Restoration: The Latest Architecture and News

Mecanoo has unveiled its design to transform The Soestdijk Estate into Eden Soestdijk, “an experimental garden for a sustainable society and a paradise destination for all” in The Netherlands. In an effort to become an educational tool for environmental awareness, the project aims to make a significant contribution to meeting the UN’s Sustainable Development Goals.

“The world is facing pressure from increasingly larger and more complex problems when it comes to water, food, climate and energy,” said Anton Valk, chairman of the Eden Soestdijk foundation. “Eden Soestdijk wants to tackle these problems and contribute to a more sustainable society by stimulating and inspiring visitors to change their behaviour in a positive way.”

An architectural greenhouse behind the palace gardens will be the centerpiece of the project, and will house an interactive exhibition focusing on topics like circularity, ecological balance, and social aspects of sustainability.

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Due to a fire in 1988, the Chiado district of Lisbon had many of its buildings damaged or partially destroyed by the flames, and an intense restoration and recovery project led by Álvaro Siza has been going on for over a decade.

Among the strategies employed by the Portuguese architect (and winner of the 1989 Pritzker Prize) is the reorganization of routes and walkways, creating elevated walkways to facilitate access to the area and the flow of locals and visitors. According to the Municipal Council of Lisbon, Siza has recently completed the connection between one of the courtyards of the Carmo Convent (Patio B) to the Largo do Carmo square and the Carmo Terraces with a pedestrian path.

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In 2011, after the partial collapse of the Matrera Castle in Cádiz, Spain (dating back to the 9th century) the city decided to restore the remaining tower, with the aim of preventing its collapse and protecting the few elements that were still standing.

The challenge fell into the hands of Spanish architect Carlos Quevedo Rojas, whose design received the approval of the Regional Government of Andalucía, in compliance with the Historical Heritage law 13/2007, which prohibits mimetic reconstructions and requires the use of materials that are distinct from the originals.

In the words of the architect: “This intervention sought to achieve three basic objectives: to structurally consolidate the elements that were at risk; to differentiate the additions from the original structure (avoiding the mimetic reconstructions that our law prohibits) and to recover the volume, texture and tonality that the tower originally had. The essence of the project is not intended to be, therefore, an image of the future, but rather a reflection of its own past, its own origin.”

The polemical restoration has provoked a broad international discussion about heritage restoration, and the Izquierda Unida group has said it will bring the case to the Andalusian Parliament’s Culture committee to see if the restoration was the result expected by the Ministry of Culture. On the other hand, while the building had previously received only sporadic visits, it has now become a new tourist attraction in the area.

Why has a restoration based on the anastylosis technique – which exists around the world – caused so much controversy? It is it really a “heritage massacre” as the media has said? Do you think it could have been carried out in a better way?

Join the debate and leave your comments after the break.

At long last, after over a decade of project mismanagement and controversial repairs that ignited concerns over historical integrity, restorations have been completed on E-1027, Eileen Gray’s 1929 masterpiece on France’s Côte d’Azur. The house, which heavily influenced the work of Le Corbusier and became an object of his jealous fixation, has a traumatic past that nearly resulted in its loss to history.

The controversial renovation of Eileen Gray's E1027 on the Côte d’Azur is complete. Once a "lost legend of 20th-century architecture," the quaint holiday home has been brought back to life and is now open to the public. Announcing the news, The Guardian author Rowan Moore has recounted the cliffside project's turbulent past, reciting its significance as Gray's first architectural project.

Prisons are often seen as problematic for their local communities. After centuries of correctional facilities discouraging economic growth and occupying valuable real estate as a necessary component of towns and cities, many of these institutions have been relocated away from city centers and their abandoned vestiges are left as unpleasant reminders of their former use. In fact, the majority of prisons built in the United States since 1980 have been placed in non-metropolitan areas and once served as a substantial economic development strategy in depressed rural communities. [1] However, a new pressure is about to emerge on the US prison systems: beginning in 2010, America's prison population declined for the first time in decades, suggesting that in the near future repurposing these structures will become a particularly relevant endeavor for both community development and economic sustainability. These abandoned shells offer architects valuable opportunities to reimagine programmatic functions and transform an otherwise problematic location into an integral neighborhood space.

