Réinventer.paris has announced the 23 winners chosen to develop architectural projects in Paris, including designs by Sou Fujimoto, David Chipperfield, and DGT Architects. Réinventer.paris is an urban initiative launched to give designers the power to rethink and reshape the way that Parisians live, work, and play. Located on various sites chosen by Mayor Anne Hidalgo, each project successfully creates a sense of liveliness and embodies what the future of Paris might be. The call for submissions was answered with ideas about innovation, cutting edge-solutions to environmental problems, and intelligent design.
British architect David Chipperfield's (born 18 December 1953) career has spanned decades and continents as an architect, designer and professor. Since 1984, he has been at the helm of David Chipperfield Architects, an award winning firm with over 180 staff at offices in London, Berlin, Milan, and Shanghai. Chipperfield is an honourary fellow of the American Institute of Architects and Germany's Bund Deutscher Architekten, and was appointed a Commander of the Order of the British Empire (DBE) in 2004. In 2012, Chipperfield curated the Venice Biennale of Architecture under the theme Common Ground.
Ben Johnson is a painter preoccupied by realism – especially when it comes to the two-dimensional representation of architectural space. A British artist practicing in London, Johnson has been working professionally since the mid-1960s. In that time his extensive œuvre has encompassed painted cityscapes and prints to depictions of rooms designed—among others—by Norman Foster, John Pawson, I. M. Pei, and David Chipperfield.
Succeeding Peter Zumthor, David Chipperfield has been selected as the Rolex Mentor and Protégé Arts Initiative's new architecture mentor. The British architect will join six other "master artists" - Mia Couto (literature), Alfonso Cuarón (film), Philip Glass (music), Joan Jonas (visual arts), Robert Lepage (theatre) and Ohad Naharin (dance) - in selecting their own protégé from a pool of finalists this coming spring; mentoring will begin mid-2016.
As reported by the Architects' Journal, David Chipperfield Architects has been selected in an invited competition to remodel the US Embassy in London, once the building's current occupants move into the new embassy building currently being constructed in the Nine Elms. The existing building, a Grade-II listed design by Eero Saarinen dating back to 1960, is set to become a hotel after developers Qatari Diar purchased it in 2009.
Romanian photographer Laurian Ghinitoiu has shared images from last year's "Sticks and Stones" exhibition at the Neue Nationalgalerie in Berlin. Designed by David Chipperfield, the intervention brought 144 8-meter-tall trees to the interior of the Neue Nationalgalerie, Mies van der Rohe's 1968 masterpiece. See our previous coverage of the installation and enjoy a full gallery of Ghinitoiu's images after the break.
David Chipperfield Architects have revealed plans to connect the two Grade II*-listed London bases of London's Royal Academy of Arts - the 17th century Burlington House and the 19th century 6 Burlington Gardens - as part of a £50million ($80million) masterplan of "subtle interventions." According to the Architects' Journal, the two structures will be linked by a concrete bridge which will span fifteen metres across a service area and courtyard, and will see the creation of a number of new exhibition spaces, a lecture theatre, and a new space for the Royal Academy's world-renowned schools of art and architecture. A series of roof extensions and terraces will allow for new views over central London.
The 54th edition of Milan Design Week (also known as Salone del Mobile) recently came to a close. In celebration of its success, we have compiled a list of the most talked about architect-designed products showcased this year. Take a look after the break to see new products from Rem Koolhaas, Zaha Hadid, David Chipperfield, and more.
Manhattan based real-estate company HFZ Capital Group has announced "The Bryant," David Chipperfield Architects' first residential condominium project in New York City, located at 16 West 40th Street. The proposal for the 32-story building features a hotel on the lower levels, with 57 apartments ranging from one- to four-bedrooms, including two duplex penthouses, on floors 15 through 32 - offering residents "the rare opportunity to live in a new construction, residential development on the fully-restored Bryant Park," according to the developers.
British architect David Chipperfield has been selected to receive the 2015 Sikkens Prize, one of the oldest independent art prizes in the Netherlands. The prize's 36th recipient, Chipperfield is being recognized for his "revolutionary use of color," much like his predecessors; Gerrit Rietveld, Le Corbusier, Donald Judd, HEMA and Bridget Riley have all received the Sikkens Prize.
