Amid the orderly grid of the Giardini della Biennale, the Swiss Pavilion appears almost reticent. Its low white volumes, completed in 1952 by Bruno Giacometti, seem to withdraw from the surrounding display of national pride. The building embodies a form of modernism that resists monumentality, where precision and restraint replace spectacle, and architecture becomes less an object than a framework for encounter.
Emerging from a Europe rebuilding itself, the pavilion reflects a time when nations were reimagining how to appear in the world. For Switzerland, neutrality had long been both a political stance and a cultural condition, and Giacometti translated this identity into a sequence of measured rooms arranged around an open courtyard, defined not by what they contain but by how they hold light, movement, and pause. The result is an architecture that does not speak loudly of belonging but invites attention through balance and care.
Countryside: A Place to Live, Not to Leave by AMO / OMA presents an exploration of contemporary life beyond the city, examining how rural territories adapt to global transformation. Conceived under the direction of Rem Koolhaas and Samir Bantal, with Yotam Ben Hur as project architect, the exhibition is presented by Qatar Museums in collaboration with the Qatar Fund for Development (QFFD), the Ministry of Environment and Climate Change (MoECC), Hassad Food, and Kahramaa. It is hosted across two venues in Doha, the Qatar Preparatory School and the National Museum of Qatar, and remains accessible to the public until June 30, 2026.
On the Other Side of Languish exhibition by Reginald Sylvester II. Debut exhibition of the Limbo Museum in Ghana, West Africa. Image Courtesy of Limbo Museum
The Limbo Museum is a new institution dedicated to architecture, art, and design based in Ghana, West Africa. The museum challenges the concept of the ruin, operating from a formerly abandoned Brutalist estate that currently conveys the image of an unfinished building. The project was founded by Limbo Accra, a spatial design and research-based practice established in 2018 by Dominique Petit-Frère and Emil Grip, dedicated to "unlocking the potential of unfinished buildings across West Africa and beyond." On October 31, 2025, the museum opened its first public exhibition, On the Other Side of Languish by Reginald Sylvester II, developed through the institution's visiting artist residency program.
Coding Plants: An Artificial Reef and Living Kelp Archive. Courtesy of Terreform ONE
This curated selection of projects from the 2025 Venice Architecture Biennale explores how architects and designers are rethinking the relationship between the built environment and water in response to the global climate crisis. As sea levels rise and extreme weather events increase, water is no longer a distant threat but an immediate design condition. Rather than resisting it, these projects look at how architecture can coexist with, adapt to, and even regenerate through natural forces. Together, they suggest a shift toward working with the elements, acknowledging water not as a limit to construction but as an active participant in shaping future environments.
The history of the Olympic Games, while marked by athletic achievement, is consistently contrasted by infrastructure challenges. Across host cities, from Athens to Rio and Beijing, similar issues arise: significant cost overruns and the complex issue of legacy. The big question is: What is the best viable long-term use for purpose-built sport venues? Montreal's 1976 Games shared this fate after building an Olympic Park that faced heavy criticism for cost overruns and debt from specialized construction. Post-Games, venues like the Montreal Velodrome risked becoming a financial burden. However, the city demonstrated a proactive response by proposing the transformation of the building into a thriving civic asset that now stands as an internationally recognized example of successful Olympic venue repurposing.
Architecture is being reshaped by artificial intelligence, climate change, and shifting social structures. At SCI-Arc, students learn to face these challenges head-on, using design to shape a rapidly changing world.
This fall, SCI-Arc's upper-level Vertical Studios bring the world into the studio. Each is led by a practicing architect working at the forefront of the field—from experimental fabrication to urban and environmental design. Drawing on real projects and professional experience, faculty challenge students to engage with the realities of the present and to design with precision, empathy, and imagination.