you do?”
Archdaily’s Hana Abdel, projects curator, sat down with Alexis Dornier to discuss his latest venture as co-founder of Stilt Studios, a company “focused on making Architectural design accessible to a greater audience of people. People who wouldn’t be able to afford an architect or don’t want to go through the trouble of working with an architect. So, what if we could create a product, or an architecture that almost works as a product.”
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