David Chipperfield has been selected by Selfridges to remodel their flagship London store, creating a new 4,600 square metre accessories department and creating a new entrance to the Eastern side of the building. The additions by Chipperfield are part of the store’s larger 5-year, £300 million project which also includes work by Gensler to better connect the original 1909 building by Daniel Burnham with the later addition behind.
Chipperfield’s addition will aim to improve the store’s presence on Duke Street, which will act as a secondary entrance to the building’s primary public face on Oxford Street, with the new accessories department planned to open in 2016.
ArchDaily has teamed up with the The Berlage to provide exclusive access to their newly digitized archive of lectures. The Berlage is a postgraduate international institute where some of the world’s most renowned architects, thinkers, designers, photographers and other professionals come to share, exchange and critically reflect upon their ideas. Over the last 23 years, The Berlage has built up an extensive archive of seminal lectures. Thanks to this partnership we can now share them with you. ArchDaily is committed to providing inspiration and knowledge to architects all over the world, so please look forward to monthly publications of these lectures during the coming year.
In this 2001 lecture titled “Tradition and Invention,” David Chipperfield explains why the idea of continuity — as opposed to discontinuity — helps one design buildings. Though modern architecture has the desire to break with the past, Chipperfield embraces tradition and memory instead of modernistic pragmatism.
Don’t miss the other lectures in The Berlage Archive series:
Within days of David Chipperfield being appointed to design the Nobel Foundation’s new home in Stockholm, heritage protesters began to assemble a campaign to prevent the project from fruition.
Declaring they are “opposed to star-architects constructing their angular spectacles of glass and steel right in the middle of the protected historic environment, as monuments to themselves, at our expense and the city’s,” as stated in an online petition, the protesters are particularly upset that the project would require the demolition of multiple historic structures. Thousands have even joined a Facebook group to voice disapproval.
However, despite the backlash, the Nobel Foundation refuses to bow down and believes the protest will not succeed.
More on the protest, and structures slated for demolition, after the break…
Originally published in Metropolis Magazine as “Inside the Homes and Workspaces of 8 Great Architects“, this article shows the spaces occupied by some of the best-known architects in the world. Documented for an exhibition that will be featured at the Milan Design Week 2014, the images give a glimpse inside the private worlds of some of our favorite designers.
It’s a cliche that architects have messy workspaces. From chaos comes creation, so the phrase goes. But an upcoming exhibition at this year’s Salone del Mobile intends to dispel the myth. Where Architects Live will present glimpses into the personal spaces of eight significant architects: Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind and Bijoy Jain of Studio Mumbai.
Curator Francesca Molteni interviewed each of the designers in their private homes and came away with one finding: architects are actually quite tidy. The studios are all pristinely ordered; books are neatly stowed away, figurines and objets astutely displayed, and table tops swept clean. The photographs below are part of the exhibition materials, produced with the help of scenographer Davide Pizzigoni, which faithfully document the physical environments in images, video, and audio. These will be used to recreate the architects’ “rooms” at Salone del Mobile in April.
Where Architects Live is not limited to satisfying our curiosity about what these architects’ homes look like. Richard Rogers’ affirmation that “a room is the beginning of a city” resonates with the project’s aim in trying to articulate its subjects’ personal tastes and obsessions, and how those are reflected in their architectural work.
Read on to see more images of the inside of architects’ homes and studios
London’s King’s Cross has seen a surge of redevelopment in recent years, the most iconic of which – John McAslan + Partner’s new concourse for King’s Cross Station – was completed last year. The area has also been defined by the new Central Saint Martin’s campus, designed by Stirling Prize winner Stanton Williams, and Google’s new London headquarters. Plans have now been unveiled for Gridiron (One St. Pancras Square), a 50,000 square foot office building nestled between St. Pancras International and King’s Cross Stations, designed by David Chipperfield Architects and set for completion in the first half of 2014.
David Chipperfield has been announced as the architectural laureate for the 2013 edition of the Japan Art Association’s Praemium Imperiale. Since its inauguration in 1989, the annual global arts award has recognized “outstanding contributions to the development, promotion and progress of the arts” in the fields of architecture, painting, sculpture, music and theater/film. Only a small handful of architects have received this award, including James Stirling, Tadao Ando, Alvaro Siza, Richard Rogers, Jean Nouvel and Toyo Ito.
In regards to Chipperfield’s nomination, the jury stated:
David Chipperfield, the curator of the Architecture Exhibition at this year’s Venice Biennale, Common Ground (which wraps up this weekend), will be chatting live this Friday to offer his final two cents on the Exhibition’s legacy.
Tune in on November 23rd at 12pm EST at www.biennalearchitettura.telecomitalia.com to participate – it will most likely be your last chance to ask Chipperfield any Biennale questions that may still be lingering.
With a world plagued by the current economic crisis, David Chipperfield fears that the architects’ role is shrinking and the professions ability to influence the shape of our cities is diminishing.