According to the jury, "Chipperfield’s work on the Neues Museum in Berlin is a magnificent example of his way of working. Like no other he knows how to combine the old with the new. In his spatial compositions he achieves a delicate balance between color, material end texture. Chipperfield uses the colors provided by the architectural context and the building materials in an unemphatic yet expressive way."
Speaking to The Guardian, David Chipperfield has stated that he regards the hold of private investment over new architecture in London as an "absolutely terrible" means of building a city. He argues that Berlin - where he spends considerable amounts of time and runs a large office - "is a much more reflective society than ours" because the UK has sunk into "a success-based culture."
David Chipperfield has been selected by Selfridges to remodel their flagship London store, creating a new 4,600 square metre accessories department and creating a new entrance to the Eastern side of the building. The additions by Chipperfield are part of the store's larger 5-year, £300 million project which also includes work by Gensler to better connect the original 1909 building by Daniel Burnham with the later addition behind.
Chipperfield's addition will aim to improve the store's presence on Duke Street, which will act as a secondary entrance to the building's primary public face on Oxford Street, with the new accessories department planned to open in 2016.
Declaring they are “opposed to star-architects constructing their angular spectacles of glass and steel right in the middle of the protected historic environment, as monuments to themselves, at our expense and the city’s,” as stated in an online petition, the protesters seem particularly upset that the project would require the demolition of multiple historic structures. Thousands have even joined a Facebook group to voice disapproval.
However, despite the backlash, the Nobel Foundation refuses to bow down and believes the protest will not succeed.
More on the protest, and structures slated for demolition, after the break...
Originally published in Metropolis Magazine as "Inside the Homes and Workspaces of 8 Great Architects", this article shows the spaces occupied by some of the best-known architects in the world. Documented for an exhibition that will be featured at the Milan Design Week 2014, the images give a glimpse inside the private worlds of some of our favorite designers.
It's a cliche that architects have messy workspaces. From chaos comes creation, so the phrase goes. But an upcoming exhibition at this year's Salone del Mobile intends to dispel the myth. Where Architects Live will present glimpses into the personal spaces of eight significant architects: Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind and Bijoy Jain of Studio Mumbai.
Curator Francesca Molteni interviewed each of the designers in their private homes and came away with one finding: architects are actually quite tidy. The studios are all pristinely ordered; books are neatly stowed away, figurines and objets astutely displayed, and table tops swept clean. The photographs below are part of the exhibition materials, produced with the help of scenographer Davide Pizzigoni, which faithfully document the physical environments in images, video, and audio. These will be used to recreate the architects' "rooms" at Salone del Mobile in April.
Where Architects Live is not limited to satisfying our curiosity about what these architects’ homes look like. Richard Rogers’ affirmation that “a room is the beginning of a city” resonates with the project’s aim in trying to articulate its subjects’ personal tastes and obsessions, and how those are reflected in their architectural work.
Read on to see more images of the inside of architects' homes and studios
David Chipperfield has been announced as the architectural laureate for the 2013 edition of the Japan Art Association’s Praemium Imperiale. Since its inauguration in 1989, the annual global arts award has recognized “outstanding contributions to the development, promotion and progress of the arts” in the fields of architecture, painting, sculpture, music and theater/film. Only a small handful of architects have received this award, including James Stirling, Tadao Ando, Alvaro Siza, Richard Rogers, Jean Nouvel and Toyo Ito.
In regards to Chipperfield’s nomination, the jury stated:
David Chipperfield, the curator of the Architecture Exhibition at this year's Venice Biennale, Common Ground (which wraps up this weekend), will be chatting live this Friday to offer his final two cents on the Exhibition's legacy.
With a world plagued by the current economic crisis, David Chipperfield fears that the architects’ role is shrinking and the professions ability to influence the shape of our cities is diminishing.
Since the inauguration of this year’s Venice Biennale, Chipperfield has been amidst of a few heated debates, most notably debunking the harsh criticism of Coop Himmelb(lau)’s Wolf Prix – who claimed the “hollow” event was “no longer about lively discussion and criticism of topics in contemporary architecture” – by affirming Prix “hadn’t even visited Venice”.
Interestingly, Chipperfield has now initiated a debate, using similar rhetoric as Prix, that calls attention to the dwindling role of the architect and the impotence of contemporary architecture. The catch? He blames politicians.
Continue after the break for more.