The DAAily platforms Designboom, Architonic, and ArchDaily held a unique storytelling space to feature curated talks about design and architecture during the Milan Design Week 2022. Dubbed the DAAily Bar, the set served as a new meeting point inviting renowned designers and exhibiting immersive art installations.
In the complex trade of architecture and construction, you are never alone. And behind every great building there is a strong team of professionals combining their expertise.
Hanif Kara OBE is a structural engineer and one of the founders of AKT II, one of the top engineering firms in the world. Based in London, he has been closely collaborating with some of the world’s most innovative architects, including Grafton Architects, David Chipperfield, Norman Foster, BIG, Zaha Hadid, Thomas Heatherwick, and many more.
As part of the DAAily Bar Live Talks, ArchDaily's Founder and Editor-in-Chief David Basulto had the chance to talk with Carlo Ratti, director of MIT's Senseable Lab and founder of innovation studio Carlo Ratti Associati about this multidisciplinary approach, the blurred boundaries of the profession and his recent projects.
During the week-long event, ArchDaily had the chance to speak with Alper Derinboğaz, architect and founder of Istanbul-based Salon Alper Derinboğaz, selected among ArchDaily's 2020 Young Practices, to discuss the firm's responsibility towards the environment, seeing architecture as part of the Earth within Geospace's framework, challenges facing the new generations of architects and their access to information, and experimenting with the Metaverse.
For its 60th and first post-pandemic edition, the Salone del Mobile.Milano was back in full force following two years of setbacks and alternations between digital and physical events. The week-long exhibition, which welcomed over 262,000 visitors from across the world, highlighted the opportunities of environmental consciousness, inviting designers to adopt and reinforce the values of sustainability in the long term, support the protection of human rights, and promote environmental responsibility through design.
One of the most anticipated installations within the Fiera was a centerpiece by Italian architect Mario Cucinella titled “Design With Nature”. The large-scale installation demonstrated the various ways people can improve their relationship with nature, inviting visitors to eat, drink, converse, and work in a piazza-inspired space. During Milan Design Week, ArchDaily had the chance to speak with the architect to discuss the concept behind his installation, the relationship between the city of Milano and Salone, and the importance of valuing our natural resources.
In these fast-paced and constantly evolving times, architecture has been adapting to new building technologies and complexities to serve today’s world needs. Teams of experts from all areas, architecture, engineering, construction, and a long list of professionals, come together to bring these solutions to our built environment. At ArchDaily we have been highlighting these actors in the architecture we curate and publish every day, but we often come across other types of projects, in which we spot different needs, and ways of building in certain places and communities, that equally require a highly qualified team, specific local techniques, and knowledge that are worth sharing.
Looking ahead to the future of our built environment, a one-size-fits-all approach simply won’t do. Issues like rising sea levels, temperatures, and water scarcity in urban communities need localized solutions that take into account questions of sustainability, culture, and public health. Having investigated vernacular infrastructure across indigenous communities for her book Lo-TEK. Design by Radical Indigenism, designer Julia Watson is an expert in local, nature-based technologies that are inherently adaptable and resilient. We talk to her about the future of our cities, building materials, and her latest project for Our Time on Earth – a five year, world-touring exhibition that just opened at London's Barbican Centre to investigate how radical, collaborative ideas for the way we live can get us to a much improved place by 2040.
Videos
Background photograph courtesy of Charlie Hui, Viswerk. 2020
Led by architectural designers Khensani de Klerk and Solange Mbanefo, Matri-Archi is a collective based between Switzerland and South Africa that aims to bring African women together for the development of spatial education in African cities. Through design practice, writing, podcasts, and other initiatives, Matri-Archi — one of ArchDaily's Best New Practices of 2021 — focuses on the recognition and empowerment of women in the spatial field and architectural industry.
ArchDaily had the opportunity to talk to the co-directors of the collective on hegemonic space, informal architecture, technology, local idiosyncrasies, and the future of African and global cities. Read the full interview below.
The climate crisis has reshaped contemporary architecture. Sustainability has become a central guiding force in design, and in turn, architects are rethinking how to build today. For CO Adaptive Architecture, addressing the climate crisis begins with a process oriented practice. Together, Ruth Mandl and Bobby Johnston have created a firm that embodies how a values-based approach can tackle the most pressing issues of our time. The result is elegant and impactful architecture brought to life with poise and finesse.
HANNAH Office is a US-based experimental research and design studio whose work focuses on advancing architecture and contemporary construction practices by examining the possibilities of new digital routines and fabrication technologies. Selected as one of Archdaily's Best New Practices of 2021, HANNAH Office was founded in 2012 by Leslie Lok and Sasa Zivkovic and constitutes a platform for exploring technology and material methods across a variety of scales, from furniture to urbanism in search of new design outcomes.
