Image created using AI under the prompt: A futuristic architectural landscape exemplifying data-driven architecture. Image via DALL.E 2
Architecture is a multifaceted discipline influenced by diverse sources of data and information, which play a fundamental role in shaping architectural production. In the past, horological instruments like the sundial were used to obtain data, such as time, and gain knowledge of solar incidence at different times of the year and geographical locations. This made it possible to determine the optimal orientation of buildings, resulting in benefits such as better use of sunlight and greater thermal comfort.
Although cultural, social, and even religious factors can influence architectural design, quantitative factors are especially relevant when making decisions in the early stages of the creative process, during construction, and throughout the life cycle of a building. Therefore, it is important to collect and process relevant information, such as location, solar incidence, occupancy capacity, occupant interactions, energy performance, and carbon emissions, among other aspects.
https://www.archdaily.com/1003902/data-driven-architecture-delving-into-4-building-information-toolsEnrique Tovar
Willow Technologies is a material research and building technology practice that has been selected as part of ArchDaily's 2023 Best New Practices. Founded by Ghanaian-Filipino designer and architectural scientist Mae-Ling Lokko, it operates in the gap between research, development, and diffusion of bio-based building materials. Working with agro-waste and bio-based materials usually incurs technical questions regarding scalability, industrial production, standardization, fireproofing, and mechanical strength. Exploring this data is where Willow Technologies situates itself, but peculiarly through the lens of developing regions in West Africa. Through comprehensive works with coconuts, moringa, rice, and other indigenous crops, Lokko’s practice has been able to investigate and catalog the material character of various crops, their possible by-products, local transformation techniques, and the prospect and challenges of scalability as building materials.
Architecture is likely to exist in any place or physical space inhabited by human beings. Moreover, our inherent curiosity and exploratory spirit constitute an integral aspect of our humanity. Fueled by our inventive capacity, drives us to venture into future scenarios that we can explore as individuals and as a society. Consequently, the possibility of a future in space has sparked the imagination of scientists and designers, resulting in conceptual and science fiction designs where human beings inhabit space.
The inventive and imaginative human capacity can be traced through the work of artists such as Jean-Marc Côté, who, in the early 20th century, envisioned a series of retro-futuristic illustrations depicting what life would be like in the year 2000. There are also notable literary references, such as the works of Ursula K. Le Guin, renowned for her speculative fiction exploring humanity's journey as a spacefaring species. Undoubtedly, the future and space are two captivating topics that have inspired the development of a long-term vision for society in space.
https://www.archdaily.com/1001762/architecture-for-inhabiting-space-tessellated-reconfigurable-structures-for-adaptive-environmentsEnrique Tovar
A new award from NASA will support ICON in developing construction technology that could be used on the Moon and Mars. Image Courtesy of ICON/BIG-Bjarke Ingels Group
From inflatable and 3D-printed structures to entire habitats, architecture plays an unprecedented role in space exploration missions. As NASA plans for long-term human exploration of the Moon and Mars under Artemis and CHAPEA missions, new technologies are required to meet the unique challenges of living and working in another world. In response, figures like Buckminster Fuller, Foster + Partners, SOM, and BIG-Bjarke Ingels Group, in collaboration with emerging businesses such as ICON and SEArch+, have nourished the architectural catalog in outer space.
In the latest update, NASA awarded Austin-based company ICON a contract to continue ICON's Olympus construction system in partnership with BIG-Bjarke Ingels Group. The project will help build infrastructures such as landing pads, habitats, capsules, and roads on the lunar surface and Mars, using extrusion-based additive construction technology (3D printing) and local materials like lunar regolith. The contract runs through 2028 and supports Artemis, a mission for long-term human exploration of the Moon.
Vantem is a startup construction company manufacturing high-efficiency, net-zero homes at competitive costs and low embodied carbon. The company recently raised a Series A round of investment from the Bill Gates-founded firm Breakthrough Energy Ventures. Net-zero homes, buildings that produce as much energy as they use, are typically cheaper to own than standard housing. Still, they often involve high construction costs since they require advanced building technologies and engineering. Vantem aims to change this dynamic by employing modular construction technology.