Since the inauguration of this year’s Venice Biennale, Chipperfield has been amidst of a few heated debates, most notably debunking the harsh criticism of Coop Himmelb(lau)’s Wolf Prix – who claimed the “hollow” event was “no longer about lively discussion and criticism of topics in contemporary architecture” – by affirming Prix “hadn’t even visited Venice”.
Interestingly, Chipperfield has now initiated a debate, using similar rhetoric as Prix, that calls attention to the dwindling role of the architect and the impotence of contemporary architecture. The catch? He blames politicians.
Continue after the break for more.
Director David Chipperfield discusses the ideas behind Common Ground and shares his response to the exhibitions featured inside the Arsenale at the 13th Architecture Biennale.
“The emphasis of the 2012 Biennale – explains David Chipperfield – is on what we have in common. Above all, the ambition of Common Ground is to reassert the existence of an architectural culture, made up not just of singular talents but a rich continuity of diverse ideas united in a common history, common ambitions, common predicaments and ideals. In architecture everything begins with the ground. It is our physical datum, where we make the first mark, digging the foundations that will support our shelter.”
Hot on the heels of the Jencks Award, yet another accolade is rumored to be coming Rem Koolhaas‘ way. The claims are flying about the twitterverse: OMA’s Koolhaas will be the next Director of the Venice Biennale.
Dezeen first reported the story after reading a tweet by the Biennale’s current Assistant Director to David Chipperfield, Kieran Long (Long’s also the architecture critic for London’s Evening Standard as well as the former Editor-in-Chief of Architectural Review/The Architect’s Journal). You can read the tweet for yourself below:
Of course, it’s all still rumors at this point, but we’ll keep you updated of any developments in the story.
Story via Dezeen
A powerful and expressive design it itself, Ludwig Mies van der Rohe’s Neue Nationalgalerie in Berlin is still admired as a concrete, steel, and glass landmark today. Dedicated to culture and the fine arts, the building will be going through a major renovation, which will be overseen by British architect, David Chipperfield who has recently worked extensively in Berlin, finishing work on the war-ravaged Neues Museum on the Museum Island complex in 2009. The renovation will start in 2015 and last three years, during which time the museum will be closed. The building, completed in 1968, is Mies van der Rohe’s only work in Germany after World War II and is in need of thorough modernization after 40 years. Restoration of the glass facade, stone terrace and concrete and steel structure, along with new security and fire technology are included in the project.
David Chipperfield, Stirling Prize-winning architect and director of the 13th international Venice Biennale, has been commissioned by the Prussian Cultural Heritage Foundation (PCHF) to renovate the Neue National Gallery. The 20th century icon was designed by the legendary Ludwig Mies van der Rohe, who celebrated his 126th birthday this week.
Hermann Parzinger, president of the Prussian Cultural Heritage Foundation, said: “With David Chipperfield, I know this icon of modern architecture in the best hands. In working with him on the Museum Island, I learned the sensitivity in dealing with the architectural heritage and the conceptual clarity of his approach is greatly appreciated.”
This video reveals the first statement by director David Chipperfield and president Paolo Baratta regarding the 13th International Venice Biennale. With “Common Ground” as the underlying theme, Chipperfield encourages participants not to promote themselves, as if in a theater, but rather promote a dialogue that will begin the “chemical process” that will ultimately lead to finding connections between “things, people and influences”. Chipperfield highlights that the Venice Biennale is about “what is not private, but what is common.”
The architecture exhibition will open to the public August 29th, 2012.
David Chipperfield announces “Common Ground” as the theme for the 13th International Venice Biennale
Today, the President of the Biennale di Venezia, Paolo Baratta, and the 13th International Architecture Exhibition Director, David Chipperfield, met at Ca’Giustinian with the representatives of the 41 countries participating in the exhibition, including representatives of Kosovo, Kuwait and Peru for the first time. David Chipperfield announced the theme of this year’s Biennale is to be Common Ground. Continue reading for more information.
David Chipperfield states, “I want this Biennale to celebrate a vital, interconnected architectural culture, and pose questions about the intellectual and physical territories that it shares. In the methods of selection of participants, my Biennale will encourage the collaboration and dialogue that I believe is at the heart of architecture, and the title will also serve as a metaphor for architecture’s field of activity.”
Continue reading for more.
In this Tedx talk, David Chipperfield of David Chipperfield Architects was invited to discuss the distrust that people feel about architecture, from a practitioners point of view, with the seductively titled talk: Why does everyone hate modern architecture? Chipperfield asks us to consider architecture of the everyday – buildings that are being built on a daily basis, not the notable and expensive projects that are the exception. In looking at today’s architecture, he laments over what he perceives to be, an unsuccessful way in which the majority of buildings are designed.
More on the video after the break.
British architect, David Chipperfield, will curate the 2012 Venice Architecture Biennale. Chipperfield will have only eight months to decide on a theme and prepare to curate the world’s largest architecture exhibition. He will become the first British architect to curate the event.
The newly appointed dean of architecture at the RCA, Alex de Rijke stated, “Someone of his intellectual calibre will rise to the challenge,” he said. “He’s not going to use it as an opportunity to promote his own architecture. He is going to frame an issue, treat it as research and ask people to contribute.”