One of Pompeii’s most precious gems, the Villa of Mysteries, is now at risk of collapse due to seismic activity in the Bay of Naples, as well as vibrations from a nearby train line transporting tourists. That's the conclusion of a recent study conducted by Italy’s National Agency for New Technologies, Energy and Sustainable Economic Development (ENEA). The news comes only a few months after the reopening of the house, whose stunning frescoes had just been restored.
As The Telegraph reports, the high-tech study showed that “in addition to the vibrations from the Vesuvius light railway commuter trains, which ferry tourists to Pompeii from Naples, the protective structure around the villa, built in armored cement, wood and steel 50 years ago is threatened by its own weight and water ingress.”
The UN Education, Scientific and Cultural Organization (commonly referred to as UNESCO) has named 17 projects in 7 countries by revolutionary Modernist architect Le Corbusier to their list of World Heritage Sites. Given to places of special cultural or physical significance, the designation will help to protect and preserve the buildings for future generations. Citing Le Corbusier’s inventive architectural language, UNESCO praised the collection of projects for “[reflecting] the solutions that the Modern Movement sought to apply during the 20th century to the challenges of inventing new architectural techniques to respond to the needs of society.”
“The inscription on the World Heritage List of 17 buildings of sites by Le Corbusier represents a strong encouragement to continue all along Le Corbusier's built work to maintain this living heritage and to hand it down to future generations,” said Fondation Le Corbusier President Antoine Picon in a statement. “It also contributes to the understanding of that complex and fragile legacy and helps its dissemination to the widest audience.”
Continue after the break for the full list of projects and images.
Italy and UNESCO have signed an agreement to create a special Italian task force to protect art, cultural sites, and ancient artifacts that are located in areas of war or conflict around the world. They will also form a center in Turin to train cultural heritage experts. The agreement arose from a proposal presented by Italy last October that was backed by 53 countries and the UN Security Council.
Since time immemorial, and more recently, humans have wondered what the world looks like from above. This fascination has historically manifested in the plan drawing and aerial photography. In this vein, and using a motorized paraglider, National Geographic photographer George Steinmetz has captured a stunning bird’s-eye view of the ancient city of Ghadames, in Libya.
The Institute for Digital Archaeology (IDA), a joint-venture between Harvard University (US), the University of Oxford (UK) and Dubai’s Museum of the Future (UAE) have announced that they will replicate a structure of architectural significance that was destroyed earlier this year by IS, or 'Islamic State', at full scale in the centre of London and New York City. The arch—all that remains of the Temple of Bel at the Syrian UNESCO World Heritage site—was captured by militants in May and destroyed. By no means an isolated case, IS have looted and demolished a number of similar architectural and anthropologically important sites that "pre-date Islam in Iraq," condemning them as "symbols of idolatry."
UNESCO has inaugurated 47 new cities into its Creative Cities Network, with Detroit being selected as the first "City of Design" from the United States. The Creative Cities Network is a selection of cities across the world that promote the creation of creative and cultural industries, within the categories of crafts and folk art, design, film, gastronomy, literature, media arts, and music.
The Italian city of Florence is, according to an article for The Observer, seeking "a better class of tourist." Palazzos are being sold off and converted into hotels and spas, and the ubiquitous 'luxury apartment' development brands are creeping ever closer to some of the city's most treasured architectural monuments. In response, a recent report from UNESCO is urging the municipal government to consider the long-term effects of proposed infrastructural plans on the city, which was inscribed in 1982. "For many vocal and disgruntled Florentines," Stephanie Kirchgaessner writes, "the Palazzo Vecchio is looking less like a stately symbol of civic pride and more like an estate agency."
What are the characteristics of preservation-worthy architecture? In his book "Belyayevo Forever: A Soviet Microrayon on its Way to the UNESCO List," Kuba Snopek finds uniqueness in the seemingly generic Belyayevo microrayon, and argues that in spite of its pattern-book design it is worthy of protection. In this excerpt from the book's first chapter, Snopek examines Belyayevo's predecessor - the Ninth Quarter of Cheryomushki, which was constructed in the 1950s as an experiment that would transform Soviet housing policy - finding it to be a place which challenges our preconceived notions about architectural heritage.
A foreigner’s first contact with Moscow might begin with Google Earth. Its virtual tour through Russia’s capital starts with a view of its radial-concentric plan: loops of circular roads radiating from the Kremlin are cut through with the straight lines of prospects (avenues) and streets leading from the center towards the outskirts. This general scheme is familiar to any European architect: many other cities have circular boulevards, straight avenues and ring roads.
"A spectre," writes Kevin McKenna for The Guardian, "thought happily to have been exorcised from the heart of beautiful Edinburgh, is stalking the city’s old wynds and crevices once more." To put it more bluntly, the "formal recognition of [the Scottish capital] as one of the world’s most beautiful cities is under threat, amid a battle for the soul of its most historic quarter." As the UNESCO inspectorate moves in to determine whether the city's World Heritage Status should be renewed McKenna laments, through a series of case studies, the potentially bleak built future of one of Britain's most loved urban centres.
