The layout of interior spaces has been in constant evolution since the very first residential project. For many years, functionality dictated how they're are organized, but soon after, cultural, social, and economical changes influenced the way people design their living space, bringing about the spacious and versatile open floor plan. A lot has been written - and critiqued - about the open floor plan: who introduced it, how it was developed, its benefits, and/or lack thereof. During the past couple of decades, open floor plans were perhaps among the most requested interior design concepts, but today, architects are leaning towards the opposite.
House in Kashiwa / Yamazaki Kentaro Design Workshop. Image Courtesy of Naoomi Kurozumi Architectural Photographic Office
Similar to a chameleon that changes color to blend in with its environment, architecture must constantly evolve and adapt to changing demands. A few decades ago, homes used to be associated solely with private life and rest, while workspaces were exclusively designed for just that: work. It was common for each use to be separated into its own room, making enclosed, rigid spaces the standard norm for architects to follow. That is, of course, until new living and working patterns blurred these boundaries to respond to contemporary trends.
Beijing-based landscape architect Kongjian Yu has been announced by the Cultural Landscape Foundation as the recipient of the 2023 Cornelia Hahn Oberlander International Landscape ArchitecturePrize (“Oberlander Prize”). Kongjian Yu has gained international recognition for his concept of “sponge cities,” a measure to address and prevent urban flooding in the context of accelerated climate change. The concept was adopted as a national policy in China in 2013, prioritizing large-scale nature-based infrastructures such as wetlands, greenways, parks, canopy tree and woodland protection, rain gardens, green roofs, permeable pavements, and bioswales. Yu has been selected by the international jury of the Oberlander Prize, recognizing him as “a force for progressive change in landscape architecture around the world.” Organized biannually, the prize aims to recognize and give visibility to landscape architecture and the ways in which it can address issues of climate change and sustainability.
From October 21st, 2023, to March 3rd, 2024, the Vitra Design Museum is hosting a retrospective exhibition featuring the work of Iwan Baan. Known for his world-renowned architecture photography, “Iwan Baan: Moments in Architecture” provides a comprehensive overview of Baan’s extensive portfolio. At its core, it showcases the artist’s ability to capture the essence of contemporary architecture, along with the urban and social contexts associated with it and the people who inhabit these various spaces.
Alsar Atelier, led by Alejandro Saldarriaga, is an architecture and design studio based in Boston and Bogotá. Their practice focuses on the planning and creation of public facilities with an emphasis on social benefit, as well as small-scale residential projects. The studio employs a design approach that prioritizes the use of sustainable materials, cost-effective strategies, and active community collaboration.
For these reasons, Alsar Atelier was selected by ArchDaily as one of the best new architecture practices of 2023. Below, we bring you an interview with Alejandro Saldarriaga to get a closer look at his inspirations, working processes, and future projects.
Will Artificial Intelligence replace architects in their roles? In the May 2023 edition of Building magazine, Thomas Lane suggests that AI has the potential to automate up to 37% of the tasks typically carried out by architects and engineers. This automation, though, is likely to target routine and less creative tasks, allowing professionals to concentrate on more strategic and imaginative aspects of their work.
Just as Revit and 3D software did not replace architects but only transformed their workflows, the same principle holds for AI tools. AI is poised to bring about new tasks, such as AI management, alongside existing responsibilities, signaling a shift in how architects work.
Oana Stănescu is a Romanian architect, designer, writer, and educator, based in New York and Berlin, with a diverse portfolio of interventions around the world. Selected as part of 2023 New Practices by ArchDaily, the young architect recognizes the value of architecture as a discipline, but nevertheless acknowledges that architecture cannot single-handedly resolve the complex challenges of our world. “Architecture is most powerful when recognized as part of a larger system, rather than being solely self-serving”, she adds in her conversation with ArchDaily’s Managing Editor, Christele Harrouk. In this way, Oana views architecture as a key player in a broader context, working to address significant societal issues.
With several ongoing projects, from the rehabilitation of an existing industrial infrastructure in Romania, to an integrated house within its natural environment in Canada, Oana’s creative process is centered on a commitment to serve people. Watch the full interview and discover below key insights from the conversation.
