José Adrião. Douradores Apartments Lisbon | 2013–2020. Photo by Nuno Almendra, 2020
"The house is among the first concepts shared by society and architecture", states André Tavares and Pippo Ciorra, curators of the exhibition called At Home: Projects for Contemporary Housing, on display at Garagem Sul / Centro Cultural Belém, in Lisbon. The show, which is the unfolding of another one previously held at the MAXXI Museum in Rome, gathers pieces from the huge collection of the Italian institution and seeks intersections with contemporary Portuguese architectural production. Its main topic – the house, the home – has never been more discussed than right now.
Bringing together houses of different scales, built in diverse locations by various methods and techniques, and designed by Italian, Portuguese and international architects, the exhibition gathers, in groups of three, projects from which it is possible to weave relationships that go beyond geographies and materialities and foster reflections about the future of housing and what the home of tomorrow will look like.
We had the opportunity to talk with Tavares and Ciorra about the exhibition, its motivations and expectations with its opening in the physical venue of Garagem Sul. Read below.
Continuing our quest to redefine how architecture is perceived nowadays and exposing the different notions out there, ArchDaily gave space for its users to answer four fundamental questions: "What is architecture? What can architecture do? What is your architectural position? What is your design method?" With around 200 entries per interrogation, gathered from all over the world, the ideas shared are mostly complementary and non-conflicting, underlining a general understanding of the role and essence of this field.
Believing firmly that "architecture is [...] too important to leave solely to architects", Ole Bouman embarked on diverse activities throughout his three decades of work, reflecting on “architecture, not so much as the art or technique of making buildings, but architecture as the intelligent way to organize our lives on earth, and infuse it with purpose”.
After having shared Bouman's essay Finding Measure, ArchDaily had the chance to discuss with DesignSociety’s founding director his thoughts on the role of architecture, the current challenges of the world, the digital revolution, and many other thought-provoking topics.
HerCity is a platform that involves women in urban development, in order to make better cities for everyone. Turning the tables and putting girls in the expert position, the digital toolbox aims to create more inclusive, equal, and sustainable cities and communities. The initiative makes methods and tools available to urban actors globally, in order to support cities in integrating girls’ participation in their long-term strategies.
Launched on Women’s day 2021, the guide for urban planning and design is a collaborative effort between UN-Habitat and Global Utmaning, the Swedish independent think tank. ArchDaily had the chance to talk with the team behind this digital toolbox, discussing the narratives, the process, and inclusive planning on a worldwide level.
Many architects and designers have highlighted the importance of taking into account all five senses during the design process, in order to create a successful user experience. Fortunately, many strategies have been implemented to facilitate the experience of those who are physically impaired, however, little is being done to aid those who feel helpless and restricted due to mental illnesses and traumatic experiences.
Healing from these experiences is a journey that requires a lot of effort from both the individual and everything and everyone around him/her. Oftentimes, victims of trauma are advised to spend more time in the outdoors, embracing the restorative qualities of nature. But what about interiors? Since people are now spending almost 90% of their time indoors, it is only natural that these spaces contribute to the healing process as well. And while these spaces can look beautiful with an abundance of natural light and neutral color palettes, are they truly beneficial to their mental health?
Celebrating community, three interdisciplinary leaders of design firm Sasaki are building space for change. Defining the future through collective, contextual, and values-driven projects, they are showing how working together produces greater impact. Following the belief that better design comes through open exchange and deep engagement, each of these women are creating more sustainable and inclusive futures.
Almost 6 months ago, on August 4th, 2020, the city of Beirut was shaken by one of the biggest non-nuclear blasts in history. Leaving the northern side of the capital in ruins, the explosion damaged around 40,000 buildings. New contemporary structures completed recently by local international architects are now facing reconstruction dilemmas, raising existential questions such as: How should reconstruction efforts of “new” damaged buildings look like? Should architects rebuild them as they were before the blast, erasing what has happened or should they leave scars and portray new realities?
In order to explore ideas and highlight different perspectives, ArchDaily had the chance to sit with three architects whose buildings were impacted by the blast. Bernard Khoury, Paul Kaloustian, and Lina Ghotmeh talked about their projects and their vision of the reconstruction of Beirut with ArchDaily's Managing Editor, Christele Harrouk, alongside Architectural Photographer Laurian Ghinitoiu, who documented in a featured photo series the extent of the destruction.
Designing resilient cities combines practical solutions with innovative ideas. Interdisciplinary global firm HKS is working to bring these ambitions to life with researchers, urban designers, nurses, anthropologists, graphic designers and more. Viewing design as a process of discovery, three directors at HKS are leading how cities explore research, equity and integration to create more resilient futures.
With an on-going digital and physical evolution, the 5th Istanbul Design Biennialtook a new approach. “Rather than focusing on the presentation of final results in a compressed period of time and space”, the global circumstances created the opportunity to present new projects on a longer period of time and in expanded spaces, offering not an exhibition but “a digital and research program with a series of permanent interventions in the city.”
