The Solomon R. Guggenheim Museum is planning to construct a second location in New York City. As reported on the Art Newspaper, the expansion project, known as the “Collection Center,” aims to “consolidate its staff and art storage into one efficient, multi-use building with a dynamic public programming component.” The news broke with the release of a curatorial job position, seeking personnel to assist in the center’s planning and a possible architecture competition that will ensure the “Guggenheim’s reputation for being a visionary architectural patron” is preserved. Meanwhile, the Guggenheim is expected to narrow its selection to six for its new Helsinki location in November.
When you visit the galleries of Guggenheim Helsinki, you may have to bring a life vest. This submission to the Guggenheim Helsinki Design Competition floats the idea of a museum over water, traveling between the ports of St. Petersburg, Tallinn, and Helsinki. Proposed as a hypothetical submission to the worldwide contest, the team at OfficeUS delve into the notion of transience in the new world of architourism. The brief reads: "As a global freeport, the museum develops a completely new infrastructure, offering the strategic tax benefits of freeport art storage while enabling exhibitions of some of the most important pieces of modern art and design." Upcoming exhibits include (hypothetically) Olafur Elliasson, Yves Klein and Thomas Demand.
The Guggenheim Helsinki Design Competition, first open international competition organized by the Solomon R. Guggenheim Foundation, was officially launched today. Submission deadline for stage one is September 10. A jury that includes Mark Wigley, Jeanne Gang, Juan Herreros, and Yoshiharu Tsukamoto will announce the shortlist during Fall 2014.
As part of his strategy to solidify the "Olympic Legacy" of East London, Mayor Boris Johnson has recently been focusing on providing the Queen Elizabeth Olympic Park with a little more diversity in its buildings, placing an emphasis on bringing cultural institutions alongside the sports buildings. Now, alongside the V&A's plans for new galleries and University College London's proposed design school and cultural centre, The Art Newspaper reports that Johnson is out to grab a headline attraction: London's own Guggenheim.
The BMW Guggenheim Lab, a mobile think-tank focused on the study of urban life, has returned to New York City for its homecoming exhibition currently on view at the Guggenheim Museum till January 5, 2014. After two years of research and touring Berlin and Mumbai, the lab aims to present major urban themes in art, architecture, education, science, sustainability and technology."100 Urban Trends: A Glossary of Ideas" is a compilation of definitions of the most pressing issues in urban centers today, contextualized to reflect how different cities interpret them. Architects, planners and students take note: From street facades to bailouts, gentrification to trash mapping, this resource archives years of discussion into one user-friendly interface. Explore the glossary, here.
From 2011 to 2013, the BMW Guggenheim Lab, a mobile think tank for exploring urban life, traveled to New York, Berlin, and Mumbai to inspire innovative ideas for urban design and new ways of thinking about cities. To sum up the major themes and ideas that emerged during this two-year global journey, the Guggenheim Museum will present the exhibition Participatory City: 100 Urban Trends from the BMW Guggenheim Lab, on view from October 11, 2013, to January 5, 2014.
With many museums worldwide seeking to extend, to accommodate larger collections, Athens-based Oiio Architecture Office have asked: “What if we decided we needed a little more of Guggenheim?”
More on the design after the break...
Not that many films can have the amount of high-end architecture as location for their scenes. In “The International” the characters goes to a secondary position – through architects’ eyes - since the movie is a showroom of well known buildings and cities.
The mythic Guggenheim Museum in New York by Frank Lloyd Wright serves as the space for one of the main scenes, jumping to the Phaeno Science Center by Zaha Hadid in Wolfsburg, Germany. Cities where the movie was filmed include Istanbul, Berlin, Lyon, Milan, and New York, showing us an impressive catalogue of “international” architecture.
Let us know your thoughts about the movie and international architecture. What does this concept mean today? Or was it only an utopian modern movement?
The Solomon R. Guggenheim Museum was the last major project designed and built by Frank Lloyd Wright between 1943 until it opened to the public in 1959, six months after his death, making it one of his longest works in creation along with one of his most popular projects. Completely contrasting the strict Manhattan city grid, the organic curves of the museum are a familiar landmark for both art lovers, visitors, and pedestrians alike.
A few months ago, the Guggenheim Museum exhibited Contemplating the Void in honor of the museum’s 50th anniversary. After receiving 200 submissions, curators from the museum selected five winners. We’ve shared different proposals with you previously on AD, and today, we bring you Bad Architects Group’s winning Void Codition. In German, void or “Luftraum“, literally translates to “air-space“. By conditioning the given air, which is already present in the void, the architects create the possibility to access the space as is without interrupting how it currently exists. The proposal “adds another dimension or layer to the existing experience in form of a vertical wind tunnel.”
The Guggenheim Musuem’s newest exhibit features the work of Julie Mehretu, an abstract painter best known for her densely-layered paintings. Her work expresses an obsession with architecture, in particular, densely populated urban environments. In her pieces, Mehretu takes recognizable architectural components, such as the column, façade, and elevation, which are then compressed and combined to capture different perspectives. “Her paintings present a tornado of visual incident where gridded cities become fluid and flattened, like many layers of urban graffiti.”
During 2009 the Guggenheim Museum celebrated its 50th anniversary. The museum commissioned nearly 200 artists, architects and designers to imagine their dream interventions on the most significative space of Frank Lloyd Wright’s building, the central void.
As promised, more projects for the Guggenheim’s Contemplating the Void.
This time we feature Iwamoto Scott‘s proposal.
LIGHTCONE uses fiber-optic lines to turn the void into a light channel with different purposes:
It seems fitting that since the Guggenheim is currently featuring the works of its designer, Frank Lloyd Wright, we should feature some of the process work of the iconic museum. Well known for its white curving form, it is important to note that the current rendition of the museum is vastly different from Wright’s original ideas. The struggle between the architect and the client (in this case Solomon R. Guggenheim, a wealthy mining entrepreneur) to see eye-to-eye is not something new, however it is interesting to consider whether the renowned museum would still have its status if it were as Wright had originally envisioned: a polygonal structure, partly in blue or perhaps a red-marble structure with long-slim pottery red bricks.
More about the Guggenheim after the break.
This year we not only celebrate the 142nd birthday of Frank Lloyd Wright, but also the 50 years of the Guggenheim, one of his master pieces (completed the year he passed away). These dates are not only commemorated with Lego Kits and exhibitions, but also with a very interesting competition held by the Guggenheim Museum and Google Sketchup.