Modular Eco-Housing . Image Cortesia de Yvonne Witte
When we talk about technology, we often think of robots, supercomputers, data centers or smartphones. But technology also refers to the invention of the first chipped stone tools or the development of the steam engine, which brought about the first Industrial Revolution. The term comes from the combination of the Greek words techne (art, craft) and logos (word, speech) and is nothing more than the application of knowledge to achieve goals in a specific and reproducible way, for practical purposes. In the construction industry, which moves large amounts of resources and people, more technology means incorporating new methods, tools, automation and software that can improve efficiency. As a historically innovation-resistant industry, the construction sector has a huge impact on the environment due to its carbon emissions and exploitation of raw materials. However, as it turns to the digital world, builders have seen technology as a means to optimize practices and identify, build, and manage their projects.
In Paris’ thirteenth arrondissement, the architecture office Moreau Kusunoki has completed Le Berlier, a 50-meter-tall timber tower housing residential units along with various other amenities. Situated at the intersection of multiple urban flows, networks, and scales, the project aims to find the middle ground between innovation, monumentality, and domesticity. The new residential center expresses its structural system through the grid of the façade, rendered in charred and pre-weathered wood.
Sports architecture on the Iberian Peninsula is undergoing a transformation. While in Barcelona, the transformation of Camp Nou is being carried out by the offices of IDOM, Nikken Sekkei, and b720, in the capital of Spain, the renovation works at Santiago Bernabéu, led by L35 Architects in collaboration with GMP Architekten and Ribas & Ribas, are nearing their final stages.
L35 Architects is an architectural, urban planning, and design studio with offices in Barcelona, Madrid, Paris, Milan, Geneva, Miami, Mexico, Bogotá, São Paulo, Santiago, Istanbul, and Abu Dhabi. Currently, they are not only overseeing the remodeling of the stadium in Madrid, but also working on the El Campín cultural and sports complex in Bogotá, the Bolívar stadium in La Paz, the requalification of the waterfront in Toulon, France, and the renovation of Stazione Roma Termini.
We interviewed Tristán López-Chicheri, CEO of L35 Architects, to gain a detailed insight into the current status of the projects.
When designing and building an island getaway paradise there are certain creature comforts expected by even the most back-to-basics visitor, to find peace and comfort in an inaccessible environment – like food, shelter, clean water, and a way to contact the mainland – but doing so requires a careful balance between making these least-visited places on Earth both habitable and hospitable, without destroying them or their serenity in the process.
The architecture and construction industry has undergone a transformation with the integration of various digital tools, now indispensable to the design process. The welcoming of technologies has effectively streamlined operations, enhanced efficiency, and elevated design quality. This digital shift, however, has resulted in a digital divide that goes beyond accessibility to tools and software. It also encompasses the crucial aspect of integrating traditional and indigenous communities into the urban development landscape. Can advancing technology support the growth of vernacular architecture? Can indigenous building practices find a place in the vision for a digitalized future?
Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia”by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.
Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.
https://www.archdaily.com/1007798/balancing-neoclassical-and-futuristic-design-the-utopian-dream-bathroom-conceptEnrique Tovar
The 2024 EUmies Awards aims to recognize the best-built works in Europe completed between April 2021 and May 2023. The selection of projects reflects the current changes within the European context, with increasing attention given to environmental, social, and economic awareness expressed through architecture, landscape architecture, urban planning, and design. This year’s jury is chaired by Frédéric Druot (Paris/Bordeaux), who will be accompanied by Martin Braathen (Oslo), Pippo Ciorra (Rome), Tinatin Gurgenidze (Tbilisi/Berlin), Adriana Krnáčová (Prague), Sala Makumbundu (Luxembourg), and Hrvoje Njiric (Zagreb).
Krenak has a unique talent for transforming his life experiences into profound concepts, which he conveys through oral and poetic language. His worldview blurs the boundaries between landscapes, human beings, animals, rivers, and mountains. He strongly advocates for a reassessment of our lifestyle, emphasizing the importance of 'breaking up the ground to allow the channeled waters to resurface.' On September 5th, he participated in a discussion in São Paulo during the Archtrends Summit 2023, organized by Portobello. During this event, he shared his insights on topics such as cities, forests, and the future of our planet.
In light of the looming climate crisis and the pursuit of sustainability, the concepts of revival and reuse have emerged as crucial strategies in the quest for decarbonization in the architecture industry. These principles preach that creating new structures may be sustainable but encourage architects to minimize their ecological footprint by reactivating and recycling existing resources. This year specifically, innovative projects in line with these themes were displayed as part of the 18th International Architecture Exhibition – La Biennale di Venezia. This world-renowned event’s core purpose is to serve as a platform for architects, designers, and thinkers to collectively reimagine sustainability, decarbonization, resource conservation, and the industry's future.
