Foster + Partners has just unveiled the opening of “Radial,” a new summer pavilion for the London Festival of Architecture. Situated at Principal Place, an office space also designed by Foster + Partners in London, the pavilion brings new life to the plaza. “Radial” is constructed from readily available and reusable materials, showcasing a commitment to sustainability. The structure also provides a welcoming space for rest and contemplation.
Reuse: The Latest Architecture and News
Foster + Partners Explores Circularity at The London Festival of Architecture
Reversing Design Order through Material Recycling: An Interview with RUÍNA Architecture
RUÍNA Arquitetura aims for greater socio-environmental awareness and the appreciation of materials while advocating for reuse as an alternative within the construction industry. In their practice, they explore new avenues for reclaimed materials, diminishing demolition waste and supplying construction materials with a reduced environmental footprint. In 2024, they were selected as part of ArchDaily’s 2024 Best New Practice for their unique attention to context, aiming to minimize its impact on the built environment through the effective reuse of materials and construction waste. Their participation in the 2023 Sharjah Architecture Triennale exemplifies how local ideas can achieve global recognition.
A Lot With Little: Video Installation at the AA School in London Highlights Resource Efficiency in Architecture
Noemí Blager and Tapio Snellman are presenting a new video installation at the Architectural Association (AA) in London. The exhibition titled “A Lot with Little” set out to explore and showcase how architects can employ a more economical use of resources to create architectural works that are both sensible and sustainable. Previously shown in Germany, Switzerland, China, Czechia, the US, and the Venice Architecture Biennale, this London debut aims to highlight the global relevance of resource-efficient architectural practices. The exhibition is now on view at the AA School in London from April 26, until May 30, 2024.
Gloria Cabral: “Everything Begins With the Wisdom of a Place”
Born in Brazil and educated in Paraguay, Gloria Cabral is an architect who early on learned that home can be many places—or none at all. Guided by a comprehensive understanding of the geography, culture, and social conditions of the places she designs, she has left her mark on buildings and artistic installations constructed in various locations, from Assumption to Venice.
Besides her interest in the specificities of the places where she operates, Gloria focuses on resource economy and material reuse — a trending theme that Gloria has championed for over fifteen years. We had the opportunity to speak with the architect about her experiences in Paraguay and Brazil, some of her works involving recycled brick, and her insights into architecture and sustainability.
Building Upon the Built: Adaptive Reuse of Industrial Architecture in Brazil
In the global context, the first factories emerged in the latter part of the 16th century, primarily housing typographic workshops. Over time, their purposes expanded to include carpentry, tapestry, and porcelain workshops. However, the recognizable form of industrial buildings we see today only took shape in the 18th century, closely tied to the transformations brought about by the Industrial Revolution. The shift from human labor to machinery fundamentally altered the scale of these structures, turning them into expansive warehouses.
The Nordic Pavilion at Expo Osaka 2025 to be Designed by AMDL CIRCLE
Following an international competition, AMDL CIRCLE has been selected to create the pavilion which will represent the spirit and vision of the Nordic Countries at the Expo Osaka in 2025. Their proposal takes a sustainable and circular approach, as the structure is purposely designed for disassembly and reuse. Technically developed and engineered by Rimond and conceived by AMDL CIRCLE, the pavilion aims to showcase the Nordic people’s respect and connection with the environment while offering ample space for the display of technological innovations.
A Mindset of Revival: Exploring Reuse in Urban Biennales and Pavilions
In light of the looming climate crisis and the pursuit of sustainability, the concepts of revival and reuse have emerged as crucial strategies in the quest for decarbonization in the architecture industry. These principles preach that creating new structures may be sustainable but encourage architects to minimize their ecological footprint by reactivating and recycling existing resources. This year specifically, innovative projects in line with these themes were displayed as part of the 18th International Architecture Exhibition – La Biennale di Venezia. This world-renowned event’s core purpose is to serve as a platform for architects, designers, and thinkers to collectively reimagine sustainability, decarbonization, resource conservation, and the industry's future.
Parabase Reuses Prefabricated Concrete Elements for a Radical Housing Development in Basel, Switzerland
Architectural studio Parabase has been chosen for the development of several plots of Areal Walkeweg in Basel for the purpose of creating affordable apartments and an integrated migration center. The design solution, titled “Elementa,” reuses components from deconstructed cantonal properties, transforming the former columns and floor plates into walls and façade elements. The project was chosen following an open competition, where the international jury favored Parabase’s solution for its strong aesthetics combined with the creative reuse of prefabricated concrete elements.
Women-Led Architecture Practices: Redefining Urban Housing Design at the Time Space Existence Exhibition in Venice
As part of the 6th edition of “Time Space Existence”, the European Cultural Center (ECC) presented the “Reconceptualizing Urban Housing” exhibition. Taking place from May 20 to November 26, 2023, it brings together a diverse array of women-led architecture practices from around the world, each offering a unique perspective on collective housing, particularly within urban settings. The showcased projects feature approaches from Europe, North America, and more developing countries like Uganda, Malaysia, and Mexico.
Christo and Jeanne-Claude’s L’Arc de Triomphe Wrapped to Be Recycled by Parley for the Oceans
Two years ago, on September 18, 2021, Christo and Jeanne-Claude's L'Arc de Triomphe, Wrapped, 1961–2021, was inaugurated. The monumental public artwork wrapped the Parisian monument in over 25,000 square meters of silvery fabric tied in place with 7,000 meters of red rope. The materials, all made out of woven polypropylene, a type of thermoplastic, are now being reused, upcycled, and recycled, following the artists’ vision. Most of the materials will be transformed to serve practical uses for future public events in Paris. The Christo and Jeanne-Claude Foundation is also collaborating with Gagosian to bring Christo’s early works to London’s East End for an exhibition open from October 6-22, 2023.
Re-Purposing Materials: From Post-Industrial Recyclate to Accessible Furniture
The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.
Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.
Rethinking the Biennale: In Conversation with Anh-Linh Ngo, Curator of the German Pavilion at the 2023 Venice Biennale
The German Pavilion Open for Maintenance / Wegen Umbau geöffnet at this years 18th International Architecture Exhibition – La Biennale di Venezia was curated by ARCH+ and Summacumfemmer Büro Juliane Greb. At its core, the exhibition addresses the resource problem and the material cycles of the biennale. Inside the pavilion is a functioning workshop dedicated to applying these concepts of care, repair, and maintenance to Venice onsite. In Venice, ArchDaily had the chance to speak with the co-curator Anh-Linh Ngo, where he discussed the different aspects of the German Pavilion.
21 Projects Where Kengo Kuma (Re)Uses Materials in Unusual Ways
Kengo Kuma uses materials to connect with the local context and the users of his projects. The textures and elementary forms of constructive systems, materials, and products, are exhibited and used in favor of the architectural concept, giving value to the functions that will be carried out in each building.
From showcases made with ceramic tiles to the sifted light created by expanded metal panels, passing through an ethereal polyester coating, Kuma understands the material as an essential component that can make a difference in architecture from the design stages. Next, we present 21 projects where Kengo Kuma masterfully uses construction materials.