BIG’s VIA 57 West has been unanimously chosen as the winner of the 2016 International Highrise Award (IHA) for the world’s most innovative highrise.
One of the world’s most important architectural prizes for tall buildings, the award is presented by Deutsches Architekturmuseum (DAM) every two years to the project that best exemplifies the criteria of future-oriented design, functionality, innovative building technology, integration into urban development schemes, sustainability, and cost-effectiveness.
Five notable projects have been selected as finalists for the 2016 International Highrise Award (IHA). One of the world’s most important architectural prizes for highrises, the award is given to projects that exemplify the criteria of future-oriented design, functionality, innovative building technology, integration into urban development schemes, sustainability, and cost-effectiveness.
Led by 2014 IHA winner Stefano Boeri, the competition’s world-class jury noted the significant trend in high-rise development away from office buildings and towards residential towers, as well as the geographic dichotomy of the finalists.
“Asia versus America is an interesting conclusion at this point – they are the defining forces on the map,” commented jury member Ole Scheeren. “In Asia you can see the impact of the tropical, climatic and environmental consequences are very well translated into new types of residential high-rises. In New York the finalists all show some way of power-statement.”
See the 5 finalists with comments from the jury, after the break.
Private developers in Tokyo have used temples as covers to build cemetery plots which they can sell for ten times the price of land without taxes. This practice results in the unwanted placement of cemeteries adjacent to homes in the already densely populated neighborhoods of Tokyo. Amplifying this issue are the ever-changing demographics of Tokyo. Recent studies show that the city’s average age is rapidly increasing, with nearly twenty-five percent of the population being 65 or older and a large majority over the age of 30. Similarly, more and more rural residents are coming into Tokyo, increasing the overall population. As the age and population increase, Tokyo is being forced to face the issue of burial space.
From commercial mixed-use to hospitality and social housing, Singapore- based WOHA reinterprets the skyscraper as a prototype for hyper-dense, green urban living. Their first major exhibition in the United States, GARDEN CITY MEGA CITY, opens March 23rd, 2016 at The Skyscraper Museum, and unveils twelve of their most recent vertical ecosystems.
Featuring architectural models, videos and renderings, the show contextualizes the firm’s towering endeavors as a stunning contribution to skyscraper design and a radical response to the Asian megacity. WOHA’s projects—in China, Bangkok, and Singapore, among others—address issues such as rampant population growth, preservation of tropical biodiversity, and the desire for
In the latest installation of NOWNESS’In Residence series, British architect Ian Simpson describes how was told by his careers teacher "not to set [his] sights too high" when he decided that he wanted to become an Architect. Here, he discusses the design intentions behind his home – the tallest residence in the United Kingdom's second city: Manchester. For Simpson, "home is [only] forty seconds away by lift."
Attention to all visionary artists, architects, engineers, 3D designers and model makers: Wide Open Arts will host a curated booth of imaginary towers in our upcoming Outsider Art Fair | NYC (Jan 21-24 2016). Submissions are open to all. All received designs that adhere to the dimensional and structural criteria will be evaluated and the best designs will be 3D printed and displayed in the curated space at the Outsider Art Fair NY 2016. The project and space will be curated by independent artist and curator, Leah Gordon.
Kengo Kuma & Associates and developer Harwood International have broken ground on a twisted, seven-story tower for Rolex in Dallas' Uptown district. The luxury watchmaker intends on using the 136,857-square-foot building as a new office space. It will rise adjacent to Rolex's original building on Harwood Street that was built in 1984.
According to Kuma, the building "fuses nature and architecture," and will feature a tiered Japanese-inspired garden.
Norman Foster attended the recent groundbreaking ceremony for 425 Park Avenue, which will be the first full-block high-rise office building to be built on New York City's Park Avenue in the past 50 years. Foster+Partners, in collaboration with Adamson Associates, designed 425 Park to be a new icon in the Manhattan skyline, featuring a tri-blade, sheer wall top. In addition to its LEED Gold certification, the 560,000m² tower will be the first in New York to be WELL certified.
A new research study conducted by the Council on Tall Buildings and Urban Habitat (CTBUH), entitled Tall Buildings in Numbers – Japan: A History of Tall Innovations, examines the evolution of tall buildings in Japan since the 1960s. The study highlights key innovations in Japan’s skyline through a compilation of graphic representations, including a timeline of notable highrises, a scatterplot of towers over 150 meters and annual construction rates, and a comparison of skyscraper density with regional populations.
Italian architects Anton Pramstrahler and Alex Niederkofler plan to construct a "Lookout Tower" in a woodland near the town of Bruneck, Italy. Comprised almost entirely of wood, the twisting structure will provide a scenic space for respite and contemplation while blending into the surrounding growth with a fanned façade that mirrors the trees’ roots and canopies.
