Museums: The Latest Architecture and News

The world’s largest science fiction event Worldcon will take place in the Chengdu Science Fiction Museum, designed by Zaha Hadid Architects. Under construction, the 59,000 sq. m venue that will host the 81st annual World Science Fiction Convention and the Hugo Awards, is set to become a vibrant center of innovation and gathering place for the “leading incubator of science fiction writing in China”. In fact, the city of Chengdu, home to over 20 million residents, is transforming into an important global center of scientific innovation and research.

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Through the “Search History” exhibition at MAXXI Museum in Rome, Lara Lesmes and Fredrik Hellberg, directors of the architecture and art studio Space Popular, set out to explore the work of Also Rossi and to translate his notions of “urban fact” and “analogous city” to the virtual realm. The installation is a reflection on the proliferation of metaverse platforms and the concept of virtual urbanism. The exhibition is part of the fifth edition of Studio Visit, a partnership between Alcantara and the MAXXI Museo nazionale delle arti del XXI secolo, which challenges designers to put forward a personal reinterpretation of the works of the masters in the MAXXI Architecture Collections.

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The Bilbao Fine Arts Museum remodeling and expansion project was attributed to Foster + Partners following an international competition in 2019. Now the construction phase was initiated with a breaking ground ceremony on November 17^th. The project includes the restoration of the existing 20th-century building and the expansion of the currently available spaces with a new public atrium and a contemporary art gallery organized in a floating pavilion. The design also highlights the relationship between the city and the museum by creating a new pedestrian path that runs from north to south. The path connects the original 1945 building, the 1970s extension, and a new visitor center while making the site more permeable at the street level.

The Westminister City Council adopted a resolution to grant planning permission to the National Gallery for a series of adaptations, including Selldorf Architects’ restoration proposal for the Sainsbury Wing, originally designed by Robert Venturi and Denise Scott Brown. The plans to remodel were revealed earlier this year as part of the NG200 Project to celebrate the National Gallery’s bicentennial in 2024. The first intervention proposal for the Sainsbury Wing was met with widespread criticism, which led to a revision of the plans, released in October this year.

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The Buffalo AKG Art Museum (formerly known as the Albright-Knox Art Gallery) has announced that it will welcome its first visitors on the 25th of May, 2023. Revamped and expanded, the new campus designed by OMA/Shohei Shigematsu in collaboration with Cooper Robertson features “new work of signature architecture, the Jeffrey E. Gundlach building, and extensive renovation to existing buildings”.

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The construction of the new building of Palmer Museum has begun. Located at Penn State, USA, and scheduled to open in the spring of 2024, the new 6600 square meters complex will expand nearly double the space of the current gallery to host the growing collection of more than 10,000 pieces. The design features a series of pavilions, educational areas, and courtyards to boost accessibility to the art collections for students, staff, and the public. The construction aligns with the 50th anniversary of the museum along with a multitude of events, including the exhibition of Allied Works' pieces of the design process for the new Palmer Museum.

When the winners of the prestigious Aga Khan Award for Architecture are announced every three years, the architecture celebrated is arguably the best, most important work found around the world. While the 2022 cycle announcements are imminent, looking back at the six project laureates from 2019 proves to be a fruitful review.

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Fortunately, architecture has the power to solve numerous issues of the modern world and how we live in it, and there are infinite ways of doing so. However, not all architecture is effective in providing solutions while also being sensitive and thought-provoking. With a portfolio that is getting richer every year, SO–IL, an architecture practice based in New York City, has proven that buildings can actually do this and much more.

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In June 2020, the statue of 17^th-century slave trader Edward Colston was toppled in the southwestern city of Bristol in England. Before this, the statue sat on a plinth in a prominent public park, before being hauled into Bristol Harbour by Black Lives Matter protestors. This act has led to a long-overdue reckoning in the UK and other Western nations, a reckoning that has necessitated a deeper analysis of monuments that line cities, and how deeply imperialism can be interlinked with parts of the built environment. The ever-green question is, what do we do with these buildings?

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This article was originally published on Common Edge.

Despite its dazzling collection of masterpieces, London’s National Gallery has been cursed with a series of ill-advised architectural schemes over its two-century existence. Only once have its leaders made a truly inspired and visionary choice: in the mid-1980s, the gallery held a competition, won by Venturi, Rauch and Scott Brown (VRSB) of Philadelphia, to build a special collections building.

The addition was constructed from 1988 to 1991, using funds donated by the Sainsbury family as a gift to the nation and was immediately hailed as one of the finest buildings of its type erected in the 20th century. It has remained popular with Londoners and has served well as an expansion of William Wilkins’s undistinguished classical building ever since. Experts on the work of Robert Venturi, John Rauch, and Denise Scott Brown consider it one of their masterpieces. Apparently, the National Gallery has a different opinion.

The Josef and Anni Albers Foundation/Le Korsa has announced that Niger-born architect Mariam Issoufou Kamara, founder of award-winning practice atelier masōmī, has been selected to design Bët-bi, a new museum and center for culture and community in southwestern Senegal. Located near a series of megaliths in the vicinity of the historic city of Kaolack, Bët-bi is set to be a state-of-the-art museum that sits at the forefront of West Africa’s flourishing arts scene and wider cultural renaissance.

Across the globe, museums function as cultural landmarks – spaces of significance that quite often become defining symbols of a city’s architectural landscape. Historical examples such as the Museum de Fundatie in the Netherlands and The Louvre Museum in France continue to attract millions of visitors, with contemporary architectural interventions to them redefining their spatial contribution to their local context.

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Following several years of preparation, Taipei Fine Arts Museum announces the start of its two-phase expansion project titled Out of Bounds: TFAM Expansion. Construction on a new collections vault began in October of this year, and an open call for architectural proposals for another new museum building will be launched in January 2022. The Museum was completed in 1983 and together with the new collection storage area and a second building, it will gradually expand Taiwan's contemporary art vista.

Twenty years after the Frank Gehry–designed Guggenheim Abu Dhabi was first announced in 2006, the museum may finally have its grand opening.

Questioning the new now, especially with the new challenges of Covid-19, around the world, cities are advocating for structural change and collective action. Berlin questions, an annual, multi-day conference and a platform for transdisciplinary dialogue, in its 2021 edition “Metropolis: The New Now”, tackled the immediate present, creating a place for debate. Dedicated to local solutions to global challenges, the event took on a hybrid format, at various locations in Berlin and online, resembling the world we live in.

ArchDaily had the chance to meet up with the winner of the Iconic Awards 2021 in the Architects of the Year category Dorte Mandrup, architect, founder, and creative director of Dorte Mandrup Arkitekter at Berlin Questions, to discuss the firm’s latest project in the German capital, the Exile Museum and to reflect on her career and visions.

After being closed for six and a half years for a renovation by David Chipperfield Architects, the Berlin museum reopened Sunday, August 22.

Completed in 2020, amidst the pandemic, ANOHA- The Children’s World designed by Olson Kundig for the Jewish Museum in Berlin is finally opening its doors to the young public. The design reinterprets the myth of Noah’s Ark and furthers the concept and ideas of a similar installation at Skirball Cultural Center in Los Angeles, created by the firm then named Olson Sundberg Kundig Allen. More than a museum experience, the project is a space for community building, a place for imagination and play that enacts a universal story, creating an inclusive environment for children and families of all cultures and backgrounds.

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