Salone is the most important furniture event in the world, strongly connected to the city and the design culture. This year we are seeing a new expanded format to mark the 60th anniversary of Salone del Mobile, titled "SuperSalone", a prequel to the 2022 edition, with a very accentuated focus on the materiality and the sustainable aspect.
Managing to put together the physical and the digital, in order to make the event more accessible for the world, Salone ran during the first week of September, at the Rho Fiera. During these design days, ArchDaily had the chance to speak with the curator, Stefano Boeri, discussing this very special edition, the relationship between the city of Milano and Salone, the democratization of design as well as the environmental quality in his projects around the world.
American architect Brian Mac grew up near Detroit. He graduated from the Architecture School at the University of Detroit in 1988 and for the next five years worked for a preservationist firm, Quinn Evans Architects in Ann Arbor. There he learned to love historic architectural detailing, and, while working at the firm, in 1992, became a licensed architect. Then followed a short period of disillusion with the profession and moving to Ohio to work in a residential treatment center for adolescent felony offenders.
Henning Larsen has been creating projects that address cross-cultural design, tackle diverse climatic zones, and try to achieve ambitious sustainability objectives. All of this wouldn’t be possible without the use of technology and specially crafted digital and generative design tools that allow architects to treat any element as a parameter in design.
In a special interview with ArchDaily, Jakob Strømann-Andersen, Partner and Director of Henning Larsen’s Innovation and Sustainability Department talks about digital tools and their incorporation in the design process. Focusing specifically in this conversation on Sandworm, a new modeling program that uses sandboxes, Anderson explains how they have achieved to scan and directly transfer manipulated landscapes into a 3D model.
Questioning the new now, especially with the new challenges of Covid-19, around the world, cities are advocating for structural change and collective action. Berlin questions, an annual, multi-day conference and a platform for transdisciplinary dialogue, in its 2021 edition “Metropolis: The New Now”, tackled the immediate present, creating a place for debate. Dedicated to local solutions to global challenges, the event took on a hybrid format, at various locations in Berlin and online, resembling the world we live in.
ArchDaily had the chance to meet up with the winner of the Iconic Awards 2021 in the Architects of the Year category Dorte Mandrup, architect, founder, and creative director of Dorte Mandrup Arkitekter at Berlin Questions, to discuss the firm’s latest project in the German capital, the Exile Museum and to reflect on her career and visions.
Questioning the new now, especially with the new challenges of Covid-19, around the world, cities are advocating for structural change and collective action. Berlin questions, an annual, multi-day conference and a platform for transdisciplinary dialogue, in its 2021 edition “Metropolis: The New Now”, tackled the immediate present, creating a place for debate. Dedicated to local solutions to global challenges, the event took on a hybrid format, at various locations in Berlin and online, resembling the world we live in.
ArchDaily had the chance to meet up with Lesley Lokko, architect, academic, and novelist at Berlin Questions, to discuss her talk “Africa as the lab for the future”, her visions for the future of architecture education and the future of big cities on a social, cultural and urban level.
Serpentine Gallery Pavilion. Image Courtesy of Toyo Ito & Associates, Architects
Examining the work of Tokyo architect Toyo Ito (b. 1941) – particularly his now seminal Sendai Mediatheque (1995-2001), Serpentine Gallery (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), Tama Art University Library (Tokyo, 2007), and National Taichung Theater (2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.
After being postponed for one year, the 17th Venice Architecture Biennale opened its doors to the public on May 22nd, 2021, revealing a wide range of answers to Hashim Sarkis’ question of "How will we live together". With over 112 participants from 46 countries, the contributions are organized into five themes: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Due to travel restrictions, many curators were unable to be physically present at the inauguration of the event, resorting to digital platforms for interviews and presentations. ArchDaily had the chance to physically attend the exhibition and meet with some of the curators to further explore their pavilions. The following are 9 interviews from ArchDaily’s Youtube playlists that feature these exclusive interviews.
AARHUS, Image by Rasmus Hjortshoj . Image Courtesy of BIG
"The future is already here, it's not just very evenly distributed". Starting off with this William Gibson quote, BIG’s latest publication Formgiving looks at the past and present in order to determine the future. Talking of predictions that aren’t so far down the road, but rather than could occur in 5, 10, or 50 years, the book seeks to “give form to the future”, or to what has not taken shape yet.
ArchDaily had to chance to interview Kai-Uwe Bergmann, Partner at BIG-Bjarke Ingels Group, and discuss not only the firm’s latest manuscript but the trilogy of publications: Yes is More, an “Archicomic on Architectural Evolution”, Hot to Cold an “Odyssey of Architectural Adaptation”, and Formgiving, an “Architectural Future History”.
