World Monuments Fund (WMF) is an independent organization dedicated to safeguarding significant places that enrich people's lives and foster mutual understanding across cultures and communities. Since 2008, the World Monuments Fund/Knoll Modernism Prize has been a biennial award recognizing outstanding achievements in the conservation of buildings emblematic of the modernist architectural movement. The prize honors individuals and organizations that revitalize modern built heritage through innovative and sensitive architectural interventions.

On January 22, 2026, WMF and Knoll announced the Australia-based architecture firm Architectus as the recipient of the 2026 World Monuments Fund/Knoll Modernism Prize for its conservation of the United Nations' Historic Africa Hall in Addis Ababa, Ethiopia. The jury recognized the project for reestablishing a significant work of African modernism as an active venue for diplomacy and cultural exchange. In addition to the main prize, the jury also awarded Paul Rudolph's Umbrella House in Sarasota, Florida, United States, with the Stewardship Award for Modernist Homes.

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Zhu Pei is a Chinese architect born in 1962 in Beijing. He studied at Tsinghua University and UC Berkeley, and founded Studio Zhu Pei in 2005. The studio's experimental work and research focus on contemporary architecture, art, and cultural projects. With an artistic and exploratory approach, it investigates the relationship between the roots that anchor architecture in specific natural and cultural contexts and the innovation that drives architecture as a form of artistic revolution. In his interview with Louisiana Channel, Zhu Pei describes architecture as an artistic discipline that, like poetry, relies on openness, imagination, and the creation of new experiences. He argues that great architecture goes beyond functional problem-solving by generating a sense of wonder through its ability to "invent" and "create some new thing, new experience," positioning architectural practice as cultural and sensory exploration rather than purely technical production.

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From building codes to mobility restrictions and new diplomatic roles within city governments, climate policy is increasingly being shaped at the local level through a widening range of legislative and institutional tools. Cities as varied as Sydney, Boston, New York, Paris, Miami, and dozens across Latin America are adopting targeted strategies that reflect their distinct environmental pressures and governance structures. These initiatives range from all-electric and net-zero construction requirements, to traffic-control measures designed to curb the social costs of private vehicle use, to emerging forms of urban diplomacy that coordinate responses to rising temperatures and biodiversity loss. Together, these approaches illustrate how territorial management is evolving in response to the accelerating climate crisis, and how local governments are experimenting with regulation and collaboration to confront challenges that are at once global and deeply place-specific.

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The Louisiana Museum of Modern Art will inaugurate, on January 22, 2026, the second exhibition in its Architecture Connecting series, focusing on the discipline's relationship with science and research across a wide range of fields, including biology, neuroscience, and anthropology. The first exhibition in the series, Living Structures (2024–2025), featured ecoLogicStudio, Atelier LUMA, and Jenny Sabin Studio, highlighting their work at the intersection of algorithms and nature and their development of methods that re-evaluate sustainable architecture and climate considerations. This second exhibition, titled Memoryscapes, explores the memories, stories, and traditions informing the working methodologies of Xu Tiantian's DnA_Design and Architecture (Beijing) and ATTA – Atelier Tsuyoshi Tane Architects (Paris).

The New Museum is the only museum in New York City dedicated exclusively to contemporary art. From its beginnings as a one-room office on Hudson Street to the inauguration of its first freestanding building on the Bowery, designed by SANAA in 2007, it has evolved into a center for exhibitions, research, and documentation on international living artists. In 2017, Shohei Shigematsu and Rem Koolhaas of OMA were selected to design the New Museum's expansion. The first design images were released in 2019. On January 13, the Museum announced that its 60,000-square-foot expansion, designed in collaboration with Cooper Robertson, will open on March 21, 2026, with an exhibition exploring the very definition of humanity.

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Videos

Construction has begun on the new Bishoftu International Airport (BIA), designed by Zaha Hadid Architects for Ethiopian Airlines Group. Ethiopia's Prime Minister, Abiy Ahmed Ali, laid the cornerstone at the airport's groundbreaking ceremony on Saturday, January 10, 2026. The new airport will be located approximately 40 kilometers south of the Ethiopian capital, Addis Ababa, and is planned to become Africa's largest airport. Phase One of the project is designed to serve 60 million passengers per year. Subsequent phases are expected to increase capacity to up to 110 million passengers annually, supported by four runways and parking for 270 aircraft, more than four times the capacity of Ethiopia's current main airport, according to statements by the Prime Minister.

