Some of the most memorable and moving exhibitions are the ones that simplify their staging, illuminating objects and narratives while pulling focus from everything else. A stark but meticulous –and above all modern– presentation is the goal of the museum curator. The process of installation shouldn’t be laborious. The fingerprint of the architect shouldn’t be visible. The eye of the visitor wants to see unbroken silhouettes of couture garments, archaeological treasures, and sculptures. Exhibitions tell stories, and the design of each show is the medium. The presentation must be crisp, clear, and light. A sense of perfection elevates the uniqueness of a collection of objects; barely apparent joins, lines and an overall feeling of transparency make that achievable.
https://www.archdaily.com/1009976/elevating-contemporary-exhibition-design-with-sliding-glass-panel-systemsMark C. O'Flaherty
Designed by MAD Architects, the FENIX Museum of Migration is set to be inaugurated in 2025 in Rotterdam’s City Harbor. The purpose of the institution is to showcase and highlight the stories of global migration through encounters with art, architecture, photography, and history. The museum broke ground in 2020 when the first images of the proposal were also released. MAD Architects is working with Bureau Polderman for the restoration of the historic warehouse dating back to 1932, which now represents the base and starting point for the museum experience.
Sir Peter Cook and Gavin Robotham’s CRAB Studio has unveiled the design for a new cultural center to be constructed in New Delhi, India. Located on the site of a former quartzite quarry, the BRIJ offers facilities for the visual, performing, literary, and culinary arts as well as a new arts academy. The scheme, aiming to promote interactions between artists and audiences via an immersive environment, is designed by CRAB Studio, now led by Gavin Robotham, and CP Kukreja Architects (CPKA) as Executive Architect.
The Smithsonian Institution selected Perkins&Will to design the Bezos Learning Center at the National Air and Space Museum in located on the prominent National Mall in Washington D.C. Perkins&Will was one of the five shortlisted finalists for the competition. According to the Smithsonian, the selection was based on the architects’ ample experience in designing cultural and educational spaces, the reliability of their management team and the team’s aesthetic approach.
As repositories of knowledge and catalysts for innovation, museums represent an architectural typology filled with opportunities. They act as an intermediary between the general public and artists, historians, and researchers, creating the medium for the display of cultures and creativity while also striving to make knowledge accessible to all. Through careful curation and exhibition design, they provide a platform for education and research, fostering an understanding and appreciation of diverse cultures, histories, and ideas. For architects, they also present an opportunity to conceive spaces aligned with the exhibits on display to create an immersive experience for the visitors.
This week's curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that showcase art, technology, and innovation through the program of museums and cultural centers. Featuring projects from emerging and established architectural offices such as Hariri Pontarini Architects, Beyer Blinder Belle, Studio Saheb, RAMSA, and Ho Khue Architects, the selection includes a variety of scales and programs, from a museum dedicated to the commemoration of the Holocaust to a private sportscar museum in Austria or an intricately-shaped art gallery in Vietnam.
Following an international competition, MVRDV has been selected to lead the design of the Hangzhou Oil Refinery Factory Park, an extensive project aiming to transform the former industrial district into a cultural center set in a green environment. Complete with a new art and science museum, offices, retail, and a wide variety of cultural offerings, the redevelopment demonstrates a way forward from an oil-based infrastructure to more sustainable alternatives, while retaining the memory of the past technologies. The park sits alongside the southern end of China’s Grand Canal, the world’s longest and one of the oldest man-made waterways created to strengthen economic connections between the south and the north of the country.
Designed by Renzo Piano Building Workshop, a new building for Istanbul Modern, Türkiye’s first museum of modern and contemporary art, will open to the public on May 4th, 2023. The official opening ceremony of the museum is set to take place at a later date. The museum, measuring over 10,500 square meters, is located on the Karaköy waterfront, a historic district at the intersection of the Bosphorus and Golden Horn. The new building offers spaces for temporary exhibitions, interdisciplinary educational programs, film screenings, and an extensive art collection.