Technology has begun to radically transform operations in the AEC industries. For Robert Yuen, CEO and Co-Founder of Monograph, he's developed a cloud-based project management application that's tailored to address these changes. Trained as an architect and establishing himself as an entrepreneur, Robert utilizes his background to reimagine what the futures holds for managing design and construction.
Gallery of Furniture, Lukas Pelech. Image Courtesy of CHYBIK + KRISTOF
Great design builds upon the past with an eye to the future. For Ondrej Chybik and Michal Kristof, Co-Founders of CHYBIK + KRISTOF, architecture can best respect history by reinterpreting it. The Czech design practice is currently based in Prague, Brno and Bratislava, and was founded in 2010 by Ondřej and Michal. Operating with over 50 international team members, the practice aims to bridge the gaps between private and public space while transcending both generational and societal spheres.
Vladimir Belogolovsky talks with Mexican-American architect Francisco Gonzalez-Pulido on his exhibition 30 Projects/30 Years/30 Stories now on view at the Museo Metropolitano in Monterrey, Mexico.30 Projects/30 Years/30 Stories, a large retrospective on the work of Mexican-American architect Francisco Gonzalez Pulido, was opened on June 18 at the Museo Metropolitano in Monterrey, Mexico. The exhibition will remain on view until September 21.
JMZ Architects is a firm realizing both long-term visions and local spatial needs. With a background in planning and architecture, they are a Women-owned business creating campuses and new structures alike. Practicing from a single office of 23 employees in Glens Falls, New York, they have focused exclusively on architecture and planning for higher education institutions, primarily public colleges, and universities, and state higher education systems.
Among the many topics explored at the 17th Venice Architecture Biennale, the idea of community has been at the forefront, with several national pavilions exploring its many manifestations, evolution, and its relationship with the future of built environments. ArchDaily met with the curators of Testimonial Spaces, Emilio Marín and Rodrigo Sepúlveda, the Chilean Pavilion at the Biennale, and discussed how the project tackled the question of the future of living together and how they bridged the stories from Santiago to Venice. The interview was conducted in Spanish but is provided with English subtitles.
Madame Architect, the platform dedicated to the built environment and to the empowerment, advancement, and visibility of the women who work in it, has just reached a milestone, publishing over 250 interviews with the females who shape our world. “Designed to break the architect’s mold”, the website was founded 3 years ago by Julia Gamolina, an architect that shaped her own path in the field, becoming Director of Strategy at Trahan Architects, focusing on the business, its development, growth, and evolution.
Archdaily's Christele Harrouk had the chance to speak to Julia Gamolina, Founder, Editor-in-Chief of Madame Architect, and one of Professional Women in Construction's "20 Under 40", to discuss her career choices, the online magazine, the business of architecture and communication.
ODA has just launched its latest project, an urban vision for the future of the streets of New York. The project titled Beyond the street- Reimagining the flower district proposes to transform a city block from the outside in, altering the pedestrian experience and introducing new zoning changes that would give landowners air rights or tax credits in exchange for handing over their inner courtyards to be transformed into public/private spaces.
ArchDaily had the chance to talk with Eran Chen, founding principal and executive director of ODA, about the firm’s very special proposal that seeks to improve our urban environment. Check the interview and watch ODA’s explanatory movie.
Tower House, Photo credit: Paul Warchol. Image Courtesy of GLUCK+
Architecture is inherently tied to building and construction. When these processes are aligned, great structures take shape. For architecture, construction and development firm GLUCK+, design and building go hand-in-hand. From designer and builder to owner and developer, the practice has taken on diverse roles to bring innovative projects to life. Looking to the future, Principal Thomas Gluck explores how the firm is creating work in New York City and across the United States.
Scheduled originally from August to November 2020, the 17th Venice Architecture Biennale was postponed, like every other event this year, and will be held from May 22nd to November 21st, 2021, due to the pandemic. Questioning “How will we live together?” the original statement of curator Hashim Sarkis, called upon architects “to imagine spaces in which we can generously live together”. Relevant today more than ever, with the current worldwide circumstances, the theme of the Biennale is in fact the focus of interest of the global scene.
After having discussed “How will we live together?” in 2019 with Hashim Sarkis in Venice, ArchDaily had the chance to open the debate once more and re-examine the question of the Architecture Biennale. In a two-part interview, the architect tackles the theme, the Biennale, the present situation, and the future.
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Kai_Nakamura.jpg?1629103497 "'Minna no Mori' Gifu Media Cosmos. Image © Kai Nakamura")
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.jpg?1626893190 "Stage is Set, Lukas Pelech. Image Courtesy of CHYBIK + KRISTOF")
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