TRANSFER Architecture Video Award 2023 has just announced the winners of this year's edition of the innovative architecture short film competition. Due to the high quality and the diversity of the entries, the jury has decided to award 4 winners ex aequo and 2 honorable mentions.
The TRANSFER Architecture Video Award 2023 ceremony took place on February 22 in Lausanne, as part of the film festival Écrans Urbains. You can discover the winning, finalist, and shortlisted videos in TRANSFER.
Expanding beyond just March 8th, ArchDaily acknowledges and celebrates the ongoing contributions of women who influence the development of the built environment globally. The "Women in Architecture" theme is central to our content strategy, underscoring our daily commitment to highlight the vital role and impact of female architects.
After arguing in 2021 “Why is it still important to talk about "female architects"?, contributing to “rebalancing forces and adjusting narratives” in 2022, and focusing on the achievements of "innovative women at the forefront of global challenges" in 2023, on this International Women's Day, we extend an invitation to you to watch ArchDaily's documentary "Women in Architecture." This project, initiated by Sky-Frame and directed by Boris Noir, offers a captivating exploration of the role of women in shaping the architectural landscape, looking specifically at the professional and personal journeys of three remarkable women in architecture, each contributing something unique to the world: Toshiko Mori, Gabriela Carrillo, and Johanna Meyer-Grohbrügge. To inspire our community with their stories and accomplishments, we are pleased to announce a sequel film, set to be launched in 2024. This installment will showcase three new female architects, including Tosin Oshinowo, a Nigerian architect, designer, and curator of the 2023 Sharjah Architecture Triennial.
Drawing inspiration from the visual style of acclaimed director Wes Anderson, known for films like "Asteroid City" and “The Grand Budapest Hotel,” this new architectural film chronicles the homeland and landscape of Singapore. Directed by Kevin Siyuan, this is the second volume of “A Wes Anderson-ish Singapore” released. Moreover, the 20-minute documentary will be previewed on Singapore’s National Day and focuses on the urban planning, architecture, parks, and the people of Singapore.
We are happy to premiere the documentary “Women in Architecture”, a project initiated by Sky-Frame, directed by Boris Noir.
A better built environment is also an inclusive one. That’s why diversity is key to our profession, as it expands our views of the world and connects us with the real needs of society. So we opened a window into the professional and personal lives of three women in architecture who bring something unique to the world, to inspire others.
The project has been initiated by Sky-Frame to shed more light on the role of women in architecture, by increasing their visibility and empowering them to realize their full potential.
“To make our world a better place. Everyone should have an idea of how architecture works and what it can have an impact on. We live in the era where humans are changing the planet, architecture is one of the most important tools”, stated film-maker Boris Noir about the idea behind the film.
We reached out to Toshiko Mori, Gabriela Carrillo and Johanna Meyer-Grohbrügge, three architects in three different countries, in different contexts, at different stages of their life and career, but with a lot in common: recognized practitioners, with a passion for education, working with communities, and a sensibility towards the needs of society and the built environment.
ArchDaily and Copenhagen Architecture Festival (CAFx) interviewed project partner Michael Alexander Ulfstjerne from Emergency Architecture & Human Rights (EAHR) on film, architecture and inclusive design.
Simultaneously gripping, disconcerting, and chaotic, Djibril Diop Mambéty’s Touki Bouki is an exhilarating cinematic ride. The 1973 drama — the first full-length film by the Senegalese director — is the fantastical narration of a young couple in Dakar, eager to escape the Senegalese capital for the allure of Paris. It’s a character-driven film in many ways, primarily centered on the couple’s adventures, but it is also a subtle visual examination of the urbanism of post-independence Dakar, where the city and its architecture are essential fixtures in a surreal storyline.
The world’s biggest social challenges are reflected in the way we design our spaces. Privatization of public space, lack of affordable housing, dark design and spatial segregation are just some of the most common causes and manifestations of urban inequality that characterize contemporary cities. While holding the potential to reproduce these inequalities, inscribing them further into space, design can also work to oppose discrimination, propelling equity and inclusion.
‘’In the background there is still invisible Japanese tradition’’, expresses Kisho Kurokawa, in an excerpt from the film ‘Kochuu’. He puts an emphasis on Japanese tradition, an architectural tradition that rejects symmetry despite the utilization of high-tech. He contemplates the Nakagin capsule tower (1972) a mixed-use residential and office tower located in Tokyo, Japan. The first of capsule architecture built for practical and permanent use.