Berlin-based hospitality tech start-up Raus has collaborated with Danish designer and architect Sigurd Larsen to create nature-inspired cabins in the middle of nature. The small retreats are designed with eco-friendly features, offering city dwellers the opportunity to escape the bustling city life, and stay in a chalet that combines art, culture, and nature. The cabin will be temporarily located on the grounds of Wehrmuehle in Biesenthal, Brandenburg, and will soon expand beyond Germany and its borders.
Imagine Austin Growth Concept Map / City of Austin. Image Courtesy of The Dirt
“The planning practices of the past are inadequate for today’s challenges,” said David Rouse, ASLA, a landscape architect and planner, at the American Planning Association‘s National Planning Conference in San Diego. Rapid technological change, socio-economic inequities, natural resource depletion, and climate change are forcing planning and design professionals to adapt. “How can the practice of planning evolve to be more sustainable and equitable?”
https://www.archdaily.com/982475/planners-must-now-anticipate-the-unanticipatedJared Green
When browsing the 3D printing tag on ArchDaily, it is clear that this technology has developed at an incredibly fast pace. If in the early years we observed the concept as a distant possibility for the future or with small-scale examples, in recent years we have observed entire printed buildings and increasingly complex volumes being produced. Developed by reading a computer file, the fabrication is carried out through additive manufacturing with concrete - or other construction materials - and presents numerous difficulties in providing an efficient process that enables the constructive technique to become widespread. The pavilion printed by the Huizenprinters consortium, for example, illustrates this process well.
Founded in late 2017, named one of the "Most Innovative Companies in the World" in 2020, and selected as ArchDaily's Best New Practices of 2021, ICON is a construction company that pushed the boundaries of technology, developing tools to advance humanity including robotics, software, and building materials. Relatively young, the Texas-based start-up has been delivering 3D-printed homes across the US and Mexico, trying to address global housing challenges while also developing construction systems to support future exploration of the Moon, with partners BIG and NASA.
Featured on Times' Next 100, as one of the 100 emerging leaders who are shaping the future, Jason Ballard, CEO and Co-Founder of ICON spoke to ArchDaily about the inception of the company, worldwide housing challenges, his ever-evolving 3D printing technology, and process, his partnership with BIG, and the future of the construction field on earth and in space.
Robotic Collaboration. Image Courtesy of ETH Zurich
Digital spaces and fabrication technology have become as prominent as ever within the current state of our post-pandemic society, becoming increasingly more accessible and enabling quick and spontaneous acts of iteration and evolution. These technologies have resulted in the ability to mass-produce non-standard, highly differentiated building components within the same facility as their standardized counterpart, transforming how buildings and their respective components are conceived, designed, and represented, and how they are manufactured, assembled, and produced.
The beauty of digital fabrication is its ability to blend aspects of mass and artisanal production to the point where costs nearly disappear. Technology’s capacity to fabricate so simply and almost seamlessly raise the issues for its potential to significantly alter our current perception of architecture, thus producing the question: has the influence of mass production in architecture resulted in a loss of intentional design?
Believing that a creator has a duty towards society, Philippe Starck, is a multifaceted designer whose projects span across many disciplines. From architecture and interiors to industrial and furniture design, Starck’s portfolio is always, as he puts it, “focused on the essential”, and “must improve the lives of as many people as possible”. Author of Alessi’s famous lemon squeezer, he is known for pushing the boundary of design in everyday objects.
With 10,000 creations, completed or yet to come, Philippe Starck is a pioneer in “making things in the way of ecology”. In fact, ArchDaily had the chance to meet the designer at the 2021 Salone del Mobile, to discuss his design approach and visions as well as hislatest plywood creation for Andreu World.
What does it take to build a smart city from nothing? Or maybe the better question is, what does it take to build a smart city from nothing and make it successful? For over a decade, architects and urban planners worked hand in hand to create Songdo, a brand new business district that sought to represent South Korean advancements in technology and infrastructure. Songdo was once a model for how we would live in cities of the future- but now, the reality of what this smart city quickly became has us rethinking how the combination of technology and community might have gone wrong.
Would you be willing to buy a home from a robot using only an app? As technology becomes more and more integrated into the design and real estate sector, that once an outlandish idea has become a reality. Only a decade ago, almost no one talked about technology and start-ups in the built environment. The real estate industry, which has historically lacked technological innovations compared to other sectors, is now taking a stance to reinvent itself as an industry that is more efficient, flexible, and automated- all resulting in one of the newest buzzwords that has taken the world by storm, proptech or Property technology.
