The Chicago Architecture Biennial has announced the first exhibit that will on display during the event’s second edition from September 16 to January 7, 2018 – a contemporary reboot of one of architecture’s most well-known competitions, the Chicago Tribune tower design contest. Sixteen young architects from around the world will contribute new versions of the iconic skyscraper that will be displayed as a series of 16-foot-tall architectural models in the Chicago Cultural Center, the Biennial’s main venue.
The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.
Steven Holl and Jessica Lang’s “Tesseracts of Time” Explores the Relationship Between Architecture and Dance
“Writing about music is like dancing about architecture”
The Chicago Architecture Biennial (CAB) has announced that Sharon Johnston and Mark Lee, of the Los Angeles-based firm Johnston Marklee, have been named Artistic Directors for the 2017 event. Following a successful inaugural run in 2015, the second edition of the biennial will take place from September 16 - December 31, 2017.
Rock Print: The Remarkable Deinstallation of a Standout Exhibit at the Chicago Architecture Biennial
It’s a shame that the inaugural Chicago Architecture Biennial has already come and gone, and that the Windy City will have to wait until next fall for another dose of architectural euphoria. But it’s worth revisiting one of the event’s standout exhibits, an installation equally exemplary for its display as for its expiry. “Rock Print,” created by Gramazio Kohler Research of ETH Zurich and Skylar Tibbits of MIT's Self-Assembly Lab, was a four-legged, neo-primitive tower of stones and string that was erected without mortar or other reinforcement, meaning its disassembly would be the exact inverse action of its construction. The string, laid down by an algorithm, was the binder for stones laid by hand in thin stacks – the team called them “slices” – in what amounted to a type of analog version of 3D printing. The material process has been given the name “reversible concrete” and could be a paradigm shift in construction for its portability and versatility.
AAgora is a newly-founded critical architecture debate platform at the Architectural Association in London, which aims to shed light on relevant architectural topics. These debates take the form of an open-table discussion which encourages the audience to participate at any time. AAgora's second debate will be "On the Chicago Biennial" - On Biennials, and how we define contemporary architecture.
Moon Hoon, an architect based in Seoul’s Gangnam district, created a series of fantastical, detailed “doodles” for the Chicago Architecture Biennial. Titled Doodle Constructivism, his installation is a powerful display of architectural illustration that merges widely contrasting ideas such as peaceful urbanism with mayhem. In his Shelfish Architecture drawing, he creates a sort of housing structure, which looks like a cross between an apartment building, a mushroom, and an alien.
Lateral Office’s work follows its namesake, looking horizontally at problems and solutions across various fields. Exploring the intersections of systems, environment and architecture, the Canadian firm often situates its projects in unusual climatic and topographic conditions, finding ways to consolidate multi-disciplinary problems with multi-disciplinary solutions.
The first ever Chicago Architecture Biennial closed January 3, with over half a million visitors having attended the event. An architecture exhibition of unprecedented size on the continent, the Biennial gathered 93 projects from 120 offices from over 30 countries to discuss the “State of the Art of Architecture.” We take a look at some of the Biennial's highlights after the break.
Visitors to the Chicago Architecture Biennial were greeted with the appearance of a small, 30 square meter home built of thatch and steel – the S House 3. The latest prototype in experiments with affordable, sustainable housing by Vo Trong Nghia, the exhibit allowed visitors to experience the home firsthand. Designed to be built for as little as $1,000 and last over 30 years, the exhibit challenged notions of sustainability and cost, proposing an optimistic look at the future of affordable housing.
At this year’s Chicago Architecture Biennial the directors Joseph Grima and Sarah Herda asked participating architects to demonstrate the “State of the Art of Architecture" by submitting projects that they felt told a story about architecture’s importance in society. As explained in this video by Politico Magazine, native Chicagoan Jeanne Gang of Studio Gang Architects responded to this call by looking at an issue that has plagued American cities in startling ways in recent years: the troubled relationships between communities and their police forces. Often hidden behind fortress-like buildings, police stations in their current form tend to project an image closer to hostile than welcoming. But Gang believes it doesn’t have to be that way.
Giancarlo Mazzanti’s “Speaking Architecture” Exhibit at The Chicago Biennial Gives a Voice to the Visitors
In response to the question posed by the curators of the Chicago Architecture Biennial – what is The State of the Art of Architecture today? -- Colombian firm El Equipo de Mazzanti (Giancarlo Mazzanti) developed their exhibition “Speaking Architecture,” which looks at architecture as “a living process rather than a finished and static object.”
How much kiosk can you get for $75,000? Chicago Horizon probes this question through a quest to build the largest flat wood roof possible. Using Cross-Laminated Timber, a new carbon-negative engineered lumber product, in the largest dimensions commercially available, the kiosk aims to provide an excess of public space for the Architecture Biennial and Chicago beach-goers.
One of BIG's most high-profile projects under construction, the Amager Bakke waste-to-power plant in Copenhagen, will have quite the party trick up its sleeve. In order to give locals a new understanding of the issue of global warming, for every tonne of CO2 generated by the burning of waste, the plant will emit a super-sized ring of steam into the sky from the chimney perched at the top of its sloping roof. However, when construction on the project started, BIG hit a road block: as Bjarke Ingels explained to FastCo Design, "there were no smoke ring-emitting manufacturers in the yellow pages."
Kéré Architecture’s “Place for Gathering” exhibition at the Chicago Architecture Biennial creates a meeting place at the entrance to the Chicago Cultural Center. Made from a locally sourced material (wood), the exhibition emits a fresh, natural smell, and creates a place for people to meet, connect and share “differing cultural narratives, traditions and aspirations," writes Kéré in the official Chicago Biennale Guidebook.
In his book We Have Never Been Modern, philosopher Bruno Latour concludes that an inability to make humanity and nature inherently separate is one of Modernism’s most misguided tropes. Thus, contemporary designers that hope to riff on or have continuity with modernism must understand that architecture, even at its most aestheticized, is not hermetically sealed off from the outside world - and that therefore modernism is not a plateau of design, but another base camp on the road to further refinement.
Chicago has long been known for distinctive architecture, and this year’s inaugural Chicago Architecture Biennial has only furthered that reputation. Although it is nearly impossible to narrow down the countless iconic structures, in celebration of the Biennial, we have compiled five Chicago buildings that highlight the many phases of the city’s architectural history.
At the Chicago Architecture Biennial, the theme selected by directors Joseph Grima and Sarah Herda was deliberately wide in scope, with the expectation that more than one hundred exhibitors would each bring their own perspective on what is “The State of the Art of Architecture.” But where does that leave one of architecture's most widely adopted missions of the 21st century: sustainability? In this article, originally published on her blog Architectstasy as “Chicago Architecture Biennial: The State of the Art of Sustainability,” Jessica A S Letaw delves into five projects that take on sustainability in the context of Chicago's biennial.