Held every two years, the International VELUX Award challenges students to generate projects that take advantage of daylight, with the aim of developing a deeper understanding of this energy source.
A jury of renowned architects chose 9 regional winners for its 2018 iteration, who will now compete for the winning title at the World Architecture Festival in November. The winners were chosen from projects presented by students from 250 different architecture schools in 58 countries.
https://www.archdaily.com/897749/meet-the-9-regional-winners-of-the-2018-international-velux-award-for-students-of-architectureAD Editorial Team
Hiroshi Sambuichi's approach to a site entails long-term study and reflection upon the qualities and forces of nature embedded within. His understanding is “deeper and with a finer grain,” explains American architect and member of The Daylight Award jury James Carpenter as one of several reasons why Sambuichi was recently announced as the latest laureate of the nearly 50-year-old Daylight Award in 2018. In Sambuichi's hands, “light becomes timeless, fluid and rich.”
In response to the overwhelming growth of cities and neighborhoods in China, architects from Atelier Archmixing’s Shanghai office, have developed a series of proposals that seek to return value to sensitive interior spaces and improve the user’s quality of life through design.
The project consists of an interesting light fixture; a bamboo structure similar in shape to an umbrella, that lets natural light and fresh air into the building.
Under the theme "Healthy & Climate Friendly Architecture - From Knowledge to Practice", the 7th VELUX Daylight Symposium, held in Berlin on 3-4 May 2017, was attended by 39 speakers from research and architectural practice.
Participants were able to contrast the information presented by researchers with the 'built experience' of architects from Europe, Canada and USA, generating interesting discussions about the need to go deeper in the understanding of this natural resource, and then design more effectively.
These are the highlights from the event.
https://www.archdaily.com/872021/stefan-behnisch-omar-gandhi-and-anne-lacaton-explain-the-role-of-light-at-the-7th-daylight-symposium-in-berlinAD Editorial Team
Anne Lacaton (France) is an award-winning architect and part of the duo Lacaton & Vassal, having made reuse of existing materials and integration of daylighting in standard construction their signature architecture and adding a social dimension to architectural design.
Omar Gandhi (Canada) from Omar Gandhi Architect is recognized as one of the world’s top 20 young architects by Wallpaper* Magazine and as one of 2016’s ‘Emerging Voices’ by The Architectural League of New York will be one of four keynote presentations by critically acclaimed architects that will be live-streamed from the international forum for daylight and architecture, the VELUXDaylight Symposium, to be held for the 7th time, 3-4 May 2017.
Stefan Behnisch (Germany) from Behnisch Architekten, an award-winning architect and advocate of sustainable design, is one of four keynote presentations by critically acclaimed architects that will be live-streamed from the international forum for daylight and architecture, the VELUXDaylight Symposium, to be held for the 7th time, 3-4 May 2017.
Steven Holl has been awarded the 2016 Daylight Award in Architecture, which honors architects “who have distinguished themselves by realizing architecture or creating urban environments that showcase a unique use of daylight, for the benefit of overall quality of life, its impact on human health, well-being and performance, and its value to society.”
Watch the ten regional winners of the International VELUX Award 2016 for Students of Architecture present their daylight-inspired projects at the World Architecture Festival in a live streamed event before the jury selects the two global winners!
Sunlight has proven to be an excellent formgiver, with which architecture can create dynamic environments. The lighting design pioneer William M.C. Lam (1924-2012) emphasized in his book “Sunlighting as Formgiver” that the consideration of daylight is about much more than energy efficiency. Architects have now found numerous ways of implementing sunlight and the questions arises whether a coherent daylight typology could be a valuable target during the design process. However, many daylight analyses focus mainly on energy consumption.
Siobhan Rockcastle and Marilyne Andersen, though, have developed a thrilling qualitative approach at EPFL in Lausanne. Their interest was driven by the spatial and temporal diversity of daylight, introducing a matrix with 10 shades of daylight.
The International VELUX Award for students of architecture is a competition that wants to encourage and challenge students to explore the theme of daylight - and to create a deeper understanding of this ever-relevant source of energy, light and life. The award encourages projects that celebrate the privilege of being a student with curiosity and with the willingness to think “out of the box” – as well as consider the social, sociological and environmental dimension of daylight.
