Berlin’s Barkow Leibinger has won an invited competition to design a new hotel tower and conference centre as part of Berlin’s largest hotel complex, the Estrel. Establishing a new gateway to the center of Berlin from Schönefeld International Airport, the tower will stand at 175 meters (578 feet) making it the tallest high-rise in Berlin to date. Located on the Sonnenalle at the intersection of the Ship Canal, S-Bahn and Autobahn, the site acts as a threshold between the heterogeneous industrial and residential periphery of the city and the historical neighborhoods of Neukölln.
David Adjaye and Daniel Libeskind are among six interdisciplinary teams competing to design Canada’s National Holocaust Monument. Planned for an empty, triangular site adjacent to Ottawa’s Canadian War Museum, the monument designs are currently undergoing public review before a final decision that will be made by an international jury of design and art professionals this spring. Construction is expected to begin in 2015.
Review the proposals, after the break…
GRAFT Architects have won an invited competition to restore and extend one of Germany’s oldest youth hostels in central Munich, Germany. Their proposal, which was judged alongside designs by haascookzemmrich (Stuttgart), Snøhetta (Oslo), and YES Architecture (Munich), centers around the idea of “experiencing community.” Their proposal enables exchange and communication whilst also alluding to the “established traditions of simple traveling, youthful curiosity and the thirst for encounter.” Connecting the historic quality of the building with the challenges of modern habits and traveling practices, their design “builds a bridge between origins and departure.”
The Ukraina Hotel, with the support of the non-state educational institution Strelka Institute for Media, Architecture and Design, have announced the finalists for the Ukraina Hotel Entryway competition. Designs from ABD Architects (Russia) in cooperation with Werner Sobek Moskwa (Russia), TPO Lesosplav (Russia) in cooperation with Malishev Wilson Engineers (UK), and Studio 44 (Russia) have been chosen from a total of ten competing proposals, one of which will now be implemented by the client. Offering the chance to design a new entrance to one of Moscow’s foremost landmarks, the winning scheme will provide a rare opportunity to work with an unique example of Stalinist architectural heritage.
Norwegian energy corporation Statoil has revealed proposals for a new corporate headquarters from the five architecture firms that were shortlisted last October: OMA, Foster + Partners with Space Group, Snøhetta, Wingårdhs, and Helen & Hard with SAAHA. The competition–announced in September of 2013–called for a project that would ”take into consideration a number of new measures in the region regarding public transport, parking, roads and other types of infrastructure.” The winner will be announced in April/May.
Statoil hasn’t disclosed which project belongs to which firm, but the ArchDaily editors have had some fun trying to put a name to each model. What do you think? Let us know your guesses in the comments!
Reaching the second stage of the international competition to design Russia’s National Centre for Contemporary Arts (NCCA), which was won by Heneghan Peng Architects, WAI Think Tank put forth a proposal that projects the NCCA as not just a center “for the creation, study, and support of contemporary art in Russia” but also “a building as manifesto.” WAI Think Tank focused on giving a flexible autonomy to the enclosed and external spaces, designing the galleries as extensions of the city, in an attempt to design “the first archetype of Museum as City.”
Australian developer CBUS Property has invited four pairs of Australian and internationally-renowned architectural practices to compete to design an office complex at a 6,000 square meter site in downtown Melbourne, Australia where the National Mutual Plaza currently stands.
See the full shortlist after the break.
ArchiPlan has won first prize in an international competition for a contemporary art museum designed solely for the work of Korean painter Kim Tschang-Yeul. Slated for completion in 2015 on the volcanic Jeju Island, a province in South Korea, the single-story museum is designed to be the physical manifestation of Kim’s philosophy regarding the water drop.
“We spent a long time understanding [Kim] – understanding his life, intention and his philosophy,” described the architects. “It is necessary to transform his philosophy into a constructed architectural space.”
Arctic Harvester was the first prize winning entry in the “Innovation and Architecture for the Sea” category of the Jacques Rougerie Foundation International Architecture Competition, 2013. It proposes an itinerant soil-less agricultural infrastructure designed to drift the circulating ocean currents between Greenland and Canada, exploiting the nutrient-rich fresh water released by melting icebergs as the basis for a large-scale hydroponic-farming system. The floating facility is equipped to house a community of 800 people, inspired in its compact urban form by vertically oriented, bayside Greenlandic villages and their social, cultural and economic relationship to the sea.