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A new museum dedicated to the science of carbon fiber opened in Fiorenzuola d'Arda, Italy, on December 17, 2025. The project dates back to 2021 and was designed by CRA–Carlo Ratti Associati in collaboration with the late Italian architect Italo Rota. Commissioned by MAE, a manufacturer of equipment for carbon fiber production, the project transforms one of the world's largest archives on carbon fiber into a dynamic museum, uniting research with archival preservation and turning the archive into a space for interactive exploration. The project is described by its designers as a "living museum," a place to read, inquire, and connect ideas.

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Malabo served as the capital city of Equatorial Guinea from the country's independence from Spain on October 12, 1968, until January 2, 2026, when a decree issued by President Teodoro Obiang Nguema Mbasogo officially transferred the capital to Ciudad de la Paz ("City of Peace"), located in Djibloho Province. Obiang formalized the move as part of a long-planned territorial reorganization. While the former capital remains an important economic center on Bioko Island, Ciudad de la Paz was conceived as a planned capital on Africa's mainland. The initiative to relocate the capital dates back to 2008, with construction beginning in 2011. The new capital, also referred to as Djibloho, after the province, or Oyala, has been framed by the government as a decentralization effort aimed at improving national accessibility.

During 2025, several sports infrastructure projects were announced that remain on our radar, most of which are scheduled for completion between 2028 and 2030. Located across Asia, Europe, Africa, the Middle East, and North America, these projects reflect contemporary masterplan strategies for the transformation of large sports venues within their urban contexts. Many of the stadiums are planned as part of broader redevelopment frameworks that include new public spaces, mixed-use programs, event facilities, and mobility upgrades, rather than as isolated structures. Designs led by international offices such as Populous, Foster + Partners, Heatherwick Studio, OMA, Gensler, AFL Architects, and VUILD illustrate a range of architectural, urban, and infrastructural responses to the evolving role of large sports facilities.

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The exhibition Built Environment: An Alternative Guide to Japan at the Université du Québec à Montréal's (UQAM) Centre de design will be on view until January 25, 2026. Curated by Shunsuke Kurakata, Satoshi Hachima, and Kenjiro Hosaka, it features a selection of 80 projects from Japan's 47 prefectures, including works by renowned Japanese architects such as 2014 Pritzker Prize laureate Shigeru Ban, Kengo Kuma, the designer of the Museum of Modern Art's renovation in New York Yoshio Taniguchi, celebrated landscape architect and sculptor Isamu Noguchi, and 2019 Pritzker Prize laureate Arata Isozaki. The selection aims to offer a renewed perspective on Japan through innovative buildings, civil engineering projects, and landscape designs. Organized in collaboration with the Japan Foundation and presented with the support of the Consulate General of Japan in Montreal, the exhibition is conceived as a traveling project exploring the resilience of Japanese architecture and infrastructure in the face of natural disasters and climate change.

This week's news compilation brings together current discussions around public and collective space, cultural infrastructure, and long-term urban transformation across diverse geographic contexts. From shared management models redefining public space ownership in cities such as Paris and New York, to large-scale event-driven initiatives linked to Milano Cortina 2026 and the World Urban Forum in Baku, the selected projects and initiatives highlight how governance, culture, and infrastructure intersect in contemporary practice. These themes are further developed through a mix of strategic planning processes, including international test planning efforts in Northern Lviv, and built projects spanning education, culture, and temporary architecture, from a new dental teaching facility in Blantyre, Malawi, to restored and newly opened cultural venues in the United States and Taiwan, and adaptive reuse interventions showcased at the Chicago Architecture Biennial. The international examples outline an architectural landscape shaped by reuse, public engagement, and the evolving role of design in responding to social, cultural, and institutional frameworks.

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The Egg is a performing arts centre located in Albany, within New York's Empire State Plaza, designed by the North American firm Harrison & Abramovitz. Construction began in 1966 and was completed twelve years later, in 1978, with the aim of hosting a broad range of cultural events and performances for New York State residents. Drawing inspiration from Brazilian modernism, the domed, egg-like concrete structure stands out as a striking counterpoint within an otherwise rational urban ensemble. Surrounded by state government towers set in an open plaza and clad in stone, the building's exposed concrete, its seemingly suspended form, and pronounced curved geometry position it as a late example of modernist Brutalism. The venue is currently undergoing restoration and, after six months of renovations, is set to reopen on January 8, 2026, in what has been described as a "refreshed and reimagined" space.

