Tagh Behesht Business Center in Tehran, Iran. Image Courtesy of Rvad Architecture and Design Studio
This week's curated selection of Best Unbuilt Architecture highlights office spaces submitted by the ArchDaily community. From a TV station in Vietnam to a bazaar-inspired business center in Iran, this round-up of unbuilt projects showcases how architects structure corporative spaces to serve as a model for sustainable, innovative, and future-oriented workplaces.
Interior view to the Lobby . Image Courtesy of UNStudio
Incorporating the Environmental, social, and corporate governance objectives, the 45,000 m2 Office Tower in the Europaviertel in Frankfurt aims to be one of Germany's most sustainable office buildings. Designed by UNStudio in partnership with Groß & Partner in collaboration with OKRA landscape architects, the project focuses on environmental and social sustainability as an integral part of Frankfurt's green network. The ecological agenda includes a low-carbon load-bearing structure and recyclable construction materials. The architecture program offers a public urban space to add value to its surroundings to encourage communication and gathering.
The housing shortage has long been the catalyst for architectural speculation over adaptive resue scenarios or the valorisation of underused places in cities. At the same time, the health crisis and its work from home imperatives have brought into sharp focus the adaptive reuse potential of offices spaces into housing. The probability that some office buildings remain vacant post-pandemic opens up the possibility of bringing back housing to city centres, enabling the implementation of a 15-minute city vision. The following discusses the challenges and opportunities of transforming office spaces into housing, highlighting this limited phenomenon's long-term feasibility and impact.
In recent weeks, we’ve seen an explosion of internet speculation about the “future of cities.” Apparently, they are either doomed—or destined to prevail. The office is dead (obviously), the office tower (especially tall ones) clearly a building type in need of a proper funeral. All kinds of chatter have subsequently ensued (we have time on our hands) about the dire outlook for public space, the impending collapse of public transportation, the inevitable return to the suburbs, even the (gasp!) demise of the luxury cruise ship. We’ll see; we’re still wandering around in the dark here and might be for some time. With that somber thought in mind, I reached out to Paul Goldberger, Pulitzer Prize-winning architecture critic and urbanist, for what I felt certain would be a nuanced and measured take on our presently fraught moment. (A note: we spoke prior to the protests, which have erupted in American cities in response to the murder of George Floyd.) For the most part, we resisted the urge to make sweeping and almost certainly premature predictions about our urban future.
One of our responsibilities as architects is to understand how to implement strategies into our designs that consider the people who inhabit the spaces, our natural resource consumption, and ensuring these projects are profitable. All of this can be achieved through three main goals: Reducing our carbon footprint, creating healthy workplaces, and the design of efficient and profitable buildings.
It may be the single most important architectural detail of the last fifty years. Emerging bravely from the glassy sea of Madison Avenue skyscrapers in midtown Manhattan, the open pediment atop Philip Johnson and John Burgee’s 1984 AT&T Building (now the Sony Tower) singlehandedly turned the architectural world on its head. This playful deployment of historical quotation explicitly contradicted modernist imperatives and heralded the mainstream arrival of an approach to design defined instead by a search for architectural meaning. The AT&T Building wasn’t the first of its type, but it was certainly the most high-profile, proudly announcing that architecture was experiencing the maturation of a new evolutionary phase: Postmodernism had officially arrived to the world scene.
This article was originally published on December 5, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown Manhattan four decades later. Its construction in the early years of the Great Depression, employing thousands of workers and requiring vast material resources, was driven by more than commercial interest: the Empire State Building was to be a monument to the audacity of the United States of America, “a land which reached for the sky with its feet on the ground.”[1]
A New York City icon that once rivaled structures such as the Statue of Liberty and the Empire State Building, the World Trade Center, colloquially known as the Twin Towers, was one of the most recognized structures in history. Designed by Japanese-American architect Minoru Yamasaki, it held the title of Tallest Building in the World from 1972–1974. Up until its unfortunate demise, the WTC site was a major destination, accommodating 500,000 working people and 80,000 visitors on a typical weekday.
Facebook is moving into new offices in London’s King’s Cross. The announcement from King’s Cross details the social media giant’s commitment to take over 600,000 square feet (55,000 square meters) of office space across three buildings, namely 11 and 21 Canal Reach by Bennetts Associates, and P2 by Allford Hall Monaghan Morris.
The July 23rd deal between Facebook and King’s Cross Central Limited Partnership (KCCLP) represents one of the most significant such commitments in London in the last decade, encompassing around 15% of King’s Cross’ 4-million-square-foot (370,000 square meters) commercial portfolio.
https://www.archdaily.com/898752/facebook-set-to-occupy-london-offices-in-kings-cross-by-ahmm-and-bennetts-associatesNiall Patrick Walsh
Offices and cultural buildings both offer the perfect opportunity to design the atrium of your dreams. These central spaces, designed to allow serendipitous meetings of users or to help with orientation in the building, are spacious and offer a lot of design freedom. Imposing scales, sculptural stairs, eccentric materials, and indoor vegetation are just some of the resources used to give life to these spaces. To help you with your design ideas, below we have gathered a selection of 15 notable atriums and their section drawings.
C.F. Møller Architects have collaborated with Kristin Jarmund Architects and Rodeo Architects in the design of a new urban realm at Oslo Central Station in Norway, comprising a square, hotel, and high-rise building. The scheme seeks to create an attractive recreational area around the transport hub, connecting different areas and terrain differences in an organized, efficient flow.
Bloomberg’s new European HQ, which is located in the heart of the City of London, has been rated the world’s most sustainable office building. Designed by Foster + Partners, the office complex has been awarded an Outstanding BREEAM rating, attaining a 98.5% score – the highest design-stage score ever achieved by any major office development.
Amongst the rapid materializing of telecoms, media and tech companies within the Blackfriar’s Southbank region, PLP Architecture has been chosen for the design of a new office building with the challenge of successfully integrating into the ever-changing local fabric.
“Our proposal speculates on the nature of the contemporary office tower,” explained the firm. “What is the architectural expression of today’s high-density workplace? How does the building acquire an identity specific to its media/tech occupiers and how is that identity conveyed to the city?”
https://www.archdaily.com/804616/plp-architectures-proposed-office-building-responds-to-londons-historic-urban-identityOsman Bari
Novotown is China’s latest cultural and creative incubator, designed by Aedas as an iconic destination on Hengqin Island in Zhuhai, China. Located just five minutes from Macau, the 120,000-square meter cultural and entertainment complex aims to straddle the roles of tourist destination and local icon.
BIG has completed their second building on U.S. soil, a 92,000-square-foot office building at 1200 Intrepid Avenue in Philadelphia, Pennsylvania that also marks the firm’s first realized office building design. Located within the revitalized Philadelphia Navy Yard master plan (designed by Robert Stern), the four-story building features a bowing, double-curved facade and a supersized “periscope” inspired by the historic battleships docked a few blocks away.
OMA has released new images of their design for Axel Springer’s business and digital division, in Berlin, Germany. One of the largest digital publishing houses in Europe, Axel Springer officially launched the project to celebrate the 50th anniversary of the company’s publishing building.
OMA’s proposal was selected in a 2014 international design competition, beating out finalist entries from BIG and Büro Ole Scheeren. The brief called for a new modern work environment to house Axel Springer’s growing business and digital divisions.
Aedas has released new renderings and photos of Lè Architecture as the 18-story building approaches completion. Inspired by the form and striations of river pebbles, the office building will provide a unique work environment along the Jilong River and will mark an important milestone in the revitalization of the Nangang District of Taipei.
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