During the latest Design Indaba Festival, we have the chance to interview Lyndon Neri and Rossana Hu, from Neri&Hu Design and Research Office, a Shanghai-based inter-disciplinary architectural design practice, about their work and way of thinking about architecture.
In order to inspire our audience, generate critical debates, and develop ideas, ArchDaily has been continuously questioning architects about the future of architecture. To define emerging trends that will shape the upcoming cities, examining “What will be the future of architecture?” became an essential inquiry. More relevant during these ever-changing moments, discover 10 interviews from ArchDaily’s archived YouTube playlists that will highlight diverse visions from 10 different pioneers of the architecture field.
In the second part of his interview with Archdaily, Hashim Sarkis reflects on the future of architecture as he tackles the timeless question of the 2021 Venice Biennale. The curator of the Biennale, which proposes the question of “How Will We Live Together?”, discusses the role of the profession in the midst of all these new paradigms, stating that “Architects do change the world […] by creating […] wish images for what the world could be”.
In this feature, the curator of the anticipated biennale and dean of MIT School of Architecture and Planning presents his views on the evolution of Architecture, and the new directions the academic world should take, to reflect “the complexity of the urban problems of today”. Sarkis also brings up Beirut, discussing reconstruction approaches, civil society, and the exasperating notion of resilience.
Designing for human scale begins with contemporary culture and everyday life. As the COVID-19 pandemic transformed how we work and live around the world, it's also changed how we think about human scale in the city. For Brazilian architect Leonardo Fernandes Dias of LADO Arquitetura, the global transformation in urban life is directly tied to health, public space and architecture.
The COVID-19 pandemic has reshaped how we work together. From telecommuting to virtual programming, architects and designers are rethinking traditional office structures to reimagine collaboration around the world. For architect Evelyn Lee, her work as the first Senior Experience Designer at Slack Technologies centers on building better workplace experiences. In a year defined by remote work, she's exploring what culture and community mean today.
Shaping the future begins with education. For VMDO Principal Rob Winstead, learning spaces go hand in hand with sustainability. As a nationally-recognized expert in education, Winstead is an advocate for blending thoughtful design with high performance goals. In an exclusive interview with ArchDaily, Winstead talks about his personal background and experiences, as well as his role in shaping how VMDO approaches sustainability, education and social justice.
Tiffany Brown with students. Image Courtesy of Tiffany Brown, 400 Forward
A pioneer for justice, equity, diversity, and inclusion in the profession of architecture, Detroit native Tiffany Brown is the founder of 400 Forward, an initiative that seeks, inspires, and mentors the next generation of women designers. Named in light of the licensing of the 400th African American woman architect in 2017, the program aims to familiarize young girls with architecture, giving them tools to address social injustice issues.
Pushing forward the presence of African American women in the profession of architecture -currently standing at less than 0.3% in the U.S- 400 Forward also provides scholarships and tuitions for study material and licensing exams for African American women in architecture. In order to learn more about the initiative, ArchDaily had the chance to talk with founder Tiffany Brown about the program, diversity in the field, and empowering female architects and students.
During the peak of Postmodernism, and the uprising of notions such as urban renewal and public participation, Aedes Architecture Forum, the first private architecture gallery in the world, opened in 1980 in Berlin. Founded by Journalist Kristin Feireiss and Helga Retzer, both neither architects nor regularly engaged with architecture at that time, Aedes aspired to encourage an international dialogue around the subjects of urban environment, space, and society.
Shortly after its inception, the center became an integral part of the contemporary international architectural scene, carrying out debates, seeking fresh ideas, showcasing the avant-garde, and highlighting young talents. Providing architects with a compelling space to present their architectural and urban ideas, Aedes hosted exhibitions for Zaha Hadid, Venturi Scott Brown, Cedric Price, John Hejduk, OMA (Office for Metropolitan Architecture), Peter and Alison Smithson, and Bernard Tschumi to name a few.
We visited Clément Blanchet in his Paris studio, located in Villa Seurat, a small Parisian street flanked by modernist buildings. Inside a beautiful loft by Maillard et Ducamp, the team of Clément Blanchet Architecture was working hard on a master plan in China.
After going through diverse education programs, that included the AA in London, the Chulalongkorn Mahawitthayalai Architectural School in Bangkok, and the University of Illinois in Chicago, Clément started his career at OMA, “a long therapy [...] to discover who I was”. During his career at OMA, he became the director of OMA France, participating in projects such as the Caen Library, the Parc des Expositions in Toulouse, the Lab City CentraleSupélec, among others.
The practice is structured as a laboratory, researching, informing and generating architecture and urbanism in all its forms and sizes. From a series of carefully designed interiors for restaurants, playing with a diverse palette of materials, to large scale multifunctional buildings and master plans, adapting to the fast-changing needs of society.
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