One month remains until the Opening Ceremony of the Olympic Winter Games Milano Cortina 2026, with competitions set to run from February 4 to 22, 2026. The Opening Ceremony will take place on February 6 at the Milano San Siro Olympic Stadium and will bring together approximately 2,900 athletes from around the world competing across 16 sports, with 116 gold medals to be awarded. The Olympic Winter Games return to Italy twenty years after Torino 2006 and seventy years after Cortina 1956. This edition, however, adopts a markedly different approach, proposing a shift away from the traditional high-cost, high-waste model toward adaptive reuse, renewable energy, and long-term regional development. The most geographically dispersed Winter Games in history plan to rely on 92% existing or temporary venues, build on regions with established tourism industries, avoid major environmental disruption, and implement circular design and recycling strategies, the results of which will become evident in the coming months. The Milano Cortina 2026 Winter Paralympics will follow, taking place from March 6 to 15, 2026.

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In this interview with Louisiana Channel, Mexican architect Gabriela Carrillo introduces us to the challenges that drive her work, particularly the projects carried out as a member of Colectivo C733, in which she currently participates alongside Carlos Facio, José Amozurrutia, Eric Valdez, and Israel Espin. Through an exploration of her definition of architecture, she offers reflections on the design of public spaces, the relationship between architecture and land art, and the role of the preexisting in the transformation of space. She defends architecture as a "powerful tool" for fostering connections between people and their environment, defining her practice as optimistic.

The Taichung Art Museum officially opened on December 13, 2025, with an inaugural exhibition titled A Call of All Beings: See You Tomorrow, Same Time, Same Place. The building, designed by SANAA, is part of the Taichung Green Museumbrary project, developed in collaboration with local firm Ricky Liu & Associates. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. Through interactive education and outreach programmes, it aims to establish a new institutional model for Taichung, one that supports artistic exchange while positioning the city as an international cultural hub. On view through April 12, 2026, the opening exhibition explores the relationships between people and nature, the city and memory, interspecies connections, and the future, beginning with an examination of the complex's own context in central Taiwan.

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Renzo Piano Building Workshop, in collaboration with Betaplan Architects (Athens) and landscape architect Camille Muller (Paris), has broken ground on a new cultural center in Piraeus, the port of Athens. Commissioned by The Dinos and Lia Martinos Foundation (DLMF), the project seeks to establish an international hub connected to similar art centers abroad, open to the local community, students, and visitors, and contributing to the urban and cultural fabric of the Athens metropolitan area. The complex, called KYKLOS, is planned to host contemporary art collections and cultural programming with an international outlook. Initiated in 2023, the project is currently in development, with construction planned to extend through the last quarter of 2028.

The exhibition Coming Together: Reimagining America's Downtowns, held at Washington, D.C.'s National Building Museum, explores the transformations underway in the United States' downtowns and the ways communities have organized to shape alternative urban scenarios. Curated by Uwe S. Brandes, Professor at Georgetown University, and designed by Reddymade and MGMT., it is the first of three major exhibitions within the Museum's Future Cities initiative, an interdisciplinary project examining the city as a hub, catalyst, essential building block, and reflection of society. Coming Together features examples from more than 60 U.S. cities, both large and small, highlighting lessons learned and opportunities embraced in the wake of the COVID-19 pandemic as communities adapt to lasting changes in work, housing, mobility, entertainment, and recreation. The exhibition is currently open to the public and will remain on view through Fall 2026.

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Construction has officially broken ground on Tokyo's new global headquarters for NTT, a major Japanese technology company. The project is a key component of PLP Architecture's Tokyo Cross Park masterplan, a large-scale regeneration development in the Tokyo metropolitan area, first announced in 2022. On December 5, 2025, construction began on the first stage of the scheme, one of four towers planned within the masterplan. The NTT Hibiya Tower, designed by PLP Architecture and developed by NTT Urban Development in collaboration with Tokyo Electric Power Company, is a 230-metre-tall, 361,000-square-metre mixed-use building and forms the central element of the 1.1-million-square-metre Tokyo Cross Park Vision. PLP Architecture serves as Design Architect for the tower, as well as Masterplanner and Placemaking Strategist for the wider development.

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