Jesper Wachtmeister’s ‘Kochuu’ is based upon the influence and origins of Modernist Japanese architecture. Through visions of the future, tradition and nature, it amplifies elements of Japanese tradition and its impact on Nordic design. The narrative tells us of how contemporary Japanese architects strive to unite the ways of modern man with old philosophies to create anew.
“A Broken House” is a documentary directed by Jimmy Goldblum that highlights the story of Mohamad Hafez, a Syrian native that moved to the US on a single-entry visa to study architecture and was not able to return home. Facing his fate, he channeled his homesickness in his artwork, and started producing miniature sculptures of his hometown, in order to build the “Damascus of his memories”.
“If you can’t get home, why don’t you make home”. Telling the story of the human being that lived within, the architectural project gained a political dimension after the eruption of the Syrian civil war, portraying the extent of the destruction suffered by the city, humanizing refugees, and sharing their stories.
The Architecture Film Festival London, now at its third edition, fosters conversations around architecture, society and the built environment through the medium of film. Along with the International Film Competition, the 2021 programme, debuting on June 2nd and held online, will feature a collection of diverse thematic screenings, essays and events titled "Capsules", which offer a platform to multiple curatorial voices.
In the last decades, architecture has embraced the medium of film to explore new readings of spaces and atmospheres. Crafting a visual narrative of the underlying design concepts while also establishing a connection with the viewer, architecture films use cinematic camera movements and carefully curated sound designs to convey emotion and create a compelling impression of the built object. The article looks into architecture films as a means of capturing the experience of a space, with films by 9sekunden, a team of young designers who combine their passions for film and architecture into an alternative means of exploring architectural atmospheres.
The built manifestation of an ideology, the urban landscape left behind by the socialist regimes around Europe are removed from the aspirations of contemporary urban living, thus trigger a unique process of re-appropriation of the post-soviet landscapes. The short film Landscape Architecture: Rethinking The Future out of a Totalitarian Past created by Minimal Movie invites a conversation around urban planning, cultural identity, and community building relating to the urbanism and architecture of Ukraine's Socialist Era.
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In their newly released architectural film, photographer Laurian Ghinitoiu and filmmaker Arata Mori take viewers on a visually compelling tour of OMA’s MEETT Exhibition and Convention Centre, Toulouse’s new mega-scale parc des expositions. Exploring the design’s multiple facets, from the monumental to the mundane, the film constructs a detailed vision of the project sitting at the intersection of architecture, infrastructure, masterplan and public space.
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The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Jeff Durkin, an architectural designer turned filmmaker, to discuss his transition to filmmaking, working in Hollywood, storytelling, making design films for architects, the importance of marketing, his filmmaking process, and more. Enjoy!
Created by Japanese architectural historian Norihito Nakatani, the film "A City of Columns" explores the distinctive dwelling culture of nagaya, a housing typology that flourished in the Japanese early modern period. The video depicts one of the few remaining nagaya neighbourhoods in Osaka, revealing the standardization embedded in all aspects of this form of housing and documenting how architectural elements transition between different spatial configurations.
As lockdown provided architects with the opportunity to reflect on their design processes, it prompted Morris + Company founder, Joe Morris, to create On reflection, a series of short films discussing the fundamentals of the practice, centring the conversation around model making as a critical element of design thinking and a wide-ranging architectural tool.
Taking advantage of a lack of governmental regulations, many Ukrainians turn to their balconies to compensate for the shortage of space in prefab-Soviet housing, rebuilding them in a variety of shapes and sizes. The short documentary Enter Through The Balcony explores this phenomenon in Ukrainian architecture, revealing a compelling image of post-Soviet history through local everyday life and culture.
In addition to showcasing a unique attitude towards private versus public space, the makeshift balconies phenomenon is also a symptom of the dramatic pendulum swing from mass uniformity and anonymity, to freedom of expression and ownership of private space, which shaped attitudes and architectures across the former Eastern bloc after 1991.
The Jan Shrem and Maria Manetti Shrem Museum of Art by SO-IL and Bohlin Cywinski Jackson is the first contemporary arts museum for the University of California and the city of Davis. The museum’s signature element is the grand canopy that stretches over the surrounding site and building.
Creative duo another : have collaborated with music composer Yu Miyashita and released a short film that explores the geometric composition of the museum's structure in an exceptional way.