Winter is the perfect time to build structures with ice, a time and a technique that together offer the possibility of a pure white architecture. With a cloudy sky the condition culminates into an impressive whiteout: white architecture, the landscape and the sky dissolve into a diffuse unity without a visible horizon. If clear skies emerge a subtle contrast of warm and cool white appears with yellowish sunrays against the blue sky. However, the ice itself has striking effects as well: The surface appearance ranges from crystal clear glass to soft opaque impressions. And, for the long nights, illumination achieves an additional magical glow and extends the short daylight time.
Worldwide, snow shows, ice hotels and festivals have attracted numerous visitors with glistening snows and stunning lighting solutions. Futhermore, this frozen water strategy presents a sustainable solution par excellence, where the manufacturing and even disposal causes no harm to the environment. Read on to explore the coolest projects and events featuring architects and artists from Finland to China.
With its hundreds of churches, Rome has a developed a rich history of domes. Inspired by this heritage, Jakob Straub has photographed the city's most remarkable rotundas from the ancient Pantheon up to Pier Luigi Nervi's modern sports arena. His neutral photo perspective, taken looking upwards from the center of the rotunda, opens a new view for the underlying concepts where the architecture yearns for the firmament. For Elías Torres, these “zenithal-lit” spaces constitute an important method for daylight architecture, where the exterior is also transformed into a fascinating distant reality.
Torres has analysed numerous strategies for lighting architecture effectively with daylight from above. In his book “Zenithal Light,” illustrated with an abundance of striking photos, he came to the conclusion that “Amongst the representations of the sky in the interior of architecture, the one that depicts the sun shining from above with a circular form has been the favoured one for many cultures.”
Sefaira, the market-leading daylighting visualization tool, has just announced a new feature for their software plugins for AutodeskRevit and Trimble Sketchup. In addition to the real-time visualizations announced last year, the new update adds customizable, exportable graphics which offer both a point in time analysis or an annual overview, and analysis tools which help designers easily identify overlit and underlit spaces and review heating or cooling requirements.
Until recently, renderings were the architect’s primary tool for understanding daylight in their designs—renderings, and a healthy dose of intuition. But a new generation of daylighting analysis tools, which is emerging alongside a new generation of daylighting metrics, are enabling architects to look at daylight in new ways—with important implications for design.
Business as usual, when it comes to daylight, is to use rules of thumb to design, then use renderings to check the design and communicate the intent. Rendering has fast become an art form: the creation of exquisite, evocative, often atmospheric imagery that communicates the mood, the experience, the visceral feel of the design. This is no accident: daylighting is a magic ingredient in architecture, bringing dynamism to static structure, imbuing buildings with a sense of time, and renderings are a powerful way to capture and communicate these ideas—a necessary complement to the hard line plans and sections that comprise much of the architect’s lexicon. Renderings have expanded our ability to communicate designs. They have also expanded our ability to conceptualize designs—and especially to conceptualize the daylight in our designs.
But there’s something missing: there are important daylight-related questions that renderings simply can’t answer. Even if they can be made reasonably accurate, they’re still incomplete: depicting a moment in time, but not providing an indication of whether that moment is unique or typical.
https://www.archdaily.com/631256/taking-daylight-to-the-next-level-how-daylighting-analysis-is-changing-designCarl S. Sterner
Architecture professor and photographer Henry Plummer has heightened the transformative power of daylight with his cameras and published several remarkable books about light and architecture. His deep interest in light, and his lyrical writing perspective, were formed through his contact with the designer and art theorist György Kepes while studying at MIT. Within his numerous photo journeys Plummer has documented the various facets of daylight in Japan and the Nordic Countries, and of masters like Le Corbusier and Louis Kahn. As a Professor Emeritus of Architecture at the University of Illinois at Urbana-Champaign Plummer also still has ambitious plans for future book projects. In the second part of this interview, Plummer reveals how changing technologies have affected his photography, and discusses his thoughts on phenomenology and developing a poetic language of light.
If you missed it, you can read part one of this interview here.
Architecture professor and photographer Henry Plummer has heightened the transformative power of daylight with his cameras and published several remarkable books about light and architecture. His deep interest in light, and his lyrical writing perspective, were formed through his contact with the designer and art theorist György Kepes while studying at MIT. Within his numerous photo journeys Plummer has documented the various facets of daylight in Japan and the Nordic Countries, and of masters like Le Corbusier and Louis Kahn. As a Professor Emeritus of Architecture at the University of Illinois at Urbana-Champaign Plummer also still has ambitious plans for future book projects. In the first part of this interview, Plummer shares a variety of insights about understanding light and approaching buildings for photography.