Urban Radicals is a design collective based in London, founded in 2019 by Era Savvides and Athanasios Varnavas. The practice operates at the intersection of multiple disciplines, exploring public space and the notion of collectivity across a variety of scales, contexts and design expressions. One of Archdaily's Best New Practices of 2021, Urban Radicals shrinks and grows organically through the projects, dissolving the boundaries between diverse fields of knowledge and circumventing traditional office structure to integrate a multiplicity of perspectives within architecture.
In this second edition of the ArchDaily Professionals Video Interviews, ArchDaily's Managing Editor, Christele Harrouk, met with Mat Cash, Group Leader of Heatherwick Studio, Signe Nielsen, MNLA's Founding Principal, and David Farnsworth, Arup Principal, to discuss their collaborative work on one of New York City's latest green areas, Little Island Park at Pier 55.
Courtesy of KARL LAGERFELD, Sierra Blanca Estates and One Atelier
During the past couple of years, luxury and fashion brands began venturing into architecture. Some built museums, foundations, and cultural organizations while others shaped residential structures that translated their identity into space. Following this same concept, KARL LAGERFELD, along with Spanish Developer Sierra Blanca Estates and the Design and Branding Firm The One Atelier, have developed the fashion house’s first “luxury architectural project”, the Karl Lagerfeld Villas in Marbella, Spain. Designed by The One Atelier, of which Andrea Boschetti is Head of Design, the project has low carbon impact, aligned with the brand’s commitment to the Fashion Pact - a global sustainability initiative that seeks to transform the fashion industry through objectives in climate, biodiversity, and ocean protection.
Asking what is “luxury architecture” and questioning why fashion brands are expanding into architecture, ArchDaily met with Andrea Boschetti to further understand the architect and urban planner’s take on the subject.
ArchDaily Professionals is an initiative that focuses on all of the collaborators involved in architecture and construction, who participated and are credited in the projects we have carefully curated and published. This project aims to recognize and highlight the best collaborators responsible for delivering the best architecture, by delivering valuable knowledge related to the different disciplines within our community. Today, we are launching a series of video interviews between architects and collaborating professionals, to learn more about their work and to understand the importance of these relationships to deliver high-quality architectural projects.
For this first interview, ArchDaily’s Managing Editor, Christele Harrouk, met with lighting design firm L’Observatoire International’s founder, Hervé Descottes, and American architect Steven Holl. In this moderated talk, we had the chance to speak to Hervé and Steven about their collaboration in three cultural projects in the United States: the Institute for Contemporary Art at VCU, the Winter Visual Arts Building, and Nancy and Rich Kinder Museum. In this conversation, we learned more about what lighting in architecture means to them, how space and light should be conceived and why a close collaboration between architects and lighting designers is crucial to architecture projects.
Hydro Healing Center, Yerevan, Armenia, 2015. Image Courtesy of Nishan Kazanian
What follows this short introduction is my unusually personal interview with a Lebanese-American architect and artist Nishan Kazazian. His work is inspired by numerous sources that come from many directions such as Kintsugi, the Japanese art of putting broken pottery pieces back together, primary color geometric abstractions evocative of Russian Constructivism, as well as paintings by Piet Mondrian and Paul Klee. Yet, a stronger inspiration comes from his memories of home and family history. Layering and superimposition of cultures and languages were constantly present in his life since childhood and remain guiding forces to Kazazian, who is both a licensed architect and a professional artist.
Belmont (Monty) Freeman (b. 1951) founded his New York-based, currently eight-person practice, Belmont Freeman Architects in 1986. Its active projects are half institutional and half residential, with a special focus on adaptive reuse, predominantly in New York and nearby states. Among the firm’s most exemplary projects are the LGBT Carriage House on the University of Pennsylvania campus, a series of restorations at the Four Seasons restaurant in the Seagram Building, renovations at the Yale Club in Manhattan, and the renovation of the Ezra and Cecile Zilkha Gallery at Wesleyan University in Connecticut, designed by Kevin Roche. Current projects include an expansive but minimalist residential compound on Martha’s Vineyard, branch library renovations in New York City, and redevelopment of a former meatpacking building into a new Innovation Hub for Columbia University’s Business School.
Great design is rooted in responsive and adaptive approaches. For architect and landscape architect Greg Kochanowski, equitable design solutions should address critical issues, such as climate and housing. As Partner and Design Principal at GGA, Greg is an active researcher focusing on resilient environments that create synergies between natural systems, culture, infrastructure, and development.
