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Contemporary Architecture: The Latest Architecture and News

Farewell to Masters: Remembering the Architects We Lost in 2025

Every year brings new ideas, projects, and shifts in architectural culture, but it also marks the loss of voices that have shaped the discipline across decades. Architecture moves forward, but it also advances through absence. When figures who helped articulate its language and its ambitions disappear, they leave behind more than completed works or influential texts. Their absence becomes a threshold, a moment in which the discipline pauses to understand what remains, what evolves, and what continues to guide us. These moments of loss remind us that architecture is a long, collective construction, carried not only by those shaping the present but also by those whose visions continue to orient how we think about cities and landscapes.

The architects and thinkers we lost in 2025 came from remarkably different worlds, yet the questions that shaped their work often intersected. Some approached the city through identity, symbolism, and historical continuity, seeking to ground the built environment in cultural memory. Others interpreted it through engineering precision, ecological systems, or radical experimentation, expanding what architecture could be and how it could be experienced. Their work spans contexts as diverse as postwar Britain, rapidly urbanizing China, Central European avant-gardes, and the evolving cultural institutions of Berlin and New York. Together, they form a spectrum of responses that defined, and continue to define, architectural culture over the last half-century, revealing the multiplicity of ways in which architecture can engage with society, technology, and the environment.

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Interior Design Trends of 2025

As 2025 approaches its end, we look back at an eventful year in the world of interior design. Last year, designers favored reserved, modest approaches, a trend that continued from previous years. The emergence of artificial intelligence generated intense discussions on digital equity and misinformation, which continued into 2025, especially with the topic of the Venice Architecture Biennale, Intelligens. This opened the conversation to the opportunities of digital technologies, attempting a more hopeful outlook. On the other hand, completed interior design projects over the year focused more on the tangible and the pragmatic, with expressed raw materials and an appreciation of history.

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Adaptive Reuse: How Many Lives Can a Building Have?

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Le Corbusier's Unité d'Habitation imagined a "vertical neighborhood," a building able to integrate housing, commerce, leisure, and collective spaces within a single structural organism. Around the same time, Jane Jacobs argued that diversity of use is what produces safety, identity, and social life at the street level. Later, Rem Koolhaas, in Delirious New York, described the skyscraper as an early experiment in "vertical urbanism," capable of stacking incompatible programs under one roof. In cities like Tokyo and Hong Kong, this ambition matured into complex hybrid buildings where different uses, such as transit hubs, retail, offices, hotels, and housing, coexist and interact continuously.

Pantone Selects Soft White “Cloud Dancer” as the Color of the Year 2026

Pantone Color Institute has introduced PANTONE 11-4201 Cloud Dancer as the Color of the Year 2026, a soft white selected for its understated presence and sense of visual calm. The hue, described as balanced and airy, appears against a broader cultural context in which designers and creatives are reassessing the role of clarity, simplicity, and spatial quietude. Framed as a color that resembles a blank canvas, Cloud Dancer signals a renewed interest in environments that support reflection and measured creativity rather than constant acceleration.

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From Factories to Futures: Adaptive Reuse in the Post-Industrial City

In cities across the world, the relics of industrial production have become the laboratories of a new urban condition. Warehouses, power plants, and shipyards, once symbols of labor and progress, now stand as vast empty shells, waiting to be reimagined. Rather than erasing these structures, architects are finding creative ways to adapt them to contemporary needs, transforming spaces of manufacture into spaces of culture, education, and community life.

This shift reflects a broader change in architectural priorities: building less and reusing more. The practice of adaptive reuse responds simultaneously to environmental urgency and to the need for cultural continuity in urban environments.

