In the Lujiazui financial district in Pudong, Shanghai, Kengo Kuma has reimagined a 1972 shipyard into a new 9,000-square-meter multi-use complex, named Shipyard 1862. Behind original, rugged brick walls, the old shipyard was once defined by a 12 by 30-meter grid, which allowed for massive interior spaces to hold ships. In this industrial-styleadaptive reuse project, Kuma was careful to preserve the building’s structural and material integrity. These photographs provided by Julien Lanoo show how the industrial shell has been transformed by the refurbishment project.
Joaquín Vaquero Palacios (Oviedo, 1900—Madrid, 1998) was an architect, painter, and sculptor. He studied at the Madrid School of Architecture (1921-1927), where his professors introduced him to the architecture of the Modern Movement. There, he witnessed firsthand how industrial architecture served as a rich source of inspiration for architects like Walter Gropius and Le Corbusier, offering a promising arena for the application of rationalist principles and concepts.
These are the best universities in 2018 to study architecture in Spain and Latin America. Image
On Wednesday, February 28, Quacquarelli Symonds (QS) released the 2018 edition of its annual ranking of the world's best universities. In the field of architecture, the Massachusetts Institute of Technology (MIT) in the United States once again leads the list for the fourth consecutive year.
In Latin America and Spain, the ranking has shifted once again compared to 2017: a Mexican university has broken into the top five, while Spain has expanded its representation at the expense of Brazilian institutions. Furthermore, two universities have entered the regional ranking in this edition. Discover the top institutions below!
As an exemplary figure in the production of modern architecture, Lúcio Costa worked on several fronts—from building design to urban planning, as in the case of Brasília. Among his many facets, his role in promoting and establishing policies to protect the country's historical heritage represents a milestone both in his career and for the nation's cultural assets.
A recent exhibition at The Metropolitan Museum in New York, Michelangelo: Divine Draftsman & Designer, provided a thrilling glimpse into the mind and methods of a true polymath. The exhibit has just closed, so I offer this selection of images. Photography was encouraged, and the intimacy of the presentation allowed insights and realizations.
I’ve been studying or practicing architecture for 45 years, and the exhibit clarified how architects can think about what they do. It probably meant similar things to everyone feeling its resonant beauty, but I saw the complexities of a creative life in mid-application.
We all know a little about the world's tallest buildings—those engineering feats which define their cities and become symbols of human achievement—but what of the buildings that never took their planned place in their respective skylines? In 2014, The Council on Tall Buildings and Urban Habitat (CTBUH) released a report listing the 20 tallest buildings that were never completed (an up-to-date list is also maintained on their website here). In order to be considered "never completed," all of the buildings in the report had begun site work, but construction was completely halted with no reports indicating it will continue. Read on to find out the top 10 tallest uncompleted buildings in 2018 after the break.
Almost two years ago, South America was hit by a public health crisis that affected hundreds of thousands of women. In Brazil, more than 2,600 children were born with microcephaly—a congenital condition in which the skull is smaller than normal—and other complications resulting from the Zika virus infection. Brazilians quickly became accustomed to the unfamiliar name of the disease, which rapidly spread through the northeastern region of the country and crossed borders into Colombia and Venezuela. However, as the disease became an international concern, it also became clear that it was a much greater problem for some groups than for others.
When we say "most" architects, we're basing our conclusion on the responses to our first AD Discussion of 2018. Even though Tim Harford, author of the book Messy, contends that disorder and a bit of confusion can be linked to spaces that inspire more creativity, our readers tend to disagree. In our review of comments on our article, the majority of respondents explained that workspaces with out-of-place objects negatively affected their ability to concentrate. Many responses alluded to their more efficient and prolific results gained by working in an organized space. But that doesn't mean that all ArchDaily readers agreed; there are still ardent defenders of "control chaos" who insist that their best work emerges from working beneath piles of papers or supplies.
The hashtag officially became part of the Oxford English Dictionary in 2014, and whether you tend to use them or not, they are a pretty unavoidable internet tool that helps users connect related internet content. Maybe you’re hashtagging photos to get featured on a certain account or to poke some fun at yourself (see Justin Timberlake and Jimmy Fallon)? But serious ArchDaily readers have been using “#” to group beautiful photographs of architecture for the better part of a decade. When Instagram announced that it was possible to follow hashtags, die-hard taggers found a way to discover and like new content without actively seeking it out.
