concrete: The Latest Architecture and News

In Beirut, a city marked by transformation, the Interdesign Building echoes the vision of an architect steadfast in his conviction. Designed by Lebanese architect Khalil Khouri in 1973 during a period of economic growth, the building took 23 years to build, a process halted by the onset of the Lebanese Civil War. By the time it was completed in 1996, the urban landscape that surrounded it had changed. The structure has stood largely unused since, as a relic of hopeful modernity. While its design is singular in its narrative and expression, this structure illustrates the tension between aspiration and struggle throughout its complex history.

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The Massachusetts administration, under Governor Maura Healey, has unveiled a new housing-centric proposal for the controversial Boston Government Service Center designed by Paul Rudolph and opened in 1971. Previously proposed to be redeveloped by the architecture office NBBJ with offices and commercial spaces, the updated vision aims to transform the Erich Lindemann and Charles F. Hurley buildings into housing facilities as part of the state’s goal to address the housing crisis while allowing for the historic preservation of the Brutalist structure.

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Refurbishment is an increasingly common and fundamental practice in contemporary architecture. More than a trend, it represents a crucial strategy for reducing resource consumption and minimizing waste generation, providing clear advantages over brand-new constructions. In the Latin American context, this philosophy stands out for its unique characteristics. It intricately weaves circularity and climate action with local materials, addressing economic challenges while harmonizing Indigenous, colonial, and contemporary influences.

Housing plays a crucial role in this context, where traditional materials and construction techniques define each project's distinctiveness and integrate it into the community's social fabric. Throughout Latin America, regional identities are deeply embedded in refurbishment efforts, ranging from restoring facades and repurposing wood to reimagining the use of demolition waste. The adaptation of spaces in these projects is influenced by their unique identities and geographic conditions, rooted in social and cultural expressions.

Around 1949, the city of Buenos Aires led the construction of the Sixth Pantheon in the Chacarita neighborhood. Monumental in character and brutalist in style, this underground necropolis turned out to be the first and largest experiment in modern architecture in the funerary field. Designed by Ítala Fulvia Villa, one of the first Argentine women architects and urban planners, and a pioneer of South American modernism, along with her team comprised of Leila Cornell, Raquel S. de Días, Gunter Ernest, Carlos A. Gabutti, Ludovico Koppman, and Clorindo Testa, this work was discovered by Léa Namer, who conducted an in-depth investigation reflecting on the legacy of a modern utopia and a feminist rereading of history.

In response to the diverse topographies and natural conditions throughout the Argentine territory, the works of Luciano Kruk propose an architecture that works in harmony with the environment, the landscape, and the nature in which they are situated. Whether immersed in a forest, on sloping terrain, or on a rural plain, among other geographies, his intention is to enhance the relationship between the interior and exterior of the architecture, using concrete as the main material in most of his projects.

It's fundamental that architects know about structures, not only to bring their designs to reality but also to be able to discuss their projects with engineers in order to find the best solutions for construction. Structural pre-dimensioning is crucial to the initial design of the structural components, revealing the restrictions and the possibilities of the spaces.

One of the main loads that a structure must support is its own weight, so it's essential to know this information so that the different parts of the building can be dimensioned. When starting a structural project, the engineer doesn't yet know the dimensions of the different pieces that make up the structure, and therefore, can't know their own weight. A paradox appears without a solution: to know the weight it's necessary to know the dimensions, but, to know the dimensions, it's necessary to know the weight.

During the development of the project the architect finds himself in the curious situation of having to design without necessarily knowing the size of each of the parts of the building (such as the size of the pillars, for example). These important elements directly affect functionality and aesthetics of the project.

If there is any consistent factor in his work, says Pritzker-winning architect Tadao Ando, then it is the pursuit of light. Ando’s complex choreography of light fascinates most when the viewer experiences the sensitive transitions within his architecture. Sometimes walls wait calmly for the moment to reveal striking shadow patterns, and other times water reflections animate unobtrusively solid surfaces. His combination of traditional Japanese architecture with a vocabulary of modernism has contributed greatly to critical regionalism. While he is concerned with individual solutions that have a respect for local sites and contexts Ando’s famous buildings – such as the Church of the Light, Koshino House or the Water Temple – link the notion of regional identity with a modern imagining of space, material and light. Shoji walls with diffuse light are reinterpreted in the context of another culture, for instance, filtered through the lens of Rome’s ancient Pantheon, where daylight floods through an oculus. Ando’s masterly imagination culminates in planning spatial sequences of light and dark like he envisioned for the Fondation d’Art Contemporain François Pinault in Paris.

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Ancient cyclopean walls were built by overlapping raw stones, supported one on the other, without the use of mortar. The name derives from the Cyclops, the giants of Greek mythology, as their construction required seemingly superhuman effort due to the weight and difficulty of lifting and fitting each wall piece. Cyclopic concrete, in turn, mixes this ancient constructive technique with contemporary materials and techniques. What sets it apart from traditional concrete is essentially the size of the coarse aggregate, which is traditionally composed of stones but can also include brick or concrete remains. Our Projects section includes examples of this constructive technique, which, unlike the cyclopes, clearly carries traces of the workers who built it. We talked to Rafic Jorge Farah, from São Paulo Criação Office, about his experience with this technique in recent works.