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Terra Landscape Architectural Award 2026

Celebrating the Dialogue Between Earthen Architecture and Landscape

Cities Need Care, Not Perfection: Rethinking How We Build the Urban Future

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What does optimism feel like in cities that can no longer rely on perfection as their ultimate ambition? Across the world, urban environments bear the weight of overlapping pressures: climate volatility, spatial inequality, political fragmentation, public distrust, and chronic infrastructural disinvestment. These realities render the idea of an ideal city increasingly detached from lived experience. Yet the hope for building better systems persists. While utopian visions may seem like an escape from the growing complexities of the modern world, the greater challenge for contemporary city-making is to confront those complexities rather than avoid them.

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Robert A.M. Stern, Influential American Architect and Educator, Passes Away at 86

Robert A.M. Stern, the American architect, educator, and historian whose work shaped both the physical and intellectual landscape of contemporary architecture, has died at the age of 86. His passing was confirmed by Robert A.M. Stern Architects (RAMSA), the New York-based practice he led for more than five decades. Known for advancing a contextual, historically informed approach during decades dominated by modernist and high-tech architecture, Stern remained a prominent voice advocating for continuity, urban civility, and an understanding of architecture as part of a longer cultural lineage.

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The European Cultural Centre Announces the Winners of the ECC Awards 2025 in Venice

The European Cultural Centre (ECC) has announced the winners of the ECC Awards 2025, selected from participants of the seventh edition of Time Space Existence and unveiled during the exhibition's Closing Day on 23 November 2025 in Venice. Bringing together 207 practices from more than 52 countries, this year's edition highlighted a broad spectrum of architectural and design approaches responding to the themes of Repair, Regenerate, and Reuse. The awards recognise four projects that stood out for their originality, execution, narrative clarity, and forward-looking engagement with questions of sustainability, community, and the future of the built environment.

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The 2025 Venice Architecture Biennale Ends, Marking the Event’s Most Visited Edition

The 19th International Architecture Exhibition of La Biennale di Venezia, "Intelligens. Natural. Artificial. Collective.," curated by Carlo Ratti, closed on 23 November 2025 as the most visited Architecture Biennale to date. The exhibition recorded 298,000 visitors, in addition to 17,584 preview attendees, surpassing previous editions despite the temporary closure of the Central Pavilion for restoration. Bringing together 303 projects and 758 invited architects, along with 66 National Participations and 11 Collateral Events, the edition extended across the Giardini, Arsenale, and multiple sites throughout Venice.

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Snøhetta Reveals New Images of Winning Düsseldorf Opera House Design

Snøhetta has revealed new images of their winning design for the new Düsseldorf Opera House. First launched in 2017, the "Opera House of the Future" competition experienced several interruptions over the years due to shifts in the planned construction site, extending the decision-making process for this significant cultural project. The new building is set to accommodate the Deutsche Oper am Rhein alongside the City of Düsseldorf's Music Library and the Clara Schumann Music School, forming a consolidated cultural venue. The proposal aims to establish a contemporary opera house that strengthens the city's cultural infrastructure and public life.

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The Intelligens Biennale Gathers the Data, But Fails to Synthesize It

This article introduces our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

The Venice Architecture Biennale has always been larger than itself. Never content with merely being an exhibition, it has always carried ambitions that expand beyond the grounds of Arsenale and Giardini. Rem Koolhaas's Fundamentals sought to deconstruct architecture into a universal grammar; Alejandro Aravena's Reporting from the Front reframed it as a tool for social justice on the ground; Lesley Lokko's The Laboratory of the Future set out to decolonize and decarbonize the architectural canon.

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BIG Wins International Competition to Design the New Hamburg State Opera on HafenCity’s Waterfront

BIG – Bjarke Ingels Group has been selected as the winner of the international competition to design the new Hamburg State Opera, a major cultural project planned for the Baakenhöft peninsula in HafenCity, Hamburg, Germany. The building will consolidate the city's opera and ballet companies under one roof, introducing new performance spaces, production facilities, and public amenities along the Elbe. The project replaces the mid-20th-century opera house on Dammtorstraße, responding to the city's call for a venue that reflects contemporary standards in acoustics, stagecraft, and audience experience.

