Masonry is undoubtedly one of the most widespread construction techniques in Brazil. Brick, which can serve as both structural support and building enclosure, is an expressive and highly versatile material, easy to use due to its widespread production and the general availability of labor across the country.

Since their university days, architecture students are taught that ventilating indoor spaces is crucial for removing excess heat. However, the specific conditions under which this practice actually achieves adequate thermal performance are not always clearly defined, especially regarding residential roof ventilation.

Tasked with mapping contemporary Brazilian production, the ​Tomie Ohtake Institute AkzoNobel Architecture Prize ​began its activities in 2013 with loosely defined horizons. While there was the expectation of creating an unprecedented initiative on the national stage by honoring projects built over the last decade, there was also the clear challenge of establishing a prize without categories, dealing with a broad universe of programs and comparing initiatives of widely differing scales.

Improving public transit requires close attention not only to vehicles and routes, but to how people access and exit them. All too often, urban planning fails to account for the diverse needs of all individuals and how they navigate a transit system.

Architectural modernism emerged in the wake of the early 20th-century European avant-gardes. The movement was fueled by industrial capitalism and the thrilling technological progress unfolding before everyone's eyes. The break with the past had been deliberately ushered in by intellectual, artistic, and technical movements since the mid-19th century. The Crystal Palace, for instance, designed by Sir Joseph Paxton, was built in London to host the Great Exhibition of 1851 and represented a structural revolution in the use of lightweight materials such as iron and glass.

The “Glória-Lavapés Historical Path” is composed of Glória and Lavapés streets, which connect the neighborhoods of Liberdade, Glicério, and Cambuci in the central region of São Paulo. Although designated as a heritage site in March 2018 and ratified in July 2019 by the Municipal Council for the Preservation of Historical, Cultural, and Environmental Heritage of the City of São Paulo (CONPRESP), this area still faces issues that reinforce the historical erasure of critical memories along this stretch—such as Black occupation, the morphological layout of the colonial city, and the visual and topographical memory of the rugged terrain.

Bioconstruction refers to a building process utilizing materials and techniques with low environmental impact, alongside adapting architecture to local conditions and managing waste during the building's lifecycle. Consequently, building according to these principles does not necessarily mean using so-called sustainable materials—which often must be transported over long distances or undergo prefabrication before use—but rather utilizing local materials, techniques, and labor, drawing on vernacular strategies that address these very factors.

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With hundreds of projects published every month, it is easy to imagine that some of this archive remains buried deep in our database, out of our readers' sight. Knowing this, we regularly publish articles that serve as lists, compilations, or curated selections from the vast collection of works on our platform, focusing on specific design features. Within this context, one of our most popular series is Brazilian Houses, which brings together residential projects built in Brazil, grouped by various architectural aspects.

In recent years, we have witnessed a steady increase in the number of registered architects and urban planners across professional regulatory bodies. Within this significant pool, young architects and urban planners—meaning professionals up to 40 years old—represent a substantial share and hold a strong presence in the market. Against this backdrop, we have followed the creation of awards dedicated specifically to this demographic, and, most notably, their active participation in biennials and triennials—events aimed at driving discussions on the future of architecture.

Over the course of a building's history, it may take on functions other than those for which it was originally designed. This is the case, for example, with houses that have become museums—either because they became architectural icons or because they eventually lost their original purpose and underwent renovation to host an exhibition space.

From revitalizing degraded green spaces to hosting collaborative games, events, and workshops, there are numerous volunteer initiatives capable of transforming a city's landscape and the lives of its residents.

In addition to serving as vital forms of social participation, community collectives and volunteer-driven initiatives facilitate dialogue between public authorities and local communities. This collaboration yields numerous benefits, particularly in reshaping how we interact with our cities.

Architects, urbanists, and students in the field have much to learn from the construction models of the first inhabitants of the Brazilian territory, who have long built shelters adapted to their local contexts. Establishing a common set of characteristics for indigenous architectural solutions proves to be a highly superficial approach, as the shapes and dimensions of indigenous ocas or malocas vary depending on the community and the number of people living there. However, by studying the diverse examples of indigenous architecture, it is possible to rethink the notion of “advanced technology” and assimilate sustainable solutions adapted to environmental conditions.

