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Architects: Shaw Architect
- Area: 5094 m²
- Year: 2017
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Manufacturers: MML, Pentens, SKK
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Professionals: C2 Consult Sdn Bhd, Nakano Construction Sdn Bhd, D&O Konsultant Sdn Bhd

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Architectural print studio Desplans in collaboration with Library Illustrazioni have published the results of their architectural drawing competition titled “The Island: Between Utopia and Metaphor for Reality.” The competition asked participants to submit drawings and text interpreting the meaning of islands and utopias, considering “the double value inherent in the utopia” between aspiration and limitation.
The entries were judged by a jury of figures from Library and Desplans, with one winner and 12 honorable mentions selected. The winning entries were chosen with attention given to the relevance of the theme, dialogue between text and image, graphic research, and quality of reflection.


Snøhetta has released images of its proposed sustainable data center concept, named “The Spark.” The project seeks to address the typical high-energy-consuming typology of the data center, transforming it into an “energy-producing resource for communities to generate their own power.”
The proposal is adaptable for a wide range of contexts and can be scaled for any location around the world, fueling connected cities with energy from the center’s excess heat.


Wood as a building material is experiencing a bit of a renaissance. Though elemental and deceivingly simple, applied technology has transformed the building material. If you have questions about how to choose and use wood, Think Wood's mission is to provide access to the expanding pool of research and information.
In support of this year’s AIA theme, Blueprint for Better Cities, Think Wood is at the AIA Conference on Architecture to share research and resources on the benefits of wood and how it offers better solutions for the communities where we work, live and play. If you're at the conference be sure to stop by the Wood Pavilion at booth 757. If you can't make but are interested in learning more, read on to see the benefits of wood.

Thanks to their loud, brash, and nocturnal nature, rock concerts are often held in dark bars and nightclubs designed to withstand the abuse of rowdy fans and guitar-smashing rockers. But as musicians earn a following, they eventually graduate from beer-soaked basements to prestigious theaters, outdoor amphitheaters, arenas, and stadiums. For performers and music fans alike, playing or attending a show in a space like Carnegie Hall, the Royal Albert Hall, Madison Square Garden or Colorado’s Red Rocks Amphitheater can be a momentous, once-in-a-lifetime opportunity that ties together the sublime power that great music and architecture can both evoke. As rare as these opportunities are, an exclusive group of iconic musicians have managed to reach an even higher level of prestige by organizing one-off performances amid humanity’s most treasured historical sites—from the Acropolis and ancient Mayan cities to the Colosseum and the Eiffel Tower.
While these special concerts have given fans the chance to experience music history firsthand, many have also been mired in scandal as local officials and residents have raised concerns about potential damage to the sites or inappropriate commercial misuse of treasured cultural landmarks. Despite these legitimate and often justified concerns, these nine iconic sites have hosted some of the most ambitious concerts in the history of popular music:


Toronto-based photographer Ruta Krau has captured stunning photographs of the Andrews Building, one of Canada’s most noted brutalist buildings, and a celebrated part of Toronto's concrete architecture. Designed by John Andrews, architect of Toronto’s iconic CN Tower, the Andrews Building embodies the Modernist ethos of connecting with the surrounding environment, balanced above a ravine and emerging as a stepped pyramid from a natural ridge.
Krau’s photographs capture the rough, natural aesthetic of the Modernist building, with béton brut concrete stamped with the patterns of the timber used to mold the poured-concrete structure. Visible on both the interior and exterior, this texture compliments terra-cotta-colored floor tiles and wood-paneled feature walls.

The idea of a total work of art - Gesamtkunstwerk - guided several schools and movements in the 19th century, including the Bauhaus, which brought the term into the modern era. With the school's unstructured architecture and avant-garde furniture design came new ways of designing clothing, graphics and painting, etc. In the Bauhaus different fields influenced each other, diluting the border between art and industry as they evolved together. When the school was closed 1933 many projects were left unfinished.
In order to revive some of the work begun at the Bauhaus, Adobe launched the Hidden Treasures project to revive five fonts inspired by the original designs of five of the school's masters: Joost Schmidt, Xanti Schawinsky, Reinhold Rossig, Carl Marx and Alfred Arndt.



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As part of our 2018 Venice Architecture Biennale coverage, coverage, we present the completed Lebanese Pavilion. To read the initial proposal, refer to our previously published post "Lebanon Pavilion at 2018 Venice Biennale To Reflect on The Built Environment Through a Reflection on The Unbuilt Land."
Titled “The Place that Remains” the Lebanese Pavilion, in the country's first participation in the Venice Biennale, showcased the characteristics and prospects of unbuilt Lebanese territories, and how these lands can improve the built environment and its living conditions. Curator Hala Younis chose to focus on Nahr Beirut (Beirut River) and its watershed, evaluating its bedrock and the challenges that come with it, such as the “fragile nature of territory, scarcity of resources, and commodification.”