Why repurpose prisons rather than starting fresh? The answer to this question lies in the inherent architectural features of the prison typology, namely the fact that these structures are built to last. People also often forget that prison buildings are not limited to low-rise secure housing units - in fact, prisons feature an array of spaces that have great potential for reuse including buildings for light industrial activity, training or office buildings, low-security housing, and large outdoor spaces. These elements offer a wide variety of real estate for new programmatic uses, and cities around the world have begun to discover their potential. What could the US learn from these examples, at home and overseas?

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Page\Park Architects have been announced as winner of a competition to restore Charles Rennie Mackintosh’s Glasgow School of Art (GSA). The Scottish practice, chosen ahead of four other shortlisted architects, will now develop plans to restore the building’s library and all other areas devastated by fire in May of last year.

Highlighting Page\Park’s “extensive track record in both restoring and reinvigoration major historic buildings” and previous work on the Mac, GSA director Prof Tom Inns said: “The team assembled by Page\Park Architects impressed us not only with their deep knowledge of the building, but of the wider work of Charles Rennie Mackintosh… Page\Park have ongoing relationships with key crafts specialists and artists in Scotland and wider afield, and presented exciting proposals for expanding the legacy of the restoration by working with a new generation of creative talent.”

UPDATE: Within 24-hours after the Battersea Arts Centre's March 13th fire, the building re-opened and reconstruction efforts began. A fundraising campaign has been launched, aiming to help the rebuild the center's Grand Hall and Lower Hall - both destroyed by the fire. Learn how you can donate, here.

A major fire has broken out at the Battersea Arts Centre. The tower of the Grade-II listed building, known as a leading independent theater and arts venue in South London, has reportedly collapsed. Thankfully no one has been injured.

Firefighters are working tirelessly to save the building. A cause is unknown, though it seems the blaze started in the building’s roof above its main hall in an area that is currently undergoing a 10-year-long, £13 million refurbishment led by Stirling Prize laureate Haworth Tompkins.

Five practices are the running to restore Charles Rennie Mackintosh's celebrated school of art in Glasgow. UK based John McAslan + Partners (who restored Mackintosh's last major commission), Scottish practice Page \ Park, and London and Hong-Kong based architects Purcell are all in the frame to lead the restoration of the Mackintosh Building amid a debate over how best to approach the rebuilding of the library and the areas of the building that were devastated by fire in May of last year. The selection of Avanti Architects and LDN Architects complete the rostra.

The Pazzi Chapel is a landmark of architecture in the city that was once the cradle of the Italian Renaissance: Florence. Located in the Santa Croce church complex (the largest Franciscan church in the world), the chapel was designed by Filippo Brunelleschi - the goldsmith-turned-architect who dedicated his life to engineering the dome of Florence's Santa Maria del Fiore. It is "a prime example of 15th-century architectural decoration in grey pietra serena sandstone, colourful maiolica, and terracotta."

550 years have taken their toll on this structure and its decoration. Concern for the state of the loggia of the chapel is now so great that the non-profit institution in charge of the church’s administration - the Opera di Santa Croce - have raised 50% of the funds needed to carry out a restoration, set to begin in early 2015. They are now looking to crowdfunding to source the remaining half ($95,000) and, in so doing, are inviting people from around the world to become part of the 720-year-long history of Santa Croce.

The 2014 World Monuments Fund/Knoll Modernism Prize has been awarded to the Finnish Committee for the restoration of Alvar Aalto’s seminal Viipuri Library in Vyborg, Russia. “Designed by Aalto and constructed between 1927 and 1935 in what was then the Finnish city of Viipuri,” stated WMF in a press release, “the library reflects the emergence of Aalto’s distinctive combination of organic form and materials with the principles of clear functionalist expression that was to become the hallmark of his architecture.”

A quote from Barry Bergdoll and more images, after the break.

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