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The annual Winter Stations design competition returns to Toronto for its twelfth edition, once again transforming the lifeguard stations of Woodbine Beach into temporary works of public art. On view from February 16 to March 30, 2026, this year's exhibition is organized under the theme Mirage, inviting participants to examine perception, illusion, and the shifting boundaries between what is seen and what is constructed. Selected from more than 300 international submissions, three winning proposals from Canada, the United States, and a Germany–Ukraine collaboration are presented alongside two installations developed by university teams. Installed along the frozen shoreline of Lake Ontario, the projects reinterpret seasonal infrastructure as platforms for spatial experimentation during the winter months.

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The final piece of the central tower of Barcelona's Sagrada Familia has been laid in place, bringing the church to its maximum height of 172.5 m. La Sagrada Familia, one of architectural history's most notorious unfinished buildings, became Antoni Gaudí's defining project in 1883, when he transformed a neo-Gothic design into one of the best-known structures of Catalan Modernisme. One hundred and forty-four years after construction began, the upper section of the 17-meter-high, four-sided steel and glass cross was winched into position at 11 a.m. on Friday, February 20, completing the tower dedicated to Jesus Christ. This milestone confirms the project's final stage of construction, which, back in March 2024, was announced as one of the most anticipated completions of 2026, commemorating the centenary of Antoni Gaudí's death.

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As the primary interface between interior spaces and the external environment, facades play a central role in both the performance and architectural expression of buildings. Increasingly, they are no longer seen as static envelopes, but as active mediators between climate, energy, use, and aesthetic. In dense urban contexts, however, they are also gaining relevance for another reason: while roof surfaces are often limited, fragmented, or already occupied by technical equipment, vertical envelopes remain largely underutilized in terms of energy production.

The Snøhetta–designed Shanghai Grand Opera House is nearing completion on the banks of the Huangpu River, with opening anticipated in the second half of 2026. Newly released images document the project as interior works advance and key public spaces take shape. The opera house was first awarded to Snøhetta following an international competition in 2017 and has since been developed by a consortium including East China Architectural Design & Research Institute (ECADI), Theatre Projects, and Nagata Acoustics. Commissioned in 2019, the team has led the project from concept design through construction, integrating architectural, landscape, interior, and acoustic strategies within a unified framework.

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Kengo Kuma and Associates was recently awarded first prize in the competition to design a new library in Rzeszów, the capital of the Subcarpathian Voivodeship in southeastern Poland. The city, home to nearly 200,000 residents, lies on the Wisłok River and is known as a center for the aviation industry. Strategically positioned along the main Kraków-Lviv railway and road corridor, it also serves as an important transit point near the Ukrainian border. Located on Józef Piłsudski Avenue, the new library is conceived as a connector between the Marshal's Office of the Podkarpackie Voivodeship and the nearby Secondary School Complex, reinforcing the area's civic character. The program combines traditional library functions with cultural, educational, and artistic spaces. In addition to reading and collection areas, an expanded event zone includes a music hall, multifunctional hall, conference rooms, and administrative areas. A spiraling library volume forms the tallest element of the complex, while event spaces and roof terraces extend the program outward, linking the building's activities with the surrounding city.

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