Produce personalized presentation boards that distill complex concepts into simple visual representations with a few helpful tools and effects.

Four emerging architecture studio profiles from Belgium, Spain, Netherlands, Switzerland, Denmark, and Poland were chosen by New Generations, a platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.

Using and controlling light can change the perception of a place; users perceive and feel the space differently depending on factors such as the type of light switch, color variations, and combinations. When used in temporary installations, light can break the boundaries between art and architecture, and also between tangible and intangible, transforming the elements of the project and creating new shapes and patterns.

Spurred by disasters like Hurricane Katrina and Superstorm Sandy, cities across the United States have, over the past 15 years, learned to “live with water.” After more than a century of filling wetlands, damming rivers, and diverting streams and stormwater flows into concrete channels, public officials, influenced by a coterie of landscape architects and planners, have embraced the opposite strategy, investing in open space networks that use dynamic natural systems to slow, store, and absorb floodwaters.

Some celebrate the failures of "Make It Right", Brad Pitt’s patronage in New Orleans. After Hurricane Katrina wrecked New Orleans in 2005, celebrated architects like Frank Gehry, David Adjaye and Thom Mayne created art for a foundation set up by Pitt. A local architect, John C. Williams was hired to turn designs from those starchitects into buildings with a directive to use the best sustainable materials available.

The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.

This week David and Marina discuss tips and tactics for creating a design presentation. The two cover the different scenarios to prepare for, the three most important components of any design presentation, how to include research and data, balancing beauty and clarity, tips if you’re struggling to make a presentation look good, presentation process strategies, and traps to avoid, and more. Enjoy!

Considered one of the noblest building materials - and also a favorite of many global architects - wood delivers aesthetic, structural, and practical value in the most versatile of ways. Through different techniques, such as crafted or prefabricated wood, wooden construction remains relevant not only in the history but also in the forefront of architecture and design (thanks to new technologies that have expanded its possibilities).

From temporary pavilions to single-family homes and multi-story, large-scale institutions, wood has shown its value at the same level as many other structural materials such as steel, brick, or even concrete. This is especially prominent in the United States, where renowned architects are using new techniques to advance the solutions that this material can provide. Also, new regulations are allowing architects to further explore the diversity and possibilities of building with wood.

With the help of ThinkWood, we’ve gathered 100 examples of the best wood structures in the United States.

Going beyond human scale is not a novelty. For centuries, builders, engineers, and architects have been creating monumental edifices to mark spirituality or political power. Larger than life palaces, governmental buildings, or temples have always attracted people’s admiration and reverence, nourishing the still not fully comprehensible obsession with large scale builds.

Nowadays, some of the largest and most impressive structures relate less to religious or governmental functions and seem to be turning towards more cultural programs. Most importantly though, today’s grandiose works are generally and openly imitative of Nature.

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This article was originally published on Common Edge as "Considering Climate Migration".

Over the past week, I’ve seen at least two large mainstream press articles on climate migration, and as more people seem to be tossing around their next move locale—something between North Dakota and anywhere else with the word “north” it. Often, in a simplified, single-issue flattening of the full-range of shifts happening around us.

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Wooden floors are know for their warm appearance, rich texture, and natural tones that vary according to the origin of the planks, changing with the weather and the passage of time. Outdoors, wooden surfaces are widely used for terraces and living areas, taking advantage of these inviting qualities to bring people together on warm and welcoming floors. Built with modular pieces, wooden decks can easily form artificial topographies, shaping creative and effective public spaces for rest, sports, games, and collective gathering.

Urban development in China has been a contentious issue, represented by megacities and endless gated communities, remnants of the country’s large communal working and living units, the ‘danwei’. However, in recent years, the paradigm has been shifted largely by developers for more innovative living concepts, the practice of designing inclusive communities anchored by public and cultural buildings serving the wider community. One of the earliest experiments, Liangzhu New Town by Vanke is now a benchmark for creating diverse community.

You probably see brick on a daily basis, whether it’s structuring a building, paving the road, or perhaps serving as a fireplace or chimney. But do all these applications use the same type of brick? How are the bricks supporting or being supported? What are these bricks actually made of? Brick’s versatility and ubiquitous nature mean there’s more than one answer to these questions. Even among brick’s most common applications as a building facade and/or structural wall material, there are a variety of types and construction methods employed.

Idaho's nickname is "The Gem State" for its abundance of natural resources and scenic areas, from steep canyons and valleys to snow-capped mountains. It's no surprise that the state's architecture draws from this context, especially for remote housing projects. Reinterpreting building methods, materials, and spatial relationships, architects have designed a series of incredible homes across Idaho that are redefining how to live in nature.

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Ranging from yellow, to gray, to traditional red and orange, bricks are ubiquitous in many of our cities and widely used in construction. Briefly, the manufacturing process of traditional bricks involves molding clay and firing it in ovens, facilitating the creation of solid blocks, perforated blocks, cobogós, tiles, and other shapes. Ceramic bricks are inexpensive; easy to find; boast strong resistance, thermal inertia, and finish; and do not require such specialized labor for construction. But if the installation is done near sources of high heat, the common brick will end up cracking and breaking, making refractory bricks more suitable. But what does that mean?