The fragility—and temporal beauty—of neon has captivated audiences since the early 1900s. First shown commercially by French engineer Georges Claude at the 1910 Paris Motor Show, neon spread rapidly, achieving broad popularity in the United States from the 1920s through the 1950s. Mid-century America saw it everywhere: from the casinos of the Las Vegas Strip to roadside motor inns along Route 66 and the spectacle of Times Square. By the latter half of the century, however, many signs were scrapped or left to decay, and numerous municipalities restricted neon as visually garish or power-hungry—despite the technology's comparatively modest energy use. In the U.S., renewed interest in neon arguably didn't meaningfully return until the early 2000s.
In Hong Kong, by contrast, neon was embraced with unusual enthusiasm at a time when it began to lose popularity elsewhere. Even as installation slowed in recent decades—largely due to updated ordinances requiring removal of overhanging signs whose support structures failed to meet safety standards—the city's affinity for neon never fully disappeared.
Finding the right tools to represent a project idea or carry out a construction job remains an ongoing challenge for architecture and design professionals. While software for drafting, 3D modeling, and calculations has increased precision and efficiency, many architects continue using legacy tools learned in academia or practice—tools that feel familiar, but don't necessarily offer the best design experience. From overloaded interfaces and clunky workflows to endless plug-ins and constant back-and-forth between disconnected software, traditional design tools often reveal their complexity and fragmentation.
Zhu Pei is a Chinese architect born in 1962 in Beijing. He studied at Tsinghua University and UC Berkeley, and founded Studio Zhu Pei in 2005. The studio's experimental work and research focus on contemporary architecture, art, and cultural projects. With an artistic and exploratory approach, it investigates the relationship between the roots that anchor architecture in specific natural and cultural contexts and the innovation that drives architecture as a form of artistic revolution. In his interview with Louisiana Channel, Zhu Pei describes architecture as an artistic discipline that, like poetry, relies on openness, imagination, and the creation of new experiences. He argues that great architecture goes beyond functional problem-solving by generating a sense of wonder through its ability to "invent" and "create some new thing, new experience," positioning architectural practice as cultural and sensory exploration rather than purely technical production.
Athens stands as a city where the legacy of Antiquity is woven into its modern and vibrant urban landscape. World-renowned landmarks of Ancient Greece like the Acropolis and the Parthenon stand as enduring symbols of classical architecture and the city's storied past. These structures reflect the foundational principles of symmetry and balance that have influenced generations of architects and continue to attract scholars from around the world. Yet, Athens is also a thriving metropolis where contemporary architecture coexists with its historical counterparts. Recent developments, led by international firms and local architects, focus on sustainability and innovation while respecting Athens' rich cultural heritage. This duality—preserving the old while embracing the new—reflects Greece's broader urban aspirations, making Athens a focal point in global architectural discourse. The city's architectural evolution also extends to its contemporary architecture and interior design scene, which is gaining international recognition.
To celebrate this architectural evolution, this city guide features Athens's historical landmarks alongside ArchDaily's selection of projects focusing on contemporary architecture, and Designboom's curation of innovative interior designs. Together, they highlight Athens' role as a hub of design innovation.
In Vietnam, the tube house has almost become a vernacular form in densely populated cities like Hanoi and Ho Chi Minh City. This typology originated from ancient façade taxes and as a strategic response to urban land scarcity and optimization of street frontage for commerce. Their traditional structure typically relies on the front façade for daylight and ventilation. People living there often face the challenge of designing in a space defined by the deep plots, limited street frontage, and close neighboring buildings, restricting natural light and airflow. To counter this fundamental lack of perimeter exposure, Vietnamese architects usually employ several strategies oriented towards internal environmental manipulation. This curated collection explores tube houses under 100 m2, where their small size increased the need for absolute spatial economy and the verticalization of function, which directly influenced design decisions across all projects.
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AI powered architectural concept generation. Image Courtesy of AIRI Lab
As artificial intelligence tools sweep through creative industries, architecture stands at a pivotal moment: how to adopt systems that amplify design thinking without eroding authorship or craft. To understand how the profession is responding, AIRI Lab surveyed designers and leaders from practices including LWK+P, MVRDV, Gensler, Büro Ole Scheeren, CUBE, HUAYI, and others. Their responses reveal a nuanced, pragmatic view: AI is a collaborator rather than a substitute.
In cities across the world, the relics of industrial production have become the laboratories of a new urban condition. Warehouses, power plants, and shipyards, once symbols of labor and progress, now stand as vast empty shells, waiting to be reimagined. Rather than erasing these structures, architects are finding creative ways to adapt them to contemporary needs, transforming spaces of manufacture into spaces of culture, education, and community life.
This shift reflects a broader change in architectural priorities: building less and reusing more. The practice of adaptive reuse responds simultaneously to environmental urgency and to the need for cultural continuity in urban environments.