The tower forms a new landmark within this fast developing city in China. Image Courtesy of Urban Systems Office
London-based design group Urban Systems Office has developed a work-flow system employed in their 180-meter "Bundle Tower" to redefine the office typology of the Bank of China. Informed by its specific site features, the mixed-use Bundle Tower creates an open floor plan that responds precisely to its surrounding conditions and unique site requirements.
With the celebration of Carnival upon us, venues around the world are bound to be filled with the merriment of masked and costumed figures at extravagant parties, partaking in the century’s old tradition of masquerading. While most participants aspire to facilitate the movement of dance in their costumes, a smaller group of revelers consider structure and shape instead. These architects of iconic structures from decades past celebrated the 1931 Beaux Arts Ball by masquerading in these sky-high replicas of their buildings. If you’re looking to make a statement during the final night of Carnival, perhaps a Guggenheim Museum headdress or Eiffel Tower hat is the perfect party accessory.
Read on after the break to learn more about the Beaux Arts Ball.
Inside the Wood Pavilion at this year's AIA Convention, we had the chance to chat with Benton Johnson of Skidmore, Owings & Merrill (SOM) about SOM’s research on using wood for highrise buildings. Although wood is a sustainable and efficient material, it hasn’t entered the world of skyscraper construction yet. However, through their Timber Tower Research Project, SOM has come up with a structural system for skyscrapers that uses mass timber as the main structural material and consequently minimizes the building’s carbon footprint.
“Architects should focus on using wood for these types of structures because we do think of it as the way of the future. Energy and resources are just going to become more and more important going forward, and mass timber technology has no way to go but up,” Johnson explains.
Rem Koolhaas, Steven Holl, Jean Nouvel and Boeri Studio are the masters behind five skyscrapers competing to be crowned the “World’s best.” Chosen as finalists for the 2014 International Highrise Award (IHA), the four practices are in the running for a prestigious title and €50,000 prize.
Award organizers from the City of Frankfurt/Main, Deutsches Architekturmuseum (DAM) and DekaBank at Frankfurt’s Paulskirche will announce a winner in mid-November. The chosen skyscraper will be selected by an esteemed, multidisciplinary jury based on the criteria ranging from future-oriented design and innovative building technology, to the building’s integrative urban development scheme and cost-effectiveness.
“Good architecture requires a willingness to take risks and a desire to try things out. All the finalists took this approach – there can be no innovation without experimentation. Our shortlist comprises three different prototypes of the future,” commented Jury Chairman Christoph Ingenhoven.
View all five of the competing highrises and the jury’s comments, after the break…
BLUE TAPE, the winning proposal of an international competition to design an Architecture School adjacent to the American University in Dubai, “is a vertical re-imagining of the typical architecture school typology.” Submitted by USC alumni Evan Shieh and Ali Chen, BLUE TAPE, which transforms a horizontal pin-up space into a vertical 'conceptual connector,' is inspired by USC's 'Blue Tape Reviews' (their method of pinning up work for design reviews).
YuHao Li and Rui Wu were recently awarded third place in the 2014 eVolo Skyscraper Competition for their proposal of a skyscraper that grows. Using 'carbon capture', an emerging practice aimed at capturing and containing greenhouse gases, Propagate Skyscraper uses a simple, vertical grid scaffold to act as a framework for building, or growing, the volumes. "Ingredients for material propagation" are supplied through the scaffold, while its actual pattern of growth is defined by environmental factors (such as prevailing wind and the saturation of carbon dioxide within the immediate atmosphere). Although each resulting structure is distinct in formal expression, the structure maintains a regular spatial organisation, allowing it to be easily occupied and adapted.
CAR and SHELL or Marinetti’s Monster, recently awarded second place in the 2014 eVolo Skyscraper Competition, asks pertinent questions about an "insatiable" desire for growth in urban centres. Based on the premise that we "can no longer stand idly by and watch our cities consume themselves with an anxious need for expansion", Daniel Markiewicz and Mark Talbot's proposal seeks to demonstrate what a "city in the sky" could look like in suburbanDetroit. The project is conceived as a vertical neighbourhood, or "a rich vertical urban fabric." Three main grids (streets, pedestrian pathways, and structure) are intertwined to create a box-shaped wireframe to which traditional/contemporary houses and other diverse programs (such as recreational and commercial areas) can be plugged in.
Vernacular Versatility, recently awarded first place in the 2014 eVolo Skyscraper Competition, seeks to adapt traditional Korean architecture into a contemporary mixed-use high-rise. The vernacular design of the Hanok, the "antonym of a western house" and epitome of the Korean style, has disappeared from every town. Extensive urban development in the 1970s led to a boom in modern apartment dwellings and, consequently, a loss of established Korean vernacular architecture. Yong Ju Lee's proposal aims to reimagine the Hanok in one of the country's busiest districts, drawing people's attention to and stimulating their interest in traditional architecture with the intention that "it will eventually be absorbed into people’s everyday lives"
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