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Re‑Situating Modernity: Bruno Giacometti’s Swiss Pavilion at the Venice Biennale

Amid the orderly grid of the Giardini della Biennale, the Swiss Pavilion appears almost reticent. Its low white volumes, completed in 1952 by Bruno Giacometti, seem to withdraw from the surrounding display of national pride. The building embodies a form of modernism that resists monumentality, where precision and restraint replace spectacle, and architecture becomes less an object than a framework for encounter.

Emerging from a Europe rebuilding itself, the pavilion reflects a time when nations were reimagining how to appear in the world. For Switzerland, neutrality had long been both a political stance and a cultural condition, and Giacometti translated this identity into a sequence of measured rooms arranged around an open courtyard, defined not by what they contain but by how they hold light, movement, and pause. The result is an architecture that does not speak loudly of belonging but invites attention through balance and care.

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EUmies Awards 2026 Unveil 410 Nominated Works and the Jury Led by Smiljan Radić

The EUmies Awards are organized annually by the Fundació Mies van der Rohe and the European Commission, with the support of the European Union's Creative Europe Programme. Based on the principle that "architecture is not merely a technical or aesthetic matter, but a cultural, environmental, and democratic issue," this 19th cycle of the Prize brings together 410 works from 40 countries and 143 regions across Europe. Beyond recognizing contemporary architecture projects, the Awards also aim to reflect European values such as cultural diversity, sustainability, democracy, and solidarity. This year, most nominated works (23%) are residential projects, including both collective and single-family housing, followed by cultural (13%) and educational (12%) programs. The selection shows a balance between transformations of existing buildings (44%) and new construction (56%), while 12% of the nominees are transnational works and 33% of the studios are 10 years old or younger, underscoring the growing visibility of emerging practices.

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The Grand Egyptian Museum Fully Opens, Completing Giza’s New Cultural Landmark

The Grand Egyptian Museum (GEM) in Cairo will open to the public on November 1, 2025, completing a project that has been in development for more than two decades. Designed by Heneghan Peng Architects, the museum is located on the Giza Plateau, approximately two kilometers from the Pyramids of Giza, and occupies a 500,000-square-meter site positioned between the edge of Cairo and the desert. Conceived as a new cultural and research center, the museum aims to present the legacy of ancient Egyptian civilization within a contemporary architectural framework.

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Architecture of Wine: 15 Contemporary Wineries Around the World

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Wine production has long been tied to place, climate, and culture, and in recent decades, architecture has become a central part of this relationship. Wineries are no longer understood only as functional facilities for fermentation, storage, and distribution, but also as spaces where landscape, materiality, and visitor experience intersect. From subterranean cellars hidden beneath fields to sculptural landmarks rising in rural territories, these buildings shape the identity of winemaking regions while offering visitors a carefully choreographed encounter with the process of production.

At the intersection of agriculture, tourism, and culture, wineries present architects with unique opportunities to merge technical requirements with a spatial narrative. They must respond to environmental conditions, manage temperature and humidity with precision, and integrate with delicate ecosystems, while also providing spaces for tasting, gathering, and celebration. As a result, the typology has given rise to a wide range of architectural solutions. Some are rooted in tradition and local craft, others are exploring advanced technologies and contemporary forms.

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OMA Unveils Hillside Redevelopment Project in Busan, South Korea

The Busan Slope Housing project by OMA addresses urban redevelopment on the steep hillsides of Busan, South Korea, drawing on the city's topographical complexity and historical settlement patterns. Developed in collaboration with the Busan Architecture Festival and the Department of Housing and Architecture, the project explores strategies to rethink hillside neighborhoods while responding to both contemporary housing needs and the social and spatial legacies of these areas. Rather than replacing these areas with conventional high-rise estates, OMA envisions a flexible, context-responsive framework that integrates contemporary housing typologies with the site's inherited structure.

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