Álvaro Siza and Carlos Castanheira have announced a new project for the Haishang Museum in the Jiading district of Shanghai. The proposal includes a building for the museum and three other smaller structures; a pavilion, a tea house and a bridge. As Castanheira says, the project will be many projects within one.
Alvaro Siza: The Latest Architecture and News
One of the most highly regarded architects of his generation, Portugese architect Álvaro Siza (born 25 June 1933) is known for his sculptural works that have been described as "poetic modernism." When he was awarded the Pritzker Prize in 1992, Siza was credited as being a successor of early modernists: the jury citation describes how "his shapes, molded by light, have a deceptive simplicity about them; they are honest."
The Tchoban Foundation - Museum for Architectural Drawing in Berlin shared with us this article about the exhibition Siza: Unseen and Unknown curated by architect António Choupina together with Dr. h. c. Kristin Feireiss. According to them, "this exhibition was conceived as a family show, not in the sense of an architectural dynasty but rather as a lyrical collection of drawings from the architect’s private surroundings". The selected drawings are from the Siza family’s own collection and include sketches from known and less well-known projects, as well as architectural fantasies.
Álvaro Siza was born in 1933, on the same year that the Bauhaus closed its doors. He is perhaps the last living modernist or, at the very least, the most significant voice to carry out the unfinished modernist project all the way into the 21st century.
Siza: Unseen and Unknown showcases this continuity through 100 sketches, as well as its unavoidable contradictions. These drawings are from his most personal archive, in addition to small collections of close friends and family. Hence, they focus not only on the professional legacy but also on the familial one, where Maria Antónia Siza (1940-1973) takes centre stage. His wife will draw him, he will draw her and the loving embrace of the human body will be transversal to architecture, art, life.
The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).
The award is an initiative funded by Jay Pritzker through the Hyatt Foundation, an organization associated with the hotel company of the same name that Jay founded with his brother Donald in 1957. The award was first given in 1979, when the American architect Philip Johnson, was awarded for his iconic works such as the Glass House in New Canaan, Connecticut.
The Pritzker Prize has been awarded for almost forty straight years without interruption, and there are now 18 countries with at least one winning architect. To date, half of the winners are European; while the Americas, Asia, and Oceania share the other twenty editions. So far, no African architect has been awarded, making it the only continent without a winner.
There are at least as many definitions of architecture as there are architects or people who comment on the practice of it. While some embrace it as art, others defend architecture’s seminal social responsibility as its most definitive attribute. To begin a sentence with “Architecture is” is a bold step into treacherous territory. And yet, many of us have uttered — or at least thought— “Architecture is…” while we’ve toiled away on an important project, or reflected on why we’ve chosen this professional path.
Most days, architecture is a tough practice; on others, it is wonderfully satisfying. Perhaps, though, most importantly, architecture is accommodating and inherently open to possibility.
This collection of statements illustrates the changing breadth of architecture’s significance; we may define it differently when talking among peers, or adjust our statements for outsiders.
Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Archivoid” seeks to “sculpt invisible masses of space” through the reading of negatives – using the architectural language of famous designers past and present, from Frank Lloyd Wright to Bjarke Ingels.
Babina’s images create an inverse point of view, a reversal of perception for an alternative reading of space, and reality itself. Making negative space his protagonist, Babina traces the “Architectural footprints” of famous architects, coupling mysterious geometries with a vibrant color scheme.
Dealing with the context of a project’s site is an essential part of architecture, be it by denying or incorporating preexisting elements and the environment’s conditions in the design. However, understanding what lies around as an active agent of the decisions and space organization goes beyond simply considering the good views, natural ventilation, solar orientation, etc; it is about seeing these conditions as co-authors.
These cases are most notable when practices think of the architecture's surrounding environment as an active agent.
During the second half of the twentieth century, architects all over the world, specifically from Europe, produced a legacy of renowned, modern works in Brazil. Following the principles of masters such as Le Corbusier, names like Lina Bo Bardi, Hans Broos, and Franz Heep held an undeniable influence on Brazilian architecture.