Amsterdam-based NL Architects has been shortlisted, alongside three other prestigious teams, to design a new “ArtA” museum and film house for the city of Arnhem. Uniting four main programs – a cinema, art square, museum and park – the “wedge-shaped” structure is designed as an “urban moraine” that cascades towards the city and invites residents to experience the Rhine from an elevated parkway. This formation grants pedestrians two options for museum access: up the Baroque-inspired rooftop park or through the ground level “Art Square” which serves as a “public intermediary” between the building and city, as well as the museum and film theatre.
Kengo Kuma, one of four renowned architects competing to design the highly anticipated ArtA cultural center in Arnhem, has shared details about their shortlisted proposal. Enveloped in an “elegant filigree screen” of contextually prevalent red clay roof tiles, the “multileveled Arts Square” is designed to serve as “the living room of the city.” Its main programs, the Focus Film Theatre and Museum Arnhem, are united by a series of green terraces whose main purpose is to reconnect the inner city to its “unexploited resource,” the Rhine River.
New York-based SO-IL, together with Architectuurstudio HH (AHH) and ABT, has unveiled details of their shortlisted design for Arnhem’s highly-anticipated ArtA cultural center. One of four shortlisted proposals, SO-IL’s “energy-neutral” building aims to serve as a transformative link that connects the inner city to the Rhine River. “Generous and flexible programmatic volumes,” which were shaped by the surrounding context, are designed “support the production and experience of culture, as well as create a place for reflection and wonder – a transportive experience.”
Zaha Hadid Architects, Adam Architecture, Hopkins Architects, Eric Parry Architects, Allford Hall Monaghan Morris and Studio Weave have all unveiled, what AJ describes as, six “jaw-dropping” proposals for new water kiosks planned for central London. As part of a competition, conducted by the British journal, the architect-designed drinking fountains will be on view at The Building Centre from February 20 through March 14. View them all and vote for your favorite here.
Zaha Hadid, Rick Joy, and COOP HIMMELB(L)AU are three of 20 diverse architects shortlisted to compete for the commission of the International Arvo Pärt Center near Tallinn. As part of the competition’s second stage, the selected practices will move forward with the design of a 2,000-square-meter expandable facility which will be used to house the famous Estonian composer Arvo Pärt’s work on a wooden coastal site in Laulasmaa.
The Union of Estonian Architects (UEA) will announce the winner on June 20. See a complete list of the competing architects, after the break.
As we announced yesterday, four impressive teams have unveiled their shortlisted proposals to design a new house for an existing art museum and film theater on a waterfront site in Arnhem. Competing to design the “ArtA” cultural center includes BIG, who teamed up with Amsterdam-based Allard Architecture to propose a scheme that would merge the two facilities by constructing “a simple building volume of two poles: The Film Theater facing the city and the Art Museum facing the river.”
Washington D.C. Mayor Vincent Gray has named Mecanoo architecten and Martinez + Johnson Architecture winners of a competition to reinvent Mies van der Rohe’s Martin Luther King Jr. Memorial Library – the only library and D.C. building ever designed by the legendary architect. The Netherlands- and D.C.-based team aims to resurrect the neglected building by improving “Mies in a contemporary Miesian way.” This includes opening up the boxy interiors to enhance flow and increase natural light and, most dramatically, sculpting two rooftop terraces by topping the historic landmark structure with a four-story, mixed-use addition.
We will keep you posted with more details as they come available. In the meantime, scroll through the renderings and presentation that landed Mecanoo and Martinez + Johnson the commission, after the break.
Four international teams have unveiled their shortlisted proposals in the final leg of a highly anticipated competition to design a new “cultural hotspot” on the edge of the Rhine. ArtA, the “catchy” new name of what was previously known as “The Arts Cluster,” is part of a larger redevelopment project for the City of Arnhem which aims to reconnect the southern district of Rijnboog with its waterfront and establish a new home for the Focus Film Theatre and Museum Arnhem.
A sneak peak of the shortlisted proposals, after the break…
Smiljan Radic has been announced as the winner of the competition to design a landmark on San Cristobal Hill, in the heart of Santiago, Chile, that consolidates the hill’s numerous antennas into a single infrastructure.
According to the Contest Director, Luis Eduardo L. Bresciani, the purpose of this competition was to generate an innovative structure of iconic character, an architectural work of outstanding quality that would differ from other towers in other cities and give an identity not just to the hill, but to the city of Santiago. The jury also took into account the landscape of the site, particularly the care with which the park would be treated, as well as the tower’s relationship with the statue of the Virgin and the hilltop in general. Finally, the functionality of the infrastructure, which should act as both a telecommunications tower as well as a public space with panoramic views, was considered. See the six shortlisted proposals, after the break.