Would BIG and Thomas Heatherwick have designed a huge, adaptable tensile structure for any client other than Google?. Image Courtesy of Google
In January, we covered an interview with Bjarke Ingels where he spoke of the role that clients play in architecture. In the article, Bjarlke Ingels mentioned that "In the world of architecture there are many more things beyond an architect's control than are under his command." The post started a debate among our readers as well as our editors at ArchDaily. Many readers bemoaned the demise of architecture at the hands of clients with big pockets. Some of us talked about how IT giants not only control our digital world, they are now also encroaching upon our urban environments. Several readers blamed big clients for creating starchitects who build grand buildings and, as they allege, cause an "infantalisation" of architecture in the process.
Here at ArchDaily, our editors got to thinking: Can architecture exist without a client? Or is it just a service, a capitalistic exchange? And really, are clients such a bad thing for the field?
We talk to some of our editors to get their perspective.
Credits: Supreme Committee for Delivery & Legacy / Architect : ZHA & AECOM / Automatization Processes for Digital Fabrication : ECHOES.PARIS
Applications are open for the third edition of the Design by Data Advanced Master® in Computational Design, Digital Manufacturing and Building Technologies opening in September 2018 in Paris.
Johann David Steingruber was a German architect and designer with over 100 buildings to his name, including many churches, town halls, school buildings and even breweries. However, perhaps what he is best known for today are the intricate illustrations of his 1773 Architectural Alphabet, in which he converted the alphabet into plans for a series of eccentric baroque palaces.
Done more as a "labor of love" rather than for any practical reason, Steingruber's book is a compilation of playful and intricate spatial relationships, with each letter providing its own unique set of challenges. Even though the letters naturally offer more complex shapes than we would ordinarily use for plans, the spaces somehow make sense. The baroque style of oval antichambers, domes, and vaults is evident not only in the plans but also in the elevations.
2017 was a momentous year for Chinese architecture. From Tianjin Binhai Library taking the internet by storm with images of its terraced "sea of bookcases", to Alvar Aalto Medal recognizing Zhang Ke of standardarchitecture for his professional accomplishments. China has retained a remarkable presence in the global architecture scene.
So many of our readers around the world celebrate Chinese New Year and welcome fresh beginnings in the Year of the Dog, we would like to take a look back at 2017 and share with you the most visited projects from China. This is a collection of projects coming from world-famous practices such as MVRDV and MAD Architects, and also from the younger, local talents who have demonstrated great potential in bringing positive changes to China’s built environment.
https://www.archdaily.com/889257/the-best-chinese-architecture-of-2017Joanna Wong
Cortesía de Santi Julià Xercavins + Bernat Pedro Planas
Fábrica Puigneró is a project by Santi Julià Xercavins and Bernat Pedro Planas, focusing on the adaptation of abandoned industrial infrastructure in towns that were once heavily dependent on industrial production.
For their final thesis project at the Universitat Politècnica de Catalunya, the authors designed a comprehensive intervention for the former Hilados y Tejidos Puigneró textile mill in the town of Sant Bartomeu, Spain. "This transformation and retrofitting of the factory aims to generate a new livable framework, utilizing selective demolition and the integration of public space as its primary strategies," the authors explain.
The LIMPAR SANTANA project involves constructing a sustainable basic sanitation system to clean up the waterways of Quilombo de Santana, in the state of Rio de Janeiro, aiming to improve the quality of drinking water in local homes.
Based on an assessment of the area's topography, geotechnics, and geography, the proposal suggests using evapotranspiration basins—a system that treats effluent through natural filtration and evaporation via banana leaves—and biodigester tank systems that convert wastewater into a usable byproduct for agriculture.
The black sheep of all architectural drawing has got to be technical drawing. Everybody loves drawing perspectives, sketches —you know the creative, interesting and expressive part of architectural drawing. But what about the aspects of drawing: the technical, logical, rational part? It might not be as sexy as freehand drawing, but it is just as important.