In recent years, the country has been welcoming a variety of buildings designed by foreign architects. Below, we have compiled 10 iconic works by international architects.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
Portuguese architectural photographer João Morgado shared with us a series of images from Álvaro Siza's latest project, the Capela do Monte. This chapel is located in Barão de São João, in the Algarve region of Portugal. Part of the Monte da Charneca complex, Capela do Monte was commissioned in 2016 by a Swiss-American couple residing there.
Inaugurated in March of this year, the sandy colored, 10.34 x 6.34-meter structure was built at the highest point of a hill and can only be accessed by foot. Its monolithic geometry suggests, from outside, a serenity from the inner space. The wooden furniture within the chapel were all designed by Siza and manufactured by Serafim Pereira Simões Successors of Porto.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
A pure volume, slightly lit, sits in the middle of a garden. It is a private chapel in Quinta de St. Ovídio in Lousada, built between 1989 and 2001 and designed by Álvaro Siza Vieira. The project starts from a path, where you can see the prismatic white volume from afar. As you pass through the building and some steps, you arrive at the entrance square. Here you will notice that Siza differentiated the main facade, in stone, from the other three, in white painted concrete, giving it importance.
Study in Valencia, Porto and Milan and Travel Around the World with the Master in Architecture, Design and Innovation
The European University of Valencia offers a postgraduate education linked to Architecture and Design through three educational programmes.
These different MArch programmes are directed by Fran Silvestre and feature influential architects and studios from current architecture such as Alvaro Siza, Souto de Moura, Aires Mateus, OAB • Carlos Ferrater, Correia/Ragazzi and Juan Domingo Santos.
March 22 is World Water Day, an annual international celebration launched and organized by the United Nations. The goal of the day is to raise awareness about a wide range of water-based issues from around the world. This year’s theme is “Nature From Water”, which invites everyone to think about how nature can provide solutions to the water challenges we face today.
To celebrate World Water Day this year, we’ve rounded up 20 of our favorite projects that utilize water as a central design feature. Whether it be Zumthor's Thermal Vals or Chritso and Jeanne-Claude's Floating Piers, water has been playing an important role in architectural design and in demarcating the boundaries of nature against our built environment.
Architecture photographer Ana Amado has shared with us a set of photographs featuring Álvaro Siza's recently inaugurated Church of Saint-Jacques de la Lande, in Rennes—the first church built in Brittany, France this century.
As in many other Siza buildings, this church is built in white concrete and pays special attention to the natural light, which bathes the altar, tabernacle, pulpit and baptismal font from above. Externally, different volumes—blocks, cylinders and incisions—add to the overall mass of the building, distinguishing it from the neighboring housing blocks, while the use of few openings helps to establish a solid, permanent presence in the natural environment. Check Ana Amado's set of photographs below:
Álvaro Siza's extensive personal archive of built and unbuilt projects is going online with free access, thanks to the collaboration between three institutions – the Serralves Foundation in Oporto, the Calouste Gulbenkian Foundation in Lisbon and the Canadian Centre for Architecture (CCA) in Montreal.
Siza donated his archive to the three institutions in 2014, and after three years of archival work, the first batch of entries are set for public viewing.
Designing a subway station in Porto is about influencing the daily lives of thousands of people, where they daily circulate, establishing flows and routes, in a urbanistic and architectural intervention with large-scale dimensions. Although it demands an extremely functional and austere design, it is possible to see the gestures of the architect through the details and surprises.
Sketch for Syria, a project initiated by by Marco Ballarin and Jacopo Galli at IUAV, Venice, has brought together 150 architects from 26 nations in a large-scale effort to "imagine, trace and share possible scenarios" for Syria, following the recent devastation of the lives of its citizens and a significant amount of its architectural heritage.
In response to the United Nations' (UN-ESCWA) drafting of an agenda on July 14th, 2016 to consider ways of reconstructing the country, this drawing project has attracted contributions from the likes of Álvaro Siza, Philippe Rahm, Peter Wilson, and Francisco Aires Mateus.