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The Post_Arq student collective of the Leopoldo Rother Architecture Museum at the National University of Colombia shared with us the interview series titled "Siete Imaginarios, Siete Arquitectos" (Seven Imaginaries, Seven Architects). The interviewees include prominent figures such as Sebastián Serna, Santiago Pradilla, Leonardo Álvarez Yepes, and Lorenzo Castro, among others.

Below, you can explore the interviews conducted with these renowned figures of the Colombian architectural scene, several of whom were winners or received honorable mentions at the XXVII BICAU.

For over 80 days of protest, our streets and buildings have been covered daily in slogans, posters, illustrations, and an endless array of visual material referencing the social demands of a country that claims to have awakened from a 30-year slumber. Meanwhile, public monuments throughout Chile are being tagged, altered, destroyed, or removed from their original sites, becoming a primary target for protesters—or, as the newspaper El Mercurio¹ puts it, for “vandals.”

Colombia boasts an immense variety of thermal zones that create breathtaking landscapes and dreamlike natural environments. Its flora and fauna vary distinctly depending on region, altitude, and humidity. For architectural practices designing Colombian homes, the natural context is a constant source of inspiration, ranging from incorporating vegetation as interior architectural elements to framing nearby landscapes. When designing spatial perception—whether from within or without—nature is an undeniable component of these projects.

1:1 Proyectos sobre los territorios del Perú is a book by Peter Seinfeld and Felipe Ferrer that summarizes their students' work over more than seven years. 

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Academic experience in architecture must prepare future professionals for the urban, social, and community needs to which they will contribute their expertise. Through its International Experience Program (PEI), the Pontificia Universidad Javeriana enables students to put social housing theory into practice.

In this case, they present *Máquina Verde* (Green Machine), an adaptable modular prototype developed for the Ciénaga de la Virgen on Colombia's Caribbean coast. Explore the project in greater depth below.

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Tools developed for woodworking, along with new production, milling, and treatment techniques, have gradually yielded highly diverse, high-quality products in various sizes, strengths, tones, shapes, and colors. These advancements have allowed wood, as a resource, to meet a wide range of construction needs, serving as structural support, building envelopes, cladding, or furniture in a vast number of architectural projects.

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The state of Baja California Sur is located in northwestern Mexico. It is bordered by the state of Baja California to the north, the Pacific Ocean to the west, and the Sea of Cortez to the east, harboring some of the most stunning landscapes and coastlines in the country. Thanks to its prime location, Baja California Sur is one of the most visited states in the nation.

Modern architecture established new priorities around living. While the architects associated with this movement had highly heterogeneous interests and pursuits, certain common ground can be found linking their approaches. Grounded in hygienist principles, the lighting and ventilation of architectural spaces became a primary focus. The connection and continuity between interiors and exteriors began to foster an architecture of blurred boundaries, where gardens, terraces, and patios—as well as their urban-scale counterparts: parks, plazas, and boulevards—gained greater prominence. Consequently, solariums, swimming pools, ponds, and all areas associated with "outdoor leisure" began to be designed holistically, as integral parts of the architectural project.

The recent controversy surrounding a bill that would permit the privatization and subsequent development of reclaimed waterfront land along the Río de la Plata in Buenos Aires, Argentina, has prompted renewed engagement with metropolitan infrastructure and regional planning issues. It has also sparked reflection on the role of society in urban planning, reopening debates over the transformation of the city's waterfront.

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Croquis CDMX is an initiative led by Héctor López, founded eight years ago to foster and strengthen the connections between the eye, the brain, and the hand. The project seeks to portray life in Mexico City through freehand sketches. While architectural education is geared toward training professionals to design and construct buildings, Héctor—who studied at the Faculty of Architecture of the National Autonomous University of Mexico—views university education as “the axis of all elements: I already knew how to draw, and in school I became interested in construction, history, and theory. That was where drawing became disciplined. I would encourage students to draw, regardless of whether they think they can or not, because you discover things that you don't understand when drawing with software.”

In most architectural works involving level changes, vertical circulation is, almost by implication, a central design feature, with stairs being the most common expression.

Below, we present a selection of projects in Colombia across various typologies where vertical circulation plays a hierarchical, organizing role, and in some cases, becomes the primary driver of the building's space and atmosphere.

As a human creation, architecture as an object always poses the challenge of its integration into the landscape. When a design opts to go underground, it can bring various design benefits, such as blending into the context, as well as technical advantages like increased thermodynamic efficiency.

Without a doubt, 2020 was a year defined by transformation and new paradigms. For the first time in more than a century since the Spanish Flu, we faced a pandemic that drove us into complete isolation inside our homes. Within the field of interior design, lockdowns forced millions of people worldwide to rethink their personal relationship with the home and its various spaces. In Brazil, despite a surge in renovations and furniture sales, the segment faced initial downturns. Nevertheless, the construction sector's Gross Domestic Product (GDP) is projected to grow by 3.8% in 2021, according to data from the Civil Construction Industry Syndicate (Sinduscon-SP) and the Getulio Vargas Foundation (FGV) published on the Época Negócios website.

