David Chipperfield Architects have revealed plans to connect the two Grade II*-listed London bases of London’s Royal Academy of Arts – the 17th century Burlington House and the 19th century 6 Burlington Gardens – as part of a £50million ($80million) masterplan of “subtle interventions.” According to the Architects’ Journal, the two structures will be linked by a concrete bridge which will span fifteen metres across a service area and courtyard, and will see the creation of a number of new exhibition spaces, a lecture theatre, and a new space for the Royal Academy’s world-renowned schools of art and architecture. A series of roof extensions and terraces will allow for new views over central London.
The 54th edition of Milan Design Week (also known as Salone del Mobile) recently came to a close. In celebration of its success, we have compiled a list of the most talked about architect-designed products showcased this year. Take a look after the break to see new products from Rem Koolhaas, Zaha Hadid, David Chipperfield, and more.
Manhattan based real-estate company HFZ Capital Group has announced “The Bryant,” David Chipperfield Architects‘ first residential condominium project in New York City, located at 16 West 40th Street. The proposal for the 32-story building features a hotel on the lower levels, with 57 apartments ranging from one- to four-bedrooms, including two duplex penthouses, on floors 15 through 32 – offering residents “the rare opportunity to live in a new construction, residential development on the fully-restored Bryant Park,” according to the developers.
British architect David Chipperfield has been selected to receive the 2015 Sikkens Prize, one of the oldest independent art prizes in the Netherlands. The prize’s 36th recipient, Chipperfield is being recognized for his “revolutionary use of color,” much like his predecessors; Gerrit Rietveld, Le Corbusier, Donald Judd, HEMA and Bridget Riley have all received the Sikkens Prize.
According to the jury, “Chipperfield’s work on the Neues Museum in Berlin is a magnificent example of his way of working. Like no other he knows how to combine the old with the new. In his spatial compositions he achieves a delicate balance between color, material end texture. Chipperfield uses the colors provided by the architectural context and the building materials in an unemphatic yet expressive way.”
Born and raised in London in 1953, British architect David Chipperfield‘s career has spanned decades and continents as an architect, designer and professor. Since 1984, he has been at the helm of David Chipperfield Architects, an award winning firm with over 180 staff at offices in London, Berlin, Milan, and Shanghai. Chipperfield is an honourary fellow of the American Institute of Architects and Germany’s Bund Deutscher Architekten, and was appointed a Commander of the Order of the British Empire (DBE) in 2004. In 2012, Chipperfield curated the Venice Biennale of Architecture under the theme Common Ground. Most recently, Chipperfield was named Artistic Director of Italian design brand Driade.
Read more about Chipperfield’s career and projects after the break
Speaking to The Guardian, David Chipperfield has stated that he regards the hold of private investment over new architecture in London as an ”absolutely terrible” means of building a city. He argues that Berlin – where he spends considerable amounts of time and runs a large office – “is a much more reflective society than ours” because the UK has sunk into ”a success-based culture.”
[In Berlin] there is still an idea of the public realm. We have given that up in London. We have declared the public realm dead; the question is how to get stuff out of the private sector. We are unbelievably sophisticated at that.
David Chipperfield has been selected by Selfridges to remodel their flagship London store, creating a new 4,600 square metre accessories department and creating a new entrance to the Eastern side of the building. The additions by Chipperfield are part of the store’s larger 5-year, £300 million project which also includes work by Gensler to better connect the original 1909 building by Daniel Burnham with the later addition behind.
Chipperfield’s addition will aim to improve the store’s presence on Duke Street, which will act as a secondary entrance to the building’s primary public face on Oxford Street, with the new accessories department planned to open in 2016.
ArchDaily has teamed up with the The Berlage to provide exclusive access to their newly digitized archive of lectures. The Berlage is a postgraduate international institute where some of the world’s most renowned architects, thinkers, designers, photographers and other professionals come to share, exchange and critically reflect upon their ideas. Over the last 23 years, The Berlage has built up an extensive archive of seminal lectures. Thanks to this partnership we can now share them with you. ArchDaily is committed to providing inspiration and knowledge to architects all over the world, so please look forward to monthly publications of these lectures during the coming year.
In this 2001 lecture titled “Tradition and Invention,” David Chipperfield explains why the idea of continuity — as opposed to discontinuity — helps one design buildings. Though modern architecture has the desire to break with the past, Chipperfield embraces tradition and memory instead of modernistic pragmatism.
Don’t miss the other lectures in The Berlage Archive series:
Within days of David Chipperfield being appointed to design the Nobel Foundation’s new home in Stockholm, heritage protesters began to assemble a campaign to prevent the project from fruition.
Declaring they are “opposed to star-architects constructing their angular spectacles of glass and steel right in the middle of the protected historic environment, as monuments to themselves, at our expense and the city’s,” as stated in an online petition, the protesters are particularly upset that the project would require the demolition of multiple historic structures. Thousands have even joined a Facebook group to voice disapproval.
However, despite the backlash, the Nobel Foundation refuses to bow down and believes the protest will not succeed.
More on the protest, and structures slated for demolition, after the break…
Originally published in Metropolis Magazine as “Inside the Homes and Workspaces of 8 Great Architects“, this article shows the spaces occupied by some of the best-known architects in the world. Documented for an exhibition that will be featured at the Milan Design Week 2014, the images give a glimpse inside the private worlds of some of our favorite designers.
