Learn how to make cinema-like video renderings with Lumion animation tools

The Harvard Graduate School of Design (Harvard GSD) has announced the Class of 2025 Loeb Fellows. Ten practitioners and activists from around the world have been selected to join the Loeb Fellowship program to expand their careers and advance their programs and initiatives focused on equity, resilience, and collective action.

The ten selected practitioners are mid-career professionals coming from diverse backgrounds. Each one has been recognized for initiating practices that are transforming public spaces and urban infrastructures, addressing public health concerns and environmental injustices, as well as housing needs and efforts to preserve the cultural, natural, and architectural heritage of diverse regions from all continents.

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This article is the ninth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints. In this feature, architect John Marx interviews Peter Hirshberg, chairman, and Anna Fedorova, principal at the Maker City Project.

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Whether it’s excitement or caution, there’s no escaping the buzz of AI in architecture. It offers architects and designers the power to innovate, streamline, and create a built environment that’s equally functional as it is visually appealing.

However, when a technology is this revolutionary, it should come as no surprise when concerns are raised. The loss of creativity, job displacement, and ethical dilemmas are just a few examples of concerns about the adoption of AI in architecture.

To understand what the industry really thinks about AI, over 1,200 architectural professionals were asked about how they are using it in their daily practice. We delved into how it influences design processes and workflows and what they think the technology’s impact means for the future of the profession.

The controversial London Wall West redevelopment project, which involves the demolition of the former Museum of London and Bastion House, is set to proceed. The redevelopment, designed by architecture firms Diller Scofidio + Renfro and Sheppard Robson, will replace the landmark 1970s buildings with a modern office complex. The City of London has confirmed that the Secretary of State for Leveling Up, Housing, and Communities, Michael Gove, has decided not to call in the plans to reevaluate the former museum, allowing the project to move forward.

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A cornerstone of architectural innovation for centuries, concrete has transformed the structural capabilities of buildings worldwide. As one of the more versatile and durable building materials, concrete has aided architects and engineers in pushing the traditional boundaries of design. Today, it is the most widely used construction material on the planet. According to the Guardian, concrete is also a “lifestyle concept,” using its “gritty, urban” aesthetic to shape the imagination of all our architectures at every scale.

In an open competition, ICON’s Initiative 99 requested participants to design a home using ICON’s 3D printing technologies while keeping the construction budget under $99,000. Among the three selected winners for the Open Category, New Zealand-based office MTspace Studio proposes a robust flood-resistant design, in response to the housing crisis in New Zealand’s flood zones. Titled “Wai Home” after the Māori word for water, the concept revolves around the idea of working with this essential natural element. The design features innovative rainwater collection and storage systems, along with elements to increase the resilience of the construction in the face of increasing threats.

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Neutelings Riedijk Architects and ARS Architects Urbanistes have just won a competition to design the Cité des Imaginaires and Grand Musée Jules Verne in Nantes, France. Selected from 160 entries, their design seeks to revitalize the historic “Moulins de Nantes” mil, also known as CAP44. This industrial heritage site, notable for its unique Hennebique concrete structure, is set to be transformed into a sustainable structure within the Garden Extraordinaire. Additionally, the museum will celebrate the legacy of the renowned author Jules Verne, born in Nantes.

This article was originally published on Common Edge in 2021 to celebrate Venice's 1,600th birthday.

"We native Venetians and long-term residents number just over 50,000. We are dying out. Soon, we will disappear. The city prefers to be inhabited by someone else: not so much by other categories of human beings but by another way of being in the world.” – Tiziano Scarpa

March 25, 2021, dawned quietly in Venice. The city was still in full lockdown, a Zona Rossa. The Piazza was empty, the calli were eerily still. It was a subdued day to celebrate the birth of Venice. According to 16th century Venetian historian Marin Sanudo, the city was founded in 421 AD. In a city brought to a halt by the pandemic, the joyful clamor of bells ringing out across the city commemorating 1,600 years of existence was a welcome respite from the dreaded silence.

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In a new collaboration, Trimo and Pininfarina have introduced the Qbiss Notch Wall System, setting a new standard in architectural design. This partnership marries Trimo's expertise in engineering with Pininfarina's legacy of design innovation, presenting a prefabricated modular metal wall system that promises to redefine the aesthetic and functional landscape of modern architecture.

This article was originally published on Common Edge.

In 1956, when car ownership and the suburban development that this enabled were just being embraced as American cultural ideals, pioneering urbanist Jane Jacobs wrote that the U.S. was becoming “an unprecedented nation of centaurs. … Our automobile population is rising about as fast as our human population and promises to continue for another generation.” She continued, “the car is not only a monstrous land-eater itself: it abets that other insatiable land-eater—endless, strung-out suburbanization.”

Aleatek Studio’s concept of “Floating Forest” has been announced as the winner of the competition for the design of the Serbia Pavilion at Expo Osaka 2025. The pavilion, will be located at the West Entrance and Earth Plaza, aims to interpret Serbian culture and the country’s natural landscape through architectural expression. The design strategy also aligns with the theme “Play for humanity” of the upcoming Specialised Expo 2027 to be held in Belgrade.