Analyzing the Brazilian interior design projects published in recent months, combined with our daily curatorial experience, we have mapped out 22 trends pointing toward the future of interior design in Brazil for 2021 and beyond. To provide a coherent overview, we have divided our selection into five major conceptual categories: Colors; Finishes and Surfaces; Spatial Integration; Efficiency and Space Saving; and Repurposed Construction Materials in Interiors. Read on below:

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In 2018, a flexible and ephemeral space was erected in Mexico City's Alameda Central, demonstrating the luminosity and plastic versatility of joining 2,500 water jugs to form a conical blue oasis. Today, this pavilion is located within the Huerto Urbano Roma Verde, where it has hosted various events and activities, shedding the transience and impermanence that originally defined its essence.

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Traditional architecture is based on a complex understanding of dwelling, the collective production and transmission of knowledge, and construction through mutual-aid community processes that strengthen the social fabric, cultural identity, and territorial bond. In other words, it is a practice of community self-production where the inhabitants themselves, without intermediaries, manage the multiple processes involved in materializing their habitat, always relying on collective intelligence. Today, architecture has shifted from being a communal asset to an exclusive language of a few where, despite still requiring the organized participation of various actors, its production is credited to a single author: an individual entity who, without possessing the diverse knowledge required to complete a work from start to finish, is recognized as the mastermind behind all processes. The professionalization of architecture has not only individualized its discourse and complicated the transmission of knowledge; it has also discriminated against and rejected the knowledge produced outside of academic, professional, and governmental institutions, labeling it as precarious—thereby opening the door to racism.

Are artists connected to the territory and the community?

Todo por la Praxis presents their project Monumento Residencia, an active research initiative addressing the space of artistic residencies and the resident's engagement with their context.

With their cliffs and bluffs, the rocky coasts of Peru form a unique landscape of surfaces shaped and reshaped by the erosion of the sea and wind. On these heterogeneous, steeply sloping terrains, designing architecture integrated with the context is no easy task. From volumes embedded into hillsides to houses that incorporate mineral formations into their interior spaces, projects addressing this challenge prompt us to reflect on how to establish a relationship with the natural environment, blurring or tensioning the boundaries between architecture and landscape.

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Various authors such as Michel Foucault, Maurice Merleau-Ponty, and contemporary thinkers Marina Garcés and Judith Butler have brought the body to the forefront of global philosophical discussions. This has gradually permeated different disciplines where the body is the focus of study, and even some where this relationship seems less obvious.

Whenever we think of solar panels, the concept of sustainability immediately comes to mind. They are undoubtedly an effective solution for generating renewable energy; however, what few people realize is that solar panels are incredibly difficult to recycle. While this drawback should not discourage their adoption in buildings and solar power plants, it underscores that sustainability must remain a constant focus for these products, even after they stop working.

Academic architectural practice must push students and faculty toward constant adaptation and exploration. First-semester students at the Pontificia Universidad Javeriana built an intervention of ephemeral architecture using wood as a structural material in the arts building (prior to the state of emergency). This gave future architects the academic experience of hands-on construction during their very first semester in the department.

Amid century-old buildings, a major bus terminal, and a thriving commercial sector, Curitiba has implemented a complete street. Completed in February, the revitalization of Voluntários da Pátria Street has made the thoroughfare safer for pedestrians moving through the central area and more inviting for staying, featuring new benches and widened sidewalks. It is a reclamation of the past that makes the present more welcoming and strengthens the construction of a more humane future for Brazilian cities.

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Have you ever had to convince your friends or family that an exposed brick wall can be more interesting than a plastered surface painted white? Or that exposed building systems can offer major advantages when it comes to maintenance? These are recurring scenarios in the professional lives of architects and design firms.

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Chiloé is a production by Glaciar Films, directed by Diego Breit and David Guzmán, consisting of five episodes that showcase the architectural identity of the Chilean island and its key figures. Architects, carpenters, artisans, and residents weave together a narrative charting the island’s building history and how it now faces imminent change and the adoption of modern paradigms.

The complete series is available to watch below.

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Vacío is a temporary intervention that seeks to redefine the boundaries and experience of the space in which it is located. It is crucial to understand the environmental impact of ephemeral projects. 
To construct this void, we used four floating curtains made of repurposed sheets of paper collected from other architecture firms, bathed in indigo to erase the drawings, texts, and prints of their previous life. 
The installation's lightness allows the airflow to constantly reshape the defined geometry of the prism. Inside, the space mutates and interacts with visitors, almost compelling them to move as the floating sheets seem to breathe.