Monday, October 13th, marked the conclusion of Expo Osaka 2025. The exhibition gathered representatives from 165 countries and international organizations and welcomed around 28 million visitors to Yumeshima, a reclaimed site in Osaka Bay. The site was reimagined through a masterplan and bounded by a Guinness World Record-breaking wooden circular structure, both designed by Sou Fujimoto Architects. Over 184 days, participants were able to visit the self-built, modular, and shared pavilions, national exhibitions, and public activities organized under the overarching theme "Designing Future Society for Our Lives." During its six-month run, the Expo set out to explore three pivotal subthemes, Saving Lives, Empowering Lives, and Connecting Lives, as an invitation to bring together new perspectives for our built and social ecosystem.

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When Archigram published their fanatical vision for pneumatic cities and walking megastructures in the 1960s, they seemed to be designing buildings. Beneath the surface, the avant-gardeists were pushing culture through radical alternatives to lifestyles and forms of organizing in the city. Laboratories found themselves between the lines of copy on Domus or Casabella magazines, propositions doubling as blueprints for the civilizations to come. From Gropius's Bauhaus in 1919 to Arcosanti's desert experiments in the 1970s, architecture operated as a form of cultural prophecy. Built form was the argument. The drawing was the vision. Today, we live in a world that remarkably resembles what the starchitects of the 1900s imagined - modular construction, interconnected digital cities, and automated systems. Yet contemporary architecture rarely proposes culture with the same totalizing confidence.

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Videos

Buildner has announced the results of its fourth annual Hospice - Home for the Terminally Ill international architecture ideas competition. This global call for ideas continues to explore how architecture can support end-of-life care with empathy, dignity, and contextual sensitivity. The competition invited architects and designers to move beyond clinical requirements and envision spaces that offer emotional warmth, social connection, and a profound sense of place.

The Kingdom of Bahrain's Pavilion at Expo 2025 Osaka, designed by Lina Ghotmeh – Architecture, titled "Connecting Seas," has been awarded the Gold Award for Best Architecture and Landscape in the self-built pavilions under 1,500 square meters category. Presented by the Bureau International des Expositions (BIE), the award recognizes architectural excellence in spatial design, creativity, and sustainability. The announcement was made at an official award ceremony in Osaka, Japan, attended by commissioners general and representatives from participating nations. Commissioned by the Bahrain Authority for Culture and Antiquities (BACA), this marks the country's fourth participation in a World Expo and reflects an ongoing commitment to expressing national identity through architecture and cultural dialogue.

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The Créateurs Design Awards (CDA) announced Xu Tiantian, Founder and Principal Architect of DnA_Design and Architecture, as the recipient of the 2026 edition of Le Prix Charlotte Perriand. The award celebrates architects whose work embodies innovation, social responsibility, and a deep engagement with community and place. The architect was recognized for her transformative work bridging urban and rural communities through innovative design interventions. Her approach to architecture was acknowledged as a tool for cultural preservation and rural revitalization, making her an exemplary recipient of this honor, previously awarded to prominent architects such as Frida Escobedo, Jeanne Gang, Kazuyo Sejima, and Ryue Nishizawa.

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Architecture—one of the few cultural artifacts made to be publicly lived with, preserved, and often capable of standing for centuries—contributes significantly to the cultural identity of places and people. Historically, buildings have expressed institutional attitudes, influence, and power; they are clear demonstrations of culture. Yet longevity complicates preservation: when a structure is rebuilt, repaired, or entirely reassembled, in what sense is it still the same building?

There's the classic Ship of Theseus puzzle from Plutarch. if a ship's planks are replaced one by one over time, is it still the same ship? Thomas Hobbes adds a twist—if the original planks are reassembled elsewhere, which ship is "the original"? The paradox tests what grounds identity: material fabric, continuous use and history, or shared recognition. In architecture and conservation, it reframes preservation as a choice among keeping matter, maintaining form and function, or sustaining the stories and practices that give a place meaning.

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From 26th to 28th November 2025, the Salone will light up the King Abdullah Financial District in Riyadh in red. In a strategic partnership with the Architecture and Design Commission at the Saudi Arabia Ministry of Culture, the event will feature an installation curated by the Giò Forma architecture studio, a packed cultural programme and a B2B platform, a meeting point for the Salone and the Saudi design ecosystem – a taster of the first ever edition of the event to be held in the Kingdom in 2026.