In Her, a 2013 film directed by Spike Jonze, a lonely writer develops a love affair with the virtual assistant of an operating system. Brave New World, a book written in 1932 by the English author Aldous Huxley, fabricates a dystopian society whose cult of efficiency and rationality creates a humanity that ignores hardship and pain but also represses love and freedom. In Mary Shelley's 1818 book Frankenstein, considered the first science fiction novel, a life is artificially created, producing a monster with human characteristics: wills, wishes, and fears. Whether describing the fear of artificial intelligence, the uncertainty produced by industrialization, or the limits of science, science fiction works reveal less about the future and much more about the moment in which they were created; they speak of the fears and hopes of their own time.
When we explore urban visions of the past anticipating the future, it is common to find exaggerated and even funny predictions. As for the promises of architecture and, consequently, of our cities, it is not an easy task to predict future developments clearly either. By looking at industry trends and using all of our imaginations, could we tell what cities will be like in tens or hundreds of years? Their materials, their appearance, their way of building and thinking? Will it be a more pristine and minimalist future or a more organic and complex future? How will new technologies and building materials affect the shape, aesthetics, and prosperity of the cities of tomorrow?
The construction industry moves a huge amount of resources, employs millions of people, and is a fairly accurate gauge for the economic situation of different countries. If the economy goes down, construction shrinks, and vice versa. Members of the construction industry include mining companies, contractors, material manufacturers, architects, engineers, governments, real estate, and more. In other words, many agents participate either directly and indirectly in the industry. But construction is also considered to be one of the most backward and resistant industries to embrace new technologies, instead opting to replicate traditional ways of doing less efficient work with high rates of waste. A study by McKinsey & Company showed that, unlike other industries, industry productivity has remained stable in construction in recent years, despite all the technological progress that has occurred.
The technology used in smartphone facial recognition or digital car keys has the potential to revolutionize the way people access and move through buildings. Many common aspects of building access systems today seem outdated in comparison to technological advances in other parts of our lives: PIN pads, security badges, key cards, even physical locks and keys. However, the technology already exists with the potential to make building access simultaneously more seamless and more secure.
The author gained a grasp for innovative architectural materials and their application while working for architects such as Rick Joy, whose Mountain House in Tucson, Arizona, employed rammed-earth walls. (Creative commons/Flickr user designmilk)
There is a slide I like to show at the beginning of the architecture courses I teach that provides an overview of the last hundred years or so in design and technology. In the left column, a car from the beginning of the 20th Century (a Ford Model T) is poised over a contemporary car (a Tesla). The middle column contains a similar juxtaposition, showing a WWI-era biplane and a modern-day stealth fighter (an F-117A). In the right column, Walter Gropius’s 1926 Bauhaus Dessau building is seen next to an up-to-date urban mixed-use building. The punch line, of course, is that the two buildings—separated by roughly 100 years—look basically the same, whereas the cars and planes separated by the same timespan seem worlds apart. What is the reason for this?
The world’s longest 3D-printed concrete pedestrian bridge has been completed in Shanghai. Designed by Professor Xu Weiguo from the Tsinghua University (School of Architecture) - Zoina Land Joint Research Center for Digital Architecture, the 26.3-meter-long bridge was inspired by the ancient Anji Bridge in Zhaoxian, China.
The single-arch structure was created using a 3D printing concrete system developed by Professor Xu Weiguo’s team, integrating digital design, cost efficiency, smart technology, and architectural dynamism. Enclosing the 3.6-meter width, the bridge’s handrails are shaped like flowing ribbons on the arch, creating a light, elegant movement across the Shanghai Wisdom Bay pond.
.jpg?1643423986 "Villa Savoye, Le Corbusier, 1929. Image © Flickr User: End User")
.jpg?1643425181 "Villa Savoye, Le Corbusier, 1929. Image © Flickr User: End User")
_V%C3%ADctor_Pati%C3%B1o_George.jpg?1643424298 "Villa Stein, Le Corbusier, 1927. Image © Víctor Patiño George")
