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Architects: Simon Jouin architecte
- Area: 115 m²
- Year: 2024





Architectural grafting, a concept recently popularized by Jeanne Gang in The Art of Architectural Grafting, presents a transformative approach to urban regeneration and sustainability. Drawing inspiration from botanical and horticultural practices — where new growth is added to existing plants for enhanced resilience — this architectural method integrates new structures with existing ones, allowing them to coexist and adapt. Rather than pursuing demolition, grafting prioritizes adaptation, extending the life of buildings while safeguarding their cultural and historical significance.
While Studio Gang has played a pivotal role in advancing this method, architectural grafting embodies a broader principle that architects have long used to enhance sustainability, conserve resources, and honor heritage. Across scales — from individual buildings to urban landscapes —grafting reshapes the relationship between past and present, adapting existing structures for contemporary needs while addressing environmental demands. By reimagining historic buildings for modern use, this approach fosters a sustainable evolution of cityscapes.

Over 5 years after a devastating fire threatened to destroy Paris' most famous cathedral, Notre Dame is scheduled to reopen to the public on December 8, 2024. The heritage building has been undergoing an extensive and, at times, controversial restoration process aiming to rebuild its timber roof and reconstruct the collapsed spire, a 19th-century addition to the gothic cathedral designed by French architect Eugène Viollet-le-Duc's design. In preparation for the grand reopening, France's culture minister, Rachida Dati, has proposed introducing a €5 entrance fee to contribute to a fund aimed at protecting the country's historical churches and monuments.




The Louvre Museum in Paris has announced the American-French consortium WHY Architecture -BGC as the winner of an international competition for the exhibition design of the museum's ninth department, dedicated to Byzantine and Eastern Christian Art. The 5,500-square-meter project aims to offer a more balanced and connected narrative of the Roman, Byzantine, and Islamic civilizations, fostering a greater understanding of the influences and relationships between artistic expressions of these historical regions. The spaces are expected to open to the public in 2027.