Kéré Architecture has placed first in a competition to design a protective shelter on the UNESCO-protected Meroe Royal Baths in Sudan, North Africa. Believed to have served nearby palaces from the great African Kingdom of Kush (now modern-day Sudan), the Meroe Royal Baths were listed as a UNESCO World Heritage Site in 2011 and is the focus of joint research by the German Archaeological Institute and the National Corporation for Antiques and Museums. Still marked by temples, palaces and over two hundred pyramids, the ruins of Meroe are a testimony to the exchanges of culture between the Mediterranean and Africa. Find out more about the proposal after the break.
The emphasis on light and lighting now is more than ever and this is evident from the global initiative by UNESCO to declare and celebrate 2015 as the International Year of Light. With this in mind, Nightscape 2050 is a unique exhibition dedicated to Lighting and is aimed to explore a completely new horizon of lighting design. This exhibition aims to explore the interactions between people, light, and cities in the year 2050.
The United States Department of State (DOS) has released a request for information (RFI) in search of architects interested in designing a New Embassy Compound (NEC) in Brasília, the federal capital of Brazil. The (up to) $350 million, design-bid-build project will be located on a 4.86 hectares (12 acres) site near the seat of the Brazilian Government within the city's planned "Diplomatic Sector." All proposals must take in considering the site's conditions, the city planning context and the architectural significance of Brasilia as a 1956 urban planned city and now UNESCO World Heritage Site. More details after the break.
Last month the UNESCO office in Afghanistan, in collaboration with the Afghan Ministry of Information and Culture, announced the winning design for the Bamiyan Cultural Center. An Argentina-based team, led by Carlos Nahuel Recabarren alongside Manuel Alberto Martínez Catalán and Franco Morero, was selected from 1,070 design entries from teams in 117 different countries. Now, all of these submissions will be posted in an online gallery on the Bamiyan Culture Centre website for the next three months. “The competition achieved beyond expectation and contributed to portray a new and positive image of the culture sector in Afghanistan. This exhibition aims to showcase the extraordinary effort that the architectural community and each and every applicant put into this competition,” writes UNESCO.
With generous financial aid from the Republic of Korea, the culture center will be built on land adjacent to the Cultural Landscape and Archaeological Remains of Bamiyan World Heritage property. The center aims to promote art, history, music and community interaction. When evaluating the submissions the seven-member jury focused on “design principles emphasizing innovation, community needs, environmental consciousness, sustainability, and connection to the natural and cultural landscape of the Bamiyan Valley.”
Read on after the break for a round-up of images from some of the most interesting, unusual and unique proposals. You can search by ID number, Team Leader or Country to view the full project board with descriptions, renders and plans on the online gallery.
UNESCO, in collaboration with the Afghan Ministry of Information and Culture, have announced the winning proposal for the Bamiyan Cultural Centre. An Argentina-based team, lead by Carlos Nahuel Recabarren alongside Manuel Alberto Martínez Catalán and Franco Morero, were selected from 1,070 design entries from 117 countries. Prepatory work on implementing their scheme, entitled Descriptive Memory: The Eternal Presence of Absence, "will start immediately" close to the boundaries of the Bamiyan World Heritage site.
See the winning entry and the four runners-up after the break.
A recent nomination by the United States seeks to elevate ten celebrated buildings characteristic of influential architect Frank Lloyd Wright's style to UNESCO World Heritage Sites. If the nomination is fulfilled, the collection of buildings will join the 1,007 designated sites currently on the UNESCO World Heritage List, including some of the most recognizable buildings in the world like the Taj Mahal and Sydney Opera House. These structures are recognized for their extraordinary cultural significance and "outstanding universal values." See the ten nominated buildings, after the break.
As Afghanistan begins its second decade of democratic governance after nearly 30 years of political instability, through the funding from the Republic of Korea, UNESCO has teamed up with the Afghan Ministry of Information and Culture, to build a Cultural Center close to the boundaries of the Bamiyan World Heritage property. With the realisation of the Bamiyan Cultural Centre, Afghans have the opportunity to recapture their heritage, to create a new impact on a historical site and to foster a positive relationship between their struggles and their hopes.
“This new architectural programme can challenge cultural barriers, reaffirm Afghanistan’s remarkable ancient history and enforce culture as a foundational component to Afghan national identity and peace-building,” states UNESCO.
Dundee, Bilbao, Curitiba, Helsinki and Turin are often considered the cultural epicenters of their respected countries. Therefore it is no surprise that these five metropolises are the latest to achieve UNESCO’s City of Design status. Joining a list of 12 other cities, the newest City of Design selections are being recognized for the international influence on design. By awarding them “City of Design” status, UNESCO hopes to help further the development of creative industries and encourage cross-city cultural exchange in each selected metropolis.
Earlier this week, two articles on Domus engaged each other in a debate over the affect of UNESCO World Heritage status on the cities they supposedly protect. Is UNESCO turning the world’s cities into museums and hindering their future cultural development? Or could it be a positive force for protecting architecture and culture? Read on after the break to learn more about these clashing opinions.