Last October, Germany-based Gewers Pudewill was awarded first place in an invited competition to design the Stream Tower, a new office high-rise in Berlin. The 24-story scheme elaborates on a vertical folding theme expressed through the slabs and façade, creating a programmatic sculpture depicted in recently-unveiled imagery.
Situated next to the city's Mercedes-Benz Arena, the tower will reach a height of 300 feet (90 meters), and a floor area of 430,000 square feet (42,000 square meters). Upon completion, the scheme will host the popular online fashion retailer Zalando.
Christoph Richter, Jan Musikowski, Sebastian Haufe, Elke Sparmann, Martina Huber, Nele Gessner, Daniel Eckert, Domenico Foti, Yvo Coseriu, Christine Dorn, Elisabetta Vito, Johann Schulz-Greve, Phillip Rohé
Mohr purchased the apartment in 2016 and embarked on a journey of demolition, measurement, and extensive renovation including lowering ceilings and moving walls in order to recreate the interior likely envisioned by Le Corbusier.
Located just south of the city’s hip Kreuzberg neighborhood and only fifteen minutes by bike from the city center, the disused former Nazi complex—with its terminal, hangars, and massive airfield—occupies nearly 1,000 acres of prime real estate in the ever-growing German capital. In any other metropolis, this land would have been snatched up by a developer years ago, but in Berlin, creative reuse has prevailed over conventional narratives of redevelopment.
Mercer released their annual list of the Most Livable Cities in the World last month. The list ranks 231 cities based on factors such as crime rates, sanitation, education and health standards, with Vienna at #1 and Baghdad at #231. There’s always some furor over the results, as there ought to be when a city we love does not make the top 20, or when we see a city rank highly but remember that one time we visited and couldn’t wait to leave.
To be clear, Mercer is a global HR consultancy, and their rankings are meant to serve the multinational corporations that are their clients. The list helps with relocation packages and remuneration for their employees. But a company’s first choice on where to send their workers is not always the same place you’d choose to send yourself to.
And these rankings, calculated as they are, also vary depending on who’s calculating. Monocle publishes their own list, as does The Economist, so the editors at ArchDaily decided to throw our hat in as well. Here we discuss what we think makes cities livable, and what we’d hope to see more of in the future.
po·mo·stroika – Postmodern Theories, Practices and Histories in Central and Eastern Europe is a two-day event series in 17-19 May 2018, offering opportunity for both professional researchers, architecture enthusiasts and architects to present their work, and international audience to find out more about how the postmodern phenomena shaped our cities, society and consciousness.
On December 1st 2017, reSITE invited a handful of intellectuals to Berlin for the My City / Your City salon held in partnership with Airbnb, spending a day and night with them brainstorming about public space, sharing, and inclusiveness. To close the event, we served them a cocktail of simple questions that were not always easy to answer.
In the following text, artist Charlie Koolhaas, the architect and founding partner of Topotek 1 Martin Rein-Cano, the curator and writer Lukas Feireiss, the curator and architect Anna Scheuermann, and the professor Ivan Kucina, share their various opinions on issues ranging from how best to create public space to their thoughts on the very principle of sharing.
https://www.archdaily.com/887157/sharing-the-city-5-takes-on-how-we-should-create-and-use-public-spaceMartin Barry with the contribution of Radka Ondrackova
SheltAir, a pavilion developed and designed by Gregory Quinn as part of his doctoral thesis at the Berlin University of the Arts is, as its name suggests, a shelter constructed with the help of air: a meticulously devised system comprising an elastic gridshell and pneumatic falsework in the form of air-filled cushions.
The exhibition presents around 50 drawings which can be grouped into three categories: the Tallinn School, Paper Architecture from Moscow and that from Novosibirsk. It includes works by renowned artists such as Leonhard Lapin, Yuri Avvakumov, Alexander Brodsky and other architects. Although the artists belong to different architectural groups and come from three diverse cities, they were united by the impulse to break out of the routine of late Soviet planning bureaus, dare something new, develop bold projects and confront the issues of environmental change, authority and technology.
The World Architecture Festival (WAF) has announced their program for the 2017 edition focusing on the theme of “Performance.” An incredible list of speakers including Alison Brooks, Charles Jencks, Pierre de Meuron and France Kéré will feature across 3 days from November 15th to 17th at the Arena Berlin, Germany. Conferences, city tours, lectures and critiques of the shortlisted projects from the 2017 WAF awards are among the events scheduled for the festival.
The seminars, speeches, debates and discussions will examine “the topic of performance from the perspectives of housing, public spaces, festivals, cultural institutions and new technologies.”
Team Klaus Reintjes (Project Architect), Ayax Abreu, Marian Beschoner, Ulrich Fuchs, Cynthia Grieshofer, Ina Reinecke, Ruwen Rimpau, Anna Saeger, Konrad Scholz, Morihide Seki, Antje Steckhan, Ludwig Uphues, Blake Villwock
Raubdruckerin – German for pirate printers – have been traveling around Europe turning city streets into printing presses to develop a range of t-shirts, hoodies and bags. The result is fashion not just for the street but from the street.
Taking inspiration from the urban landscape and the often over-looked surfaces of the city, Raubdrucken apply their eco-friendly ink to man-hole covers, grids and patterned streetscapes and relief-print the outcome directly on to the fabric of their line. It is proof that everything can be inspiration for good design, and that beauty and richness can be found in the mundane, the utilitarian or perhaps in this case, the misunderstood.