Perkins&Will has been selected as one of the five finalists in the nationwide artistic ideas competition for the design of the new National Museum of the U.S. Navy. The other finalists are DLR Group, Frank Gehry Partners, Quinn Evans, and BIG. Organised by the Naval Heritage History and Command’s (NHHC), the competition’s aim is to create a modern museum for Naval veterans and the public, a new building and ceremonial courtyard to reflect the Navy’s values and legacy. The campus would consist of approximately 270,000 square feet, with 100,000 square feet of gallery space. The Navy’s preferred location for the museum is on a site adjacent to the Washington Navy Yard.
Bjarke Ingels Group (BIG) was selected as one of the finalists in the Naval Heritage History and Command’s (NHHC) competition for the design of the new National Museum of the U.S. Navy. The competition’s aim is to create a publicly accessible modern museum for Naval veterans and the public, a memorial to the U.S. Navy’s heritage, and a center for education and cultural events. The other finalists are DLR Group, Frank Gehry Partners, Quinn Evans, and Perkins&Will.
Natural light is one of the most critical elements in architecture. Although unbuilt and difficult to control, it plays a crucial part in defining how space is perceived in terms of scale, textures, materiality, and overall atmosphere. Natural light also impacts the emotions people feel in a space, whether lack of light makes us feel fear and anxiety or ample light makes us feel safe and ethereal. As much as light impacts architecture, architecture also impacts light. Through framing vistas, creating 3D massings that cast sculptural shadows, and carving voids from solids that create unique light projections, many architects have mastered design techniques that utilize light in a way that seamlessly integrates it within a building- and perhaps one of the best to do this was the Venetian architect, Carlo Scarpa.
Opus Architecture & Simon Mahringer have just been awarded first prize in an open competition for the new museum and science center in Oulu, Finland. The competition was held in 2022, and the winners were announced on January 12th, 2023, chosen from a total of 95 proposals. The building is situated in the coastal city of Oulu, right at the center of the Myllytulli area, where the current science center Tietomaa is located. The new proposal will house the current science center and the facilities of the Oulu Art Museum.
OMA / David Gianotten and Andreas Karavanas have won the competition to renovate the world’s oldest museum for Ancient Egyptian culture, the Museo Egizio founded in 1824 and housed in Collegio dei Nobili in Turin, Italy. The winning project aims to put in place a 2024 vision for the Museo Egizio, transforming the museum into a destination for scholars and a rediscovered public place for all.
In collaboration with, local architects Andrea Tabocchini Architecture, T-Studio, and historical consultant Professor Andrea Longhi, the proposal seeks to open the cultural space to all by creating a covered courtyard and a series of connected urban rooms within the existing settlement.
Christian Kerez was announced as the winner of the competition for the renovation of the Palazzo Rosso in St. Gallen, home to the Textile Museum St. Gallen, in eastern Switzerland. The project, titled “Das Schwere ist des Leichten Wurzelgrund,” or “The Heavy Is the Root of the Light,” responds to the goal of raising the profile of the Palazzo Rosso and increasing its visibility and attractivity. The proposal is currently undergoing further development by order of the Textile Museum Foundation for clarifying questions of feasibility and finance.
Snøhetta unveiled the design of a new building and landscape design for the Vesterheim campus in Decorah, Iowa. The campus, which also contains the National Norwegian-American Museum and Folk Art School, explores the diversity of American immigration through the lens of the Norwegian-American experience. The new 8,000-square-foot building, known as “the Commons,” is set to become the entry point and main gathering space for the cultural campus. Aside from anchoring the site, the intervention also aims to strengthen the site’s connection to the city. The building is scheduled to be completed in the Summer of 2023.
LEVER Architecture has been selected to lead the design team for the campus expansion of the Portland Museum of Art. The project aims to not only expand the existing campus but also to create a unified identity for the institution, one that ties together all the architecturally significant buildings on site. The winning proposal is primarily a mass timber structure inspired by Maine’s communities, history, and culture.