It’s a cliche that architects have messy workspaces. From chaos comes creation, so the phrase goes. But an upcoming exhibition at this year’s Salone del Mobile intends to dispel the myth. Where Architects Live will present glimpses into the personal spaces of eight significant architects: Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind and Bijoy Jain of Studio Mumbai.
Curator Francesca Molteni interviewed each of the designers in their private homes and came away with one finding: architects are actually quite tidy. The studios are all pristinely ordered; books are neatly stowed away, figurines and objets astutely displayed, and table tops swept clean. The photographs below are part of the exhibition materials, produced with the help of scenographer Davide Pizzigoni, which faithfully document the physical environments in images, video, and audio. These will be used to recreate the architects’ “rooms” at Salone del Mobile in April.
Where Architects Live is not limited to satisfying our curiosity about what these architects’ homes look like. Richard Rogers’ affirmation that “a room is the beginning of a city” resonates with the project’s aim in trying to articulate its subjects’ personal tastes and obsessions, and how those are reflected in their architectural work.
Read on to see more images of the inside of architects’ homes and studios
London’s King’s Cross has seen a surge of redevelopment in recent years, the most iconic of which – John McAslan + Partner’s new concourse for King’s Cross Station – was completed last year. The area has also been defined by the new Central Saint Martin’s campus, designed by Stirling Prize winner Stanton Williams, and Google’s new London headquarters. Plans have now been unveiled for Gridiron (One St. Pancras Square), a 50,000 square foot office building nestled between St. Pancras International and King’s Cross Stations, designed by David Chipperfield Architects and set for completion in the first half of 2014.
David Chipperfield has been announced as the architectural laureate for the 2013 edition of the Japan Art Association’s Praemium Imperiale. Since its inauguration in 1989, the annual global arts award has recognized “outstanding contributions to the development, promotion and progress of the arts” in the fields of architecture, painting, sculpture, music and theater/film. Only a small handful of architects have received this award, including James Stirling, Tadao Ando, Alvaro Siza, Richard Rogers, Jean Nouvel and Toyo Ito.
In regards to Chipperfield’s nomination, the jury stated:
David Chipperfield, the curator of the Architecture Exhibition at this year’s Venice Biennale, Common Ground (which wraps up this weekend), will be chatting live this Friday to offer his final two cents on the Exhibition’s legacy.
Tune in on November 23rd at 12pm EST at www.biennalearchitettura.telecomitalia.com to participate – it will most likely be your last chance to ask Chipperfield any Biennale questions that may still be lingering.
With a world plagued by the current economic crisis, David Chipperfield fears that the architects’ role is shrinking and the professions ability to influence the shape of our cities is diminishing.
Since the inauguration of this year’s Venice Biennale, Chipperfield has been amidst of a few heated debates, most notably debunking the harsh criticism of Coop Himmelb(lau)’s Wolf Prix – who claimed the “hollow” event was “no longer about lively discussion and criticism of topics in contemporary architecture” – by affirming Prix “hadn’t even visited Venice”.
Interestingly, Chipperfield has now initiated a debate, using similar rhetoric as Prix, that calls attention to the dwindling role of the architect and the impotence of contemporary architecture. The catch? He blames politicians.
Continue after the break for more.
“The emphasis of the 2012 Biennale – explains David Chipperfield – is on what we have in common. Above all, the ambition of Common Ground is to reassert the existence of an architectural culture, made up not just of singular talents but a rich continuity of diverse ideas united in a common history, common ambitions, common predicaments and ideals. In architecture everything begins with the ground. It is our physical datum, where we make the first mark, digging the foundations that will support our shelter.”
Hot on the heels of the Jencks Award, yet another accolade is rumored to be coming Rem Koolhaas‘ way. The claims are flying about the twitterverse: OMA’s Koolhaas will be the next Director of the Venice Biennale.
Dezeen first reported the story after reading a tweet by the Biennale’s current Assistant Director to David Chipperfield, Kieran Long (Long’s also the architecture critic for London’s Evening Standard as well as the former Editor-in-Chief of Architectural Review/The Architect’s Journal). You can read the tweet for yourself below:
Of course, it’s all still rumors at this point, but we’ll keep you updated of any developments in the story.
Story via Dezeen
A powerful and expressive design it itself, Ludwig Mies van der Rohe’s Neue Nationalgalerie in Berlin is still admired as a concrete, steel, and glass landmark today. Dedicated to culture and the fine arts, the building will be going through a major renovation, which will be overseen by British architect, David Chipperfield who has recently worked extensively in Berlin, finishing work on the war-ravaged Neues Museum on the Museum Island complex in 2009. The renovation will start in 2015 and last three years, during which time the museum will be closed. The building, completed in 1968, is Mies van der Rohe’s only work in Germany after World War II and is in need of thorough modernization after 40 years. Restoration of the glass facade, stone terrace and concrete and steel structure, along with new security and fire technology are included in the project.
David Chipperfield, Stirling Prize-winning architect and director of the 13th international Venice Biennale, has been commissioned by the Prussian Cultural Heritage Foundation (PCHF) to renovate the Neue National Gallery. The 20th century icon was designed by the legendary Ludwig Mies van der Rohe, who celebrated his 126th birthday this week.
Hermann Parzinger, president of the Prussian Cultural Heritage Foundation, said: “With David Chipperfield, I know this icon of modern architecture in the best hands. In working with him on the Museum Island, I learned the sensitivity in dealing with the architectural heritage and the conceptual clarity of his approach is greatly appreciated.”