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Repair: The Latest Architecture and News

Art Paris 2026 Returns to the Grand Palais, Framing Language and Reparation Within an Architectural Landmark

Art Paris will return to the Grand Palais from 9-12 April 2026, marking the 28th edition of the fair at the recently renovated landmark. Reopened following its most extensive restoration in over a century, the 77,000-square-meter building, transformed under the direction of Chatillon Architectes, now accommodates large-scale cultural events across its nave and balcony spaces. Bringing together approximately 165 galleries from around twenty countries, the fair is structured around two curatorial themes, language and reparation, presented within an updated spatial framework defined by improved circulation and expanded exhibition areas.

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“A Site of Destruction, a Site of Opportunity”: In Conversation With Kabage Karanja and Kathryn Yusoff, Curators of the British Pavilion

Kabage Karanja, co-founder and director of Cave_bureau based in Nairobi, Kenya, and Kathyrn Yusoff, professor of Inhuman Geography at the University of London, are the curators of the British Pavilion at the 19th Venice Architecture Biennale. Together, they form the UK-Kenya curatorial team behind GBR – Geology of Britannic Repair, an exhibition that rethinks the Pavilion as both a symbolic and material site. Their approach reflects on Britain's architectural legacy and its entanglement with histories of colonialism, geological extraction, and the urgency of the climate crisis. In recognition of their exploration of the relationship between Great Britain and Kenya, focusing on themes of reparation and renewal, the Pavilion curators and commissioner were awarded a Special Mention for National Participation by the Biennale jury. While on site in Venice, ArchDaily's editors had a chance to discuss with the curators about the ideas that shaped the British Pavilion.

“A Site of Destruction, a Site of Opportunity”: In Conversation With Kabage Karanja and Kathryn Yusoff, Curators of the British Pavilion - Image 1 of 4“A Site of Destruction, a Site of Opportunity”: In Conversation With Kabage Karanja and Kathryn Yusoff, Curators of the British Pavilion - Image 2 of 4“A Site of Destruction, a Site of Opportunity”: In Conversation With Kabage Karanja and Kathryn Yusoff, Curators of the British Pavilion - Image 3 of 4“A Site of Destruction, a Site of Opportunity”: In Conversation With Kabage Karanja and Kathryn Yusoff, Curators of the British Pavilion - Image 4 of 4“A Site of Destruction, a Site of Opportunity”: In Conversation With Kabage Karanja and Kathryn Yusoff, Curators of the British Pavilion - More Images+ 3

Rethinking the Biennale: In Conversation with Anh-Linh Ngo, Curator of the German Pavilion at the 2023 Venice Biennale

The German Pavilion Open for Maintenance / Wegen Umbau geöffnet at this years 18th International Architecture Exhibition – La Biennale di Venezia was curated by ARCH+ and Summacumfemmer Büro Juliane Greb. At its core, the exhibition addresses the resource problem and the material cycles of the biennale. Inside the pavilion is a functioning workshop dedicated to applying these concepts of care, repair, and maintenance to Venice onsite. In Venice, ArchDaily had the chance to speak with the co-curator Anh-Linh Ngo, where he discussed the different aspects of the German Pavilion.

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Australian Pavilion at 2018 Venice Biennale to Explore Architecture's Relation to Endangered Plants

As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Australian Pavilion. Below, the participants describe their contribution in their own words.

The Royal Australian Institute of Architects (RAIA) will present Repair at the Australian Pavilion during the 16th International Architecture Exhibition – La Biennale di Venezia. Creative Directors Mauro Baracco and Louise Wright of Baracco+Wright Architects, in collaboration with artist Linda Tegg, have curated a multi-sensory living installation for the Pavilion, designed to disrupt the viewing conditions through which architecture is usually understood.