If you don’t know proper technical drawing skills it will show in your work; your perspectives will look ‘less smart’ and badly proportioned and your designs will lack consistency. So in order to make technical drawings look less cold and more approachable, I’m sharing the best 20 technical drawing tips I’ve come across.
Do identical brick blocks confuse you? Are you unsure whether to turn at this corner or the next because all the perimeter-block buildings look exactly alike? Do you lose your way in the narrow, winding streets of the city center? As it turns out, this is a common challenge for many, which is why it is essential for cities to invest in wayfinding systems designed specifically for pedestrians.
The benefits are numerous. First, it is an excellent way to promote the cleanest form of transit: walking. The advantages of this include easing public transit congestion, reducing vehicular traffic, encouraging a deeper familiarity with the city, and revitalizing businesses on secondary streets—not to mention the positive impact on tourists and visitors. This is precisely what the #LeerMadrid project aims to achieve. The initiative is currently being developed by Paisaje Transversal in collaboration with Applied Wayfinding, Avanti Avanti, Urban Networks/CGR, and Dimas García Moreno.
We are close to the announcement of the world's premier architecture prize. Here, we open the discussion on which architects from Portuguese-speaking countries deserve this honor. What is your take?
https://www.archdaily.com/1114812/if-the-next-pritzker-were-a-portuguese-speaker-who-would-you-bet-onPedro Vada
Designing spaces intended for the exhibition of furniture pieces with high structural, ergonomic, artistic, and historical complexity requires a distinct design approach, as the goal is to showcase the product while persuading the viewer-client to purchase it. In Brazil, prime examples such as the Forma store (1987), Micasa (2004), Casa Matriz (2004), Micasa Volume B (2007), Ouvidor (2013), Dpot (2016), Líder (2016), and Micasa Volume C (2017) stand out for masterfully combining these principles. Generally speaking, they provide the “white box” required as a backdrop—akin to works of art within the neutrality of exhibition spaces—while arranging the pieces to evoke the desire to buy.
Last September, Nigerian Afrobeat musician Wizkid played to a sold-out house at the Royal Albert Hall in London, joining a growing list of illustrious African musicians, such as Selif Kaita, Youssou Ndour, Miriam Makeba and others, that have performed at that prestigious venue. This event affirmed the unfolding cultural renaissance across the continent, but it also signified the rising global influence of African music, movies, fashion, cuisine and the arts.
Sadly, traditional African architecture, especially in Sub-Saharan Africa, has not profited from this renaissance and has instead steadily lost its appeal across the continent. In spite of its towering influence in the pre-colonial era, it has largely failed to develop beyond the crude earthen walls and thatch roof architecture; for this reason it has remained unattractive to homeowners who often associate it with poverty. Consequently, the neglect of indigenous architecture has resulted in the dearth of skilled craftsmen knowledgeable in the art of traditional building, a reality that has further dimmed hopes for a revival of this architectural style.
Is there an aspect, a recurring mark, that reveals a difference in the way that male and female architecture photographers see the world? This is, perhaps, one of those rhetorical questions often used as an argument to shed light on works produced by women and for which there is no precise answer.
The history of Slovakia is riddled with political unrest and unwanted occupation, with the Slovak people having repeatedly been denied a voice throughout history. In the years following World War I, Slovakia was forced into the common state of Czechoslovakia; the territory was dismembered by the Nazi regime in 1938 and occupied by the Nazis for most of the Second World War, before being eventually liberated by Soviet and Romanian forces in 1945. Over the next four decades of communist rule—first by communists within Czechoslovakia itself and then later by the Soviet Union—the architecture of Slovakia came to develop into a unique form of sci-fi postmodernism that celebrated the shift in industrial influence at the time.
Photographer Stefano Perego has documented the Slovakian architecture from the 1960s–80s and has shared some of his photos with ArchDaily.
Cantilevers, structures that protrude from a building without the need for supports, are highly popular not only for their dramatic aesthetic effect, but also for the demonstration of technical mastery involved in their development. But we rarely see cantilevers in housing. For this reason, in this installment of our Photos of the Week, we have made a selection of 11 houses that seem to defy the physical laws of construction. Keep reading to see photos of renowned photographers such as Cécile Septet, Ema Peter, and Juan Solano.