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The 12th São Paulo International Architecture Biennale took over two of the most iconic public buildings in the capital of São Paulo. A major exhibition featuring works from various parts of the world remains open until December 8 at the Centro Cultural São Paulo (CCSP), while Sesc 24 de Maio has been occupied by a dozen installations and devices designed specifically for the building and its surroundings.

Here, we present the 10 devices that transformed the space of Sesc 24 de Maio, creating tension and establishing narratives in one of the most intensely used public spaces in downtown São Paulo. The works are divided into the three axes guiding the Biennale: Everyday Tales, Everyday Materials, and Everyday Maintenance.

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One of the constant considerations in residential design is how to divide spaces or define zones based on daily uses and dynamics without compromising the spatial quality of the building. While this exercise is inherent to architectural practice as a whole, when it comes to residential projects—particularly houses—the pursuit of comfort elements like natural light, ventilation, noise control, and privacy gains layers of complexity tied to the wide range of situations a home must accommodate.

The research project Aurelio Martinez Flores: The Work of the Mexican Architect in Brazil (1960-2015) investigates the life and architectural career of Mexican architect Aurelio Martinez Flores (1929–2015) from 1960 to 2015, aligning with Latin American architectural history and the growing interest in recovering architects whose careers ran parallel to the mainstream movements in Brazil over the last several decades. Although little known, his work exerts a significant influence on one of the most successful currents of contemporary Brazilian architecture.

The Alto Minho region in northern Portugal had its landscape transformed by a series of site-specific artistic interventions that were part of the DESENCAMINHARTE program. The initiative aimed to promote artistic creation in the region through a collaborative network designed to foster recognition of its local identity.

Five years ago, São Paulo approved its Master Plan, a social pact to transform the city by 2029. While a significant portion of the planned actions have been carried out or are currently underway, just as many remain on paper. Assessing this period is essential to achieving the ultimate goal of this entire process: improving the quality of life for its residents, especially those who need it most.

At least two major avenues (23 de Maio and 9 de Julho) mark the footprint of the 1932 Constitutionalist Revolution in the city. Yet, across the capital's landscape, numerous other sites evoke the memory of an armed conflict that became the defining myth of São Paulo's history, commemorated as a state holiday since 1997.

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"I Saw a Brazil on TV" was the theme of the debate that, on November 8, 2018, brought together a group of architects participating in the exhibition "Infinite Span - 90 Years of Brazilian Architecture" at the Instituto Moreira Salles in São Paulo.

Because bathrooms are wet areas with highly specific uses, choosing floor and wall finishes can often feel daunting. In this guide, we round up some of the most widely used materials, outlining their advantages and disadvantages.

Few historical events have been as pivotal to the history of architecture and urbanism as the Industrial Revolution. To accommodate the productive framework that transformed capitalism starting in the 18th century, an entire spatial system was created. Beyond factories, this network included raw material processing plants, power generation and distribution hubs, warehouses, and transport terminals. In urban terms, this process did not merely allocate large swaths of land to industrial activities; it triggered a multisystemic transformation that reshaped how people lived, occupied, and moved within the urban environment.

The formal configuration of open space systems in Brazilian cities—whether qualified or not—derives a significant contribution from private developments, since public urban planning and design have historically been the exception.

The global need to find more sustainable ways to meet new demands is one of the most compelling catalysts for the reuse of materials or structures in contemporary architecture. In the field of scenography, repurposing materials to construct stage sets has long been a reality. Professional practice in this field deals with the representation of a scene, using temporary elements designed to stimulate the spectator's imagination. In this context, the work of scenographer Renata Mota has paired repurposing with the reuse of materials—either discarded or donated—that have lost their original function, using them to craft sets for performances, exhibitions, and other events.

Although Juscelino Kubitschek is remembered for executing the project for Brasília, he was not its creator. The political will to build a new capital in the country's interior dates back to 1808, driven by the desire to elevate Brazil's international standing and symbolize its post-independence development. This developmentalist ethos, or rather the pursuit of the new, underpinned the arguments of most advocates for the relocation, each proposing a different approach.