Awarded Special Mention “for its original concept and daring in thinking beyond the set bounds,” OFIS Arhitekti’s proposal for the Arvo Pärt Center, “MEIE AED” (Our Garden), is a combination of a pine tree, tree house, traditional house, nest, observatory, and floating bridge. A cultural center that incorporates a multitude of programs including concert space, archives, creative space, and a chapel, the building was conceived to converse closely with its forested natural surroundings.
When you visit the galleries of Guggenheim Helsinki, you may have to bring a life vest. This submission to the Guggenheim Helsinki Design Competition floats the idea of a museum over water, traveling between the ports of St. Petersburg, Tallinn, and Helsinki. Proposed as a hypothetical submission to the worldwide contest, the team at OfficeUS delve into the notion of transience in the new world of architourism. The brief reads: “As a global freeport, the museum develops a completely new infrastructure, offering the strategic tax benefits of freeport art storage while enabling exhibitions of some of the most important pieces of modern art and design.” Upcoming exhibits include (hypothetically) Olafur Elliasson, Yves Klein and Thomas Demand.
A team from the Moscow Strelka Institute – Izabela Cichonska, Nathan de Groot, Lindsay Harkema and Ondrej Janku – has been awarded first place in the TAB 2013 Vision Competition, Recycling Socialism. Challenged to propose a scheme for urban remediation that could diversify the concentric plan of Väike-Õismäe – one of Tallinn’s three larger Soviet-era panel-apartment districts – to enhance quality of life, the winning team envisioned Dynamo: a radical plan that would reactivate the sleepy district by “recharging the ground.”
Launching September 4th, the Tallinn Architecture Biennale: Recycling Socialism will be exploring the modernist and socialist architecture from the 1960s to the 1980s in a 5-day long main program. The core events of the program are the two-day Symposium, the Curators’ Exhibition, the Vision Competition Award Ceremony and the International Architecture Schools’ Exhibition. With such a diverse program, this event is expected to be one of the most outstanding events in the region. Events run until September 30th. More information after the break.
The topic of this year’s Tallinn Architecture Biennale Vision Competition, Recycling Socialism, seeks architectural ideas and methods to envision the future of an iconic circular block-housing district in Tallinn – Väike-Õismäe (“Little Blossom Hill”). Väike-Õismäe stands apart from other similar neighborhoods in Tallinn by way of its concentric plan derived from the idea of a circle-city. The district is positioned circularly as a single, complete solution around a pond in the middle and the environment and modern-day life are still searching for a common language. More information and a video after the break.
Tallinn Vision competition STREET 2020 was addressed to young architects and architecture students who were asked to describe a fluently connected, compatible and diverse urban landscape, with a focus on one particular urban typology: the street. The organizers received 35 competition entries, 34 of which qualified. Entries were submitted from Japan, Bangladesh, New-Zealand, Turkey, Italy, Poland, USA, Austria, Lithuania, Estonia and other countries.
The architects from WTARCH describe their winning proposal after the break
Tallinn Architecture Biennale is a new international architecture forum that brings together theory and practice as well as young and experienced architects in order to arouse rich discussion upon the issues of architecture, urban planning and landscape. The first TAB concentrates on the hybrid issue of Landscape Urbanism.
Our hope is to see landscape urbanism as a ’third way’ which can solve urban problems that have proved too difficult for conventional planning methods. Landscape urbanism could provide answers to the question of how to guide urban processes from the inside so that the system as a whole would maintain its balance and integrity. The term ’landscape’ is here used primarily as a model of consistency, responsiveness and scale, that is, a conceptual tool rather than a direct reference to nature.
For further details on this years Tallinn Architecture Biennale, please follow after the break.
The key concept of this project was to create not only a building but also a new meaningful city space connecting the people, the place, its history and their music. The building delimits the boundaries of the plot, enclosing an expanse of green at its core: a garden that is urban yet isolated from the hubbub of the city.