Innovation thrives when we pause to observe, question, and reimagine the world around us, turning challenges into opportunities for progress. Nature, in particular, serves as a rich source of inspiration. By observing it, studying its daily challenges, and contemplating its processes, we can discover valuable insights that inspire innovative solutions.

One of these current challenges is the production of concrete, an ancient and extremely popular material that is now accountable for a significant portion of global CO₂ emissions, due to the energy-intensive process of cement production and the chemical reactions involved. It is estimated to be responsible for approximately 8% of the world's annual CO₂ emissions, pumping 11 million tons of CO₂ into the atmosphere every day and consuming 9% of the world's annual industrial water usage. In addition, the world's building stock is expected to double by 2060—the equivalent of building an entire New York City every month for the next 36 years, which means an incredible increase in demand for cement and concrete. Faced with this daunting situation, is there anything we can do? In this article, we speak with Loren Burnett, CEO of Prometheus Materials, which has developed a material that mimics nature's processes to recreate concrete as we know it.

Today, we are increasingly aware of the environmental harm caused by building with concrete. One approach to using it more sustainably is to repurpose existing buildings, exposing their structural elements and integrating concrete into the surface. While concrete can sometimes give off an austere or overly cold vibe for a residential space, wood provides an alternative to soften this impression, transforming what might seem industrial into a warm and inviting home environment. By doing so, they can impart distinct qualities to the same space through the interplay of their textures and colors, evoking different sensations in occupants. There are various ways to explore the interaction between these materials, and we illustrate some of these possibilities through six Brazilian apartment examples.

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Designer pools bring status to luxury homes and five-star hospitality spaces. But adding the cooling, calming, energizing, and environmental benefits of a hyper-local water body to a residence can far outweigh the cost of installation. With a range of long- and short-term landscaping options possible, meanwhile, luxury is available, whatever the budget.

Most pools are built below ground to retain unobstructed visuals above. While all in-ground pools start off the same way – with excavation, then connecting the plumbing and filtration systems – the main difference is in the construction of the pool’s basin. The simplest and quickest method is to lower a pre-fabricated reinforced plastic pool or pre-cast concrete basin into the cavity, before connecting the pipework and backfilling the recess with sand. But this is only suitable for off-the-shelf pools with simple geometries. In order to make the most efficient use of all available space, bespoke pool shapes and sizes are best achieved by pouring or spraying concrete into a rebar or timber frame.

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The use of pigmented concrete in Latin American architecture is growing - and influencing contemporary architectural expression. This can be seen in recent built works ranging from the INES Innovation Center designed by Pezo von Ellrichshausen in Chile to the Teotitlán del Valle Community Cultural Center by PRODUCTORA in Mexico.

From the pre-Columbian period of the Americas –during which cultures such as the Olmec, Maya, Purepecha, and Mexica (Aztec) thrived– to the modern era where architecture has been influenced by social movements and even natural disasters, Mexican architecture showcases a valuable architectural expression, with its own unique voice and distinctive characteristics. Nobel Literature Laureate Octavio Paz argued that architecture is an incorruptible witness to history. Likewise, the materials used to shape it have acted as protagonists of that history, enduring in many cases over time and evolving thanks to the generations of architects who have contributed to it, from different perspectives.

To trace a timeline, it is possible to take as a starting point pre-Hispanic architecture, which exhibited a diversity of nuances due to Mexico's vast territorial extension. This allowed diverse cultures to find their niche and develop their characteristic architectural styles. Subsequently, the era of Spanish colonization, which itself drew influence from Islamic architecture, represented a noteworthy turning point in architectural development. This phase endured until the advent of Mexican Independence in the 19th century. In turn, this marked the initiation of social and cultural movements, both during and after the Mexican Revolution in the early 20th century.

In the face of a climate emergency, various fields are under pressure to reformulate their operations and actions, and architecture is no exception. After all, the built environment and the construction industry are responsible for a considerable percentage of carbon gas emissions into the atmosphere. Rethinking and restructuring the construction chain - from design to execution - is the order of the day for construction professionals.

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Michael Rotondi’s buildings—museums, civic centers, education facilities, monasteries, restaurants, and residences—evoke kinetic mechanisms that fold, hinge, twist, and split open. They express the architect’s feelings, thinking, and mood at the time they had been designed, and, on some occasions, during their assembly and construction. Rotondi was born in 1949 in Los Angeles.

He established his RoTo Architects, a research-based firm in his native city, in 1991 after co-heading Morphosis for 16 years with Thom Mayne. Parallel to his practicing career, the architect has been teaching and lecturing at SCI-Arc, Southern California Institute of Architecture, which he co-founded in 1972, led its graduate program from 1978-1987, and was the school’s second director for a decade from 1987 to 1997.

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ArchDaily and VELUX have joined forces to provide you with an exclusive coverage of the highly anticipated UIA World Congress of Architects 2023. Watch Sebastian Peck from KOMPAS VC and Liz Gilligan from Material Evolution explain a revolutionary low-carbon cement produced from industrial waste, and how can it help to decarbonize architecture by reducing a building's carbon footprint by 85%.

Oulu City Council has approved the AALTOSIILO restoration proposal by Skene Catling de la Peña. The concrete structure will be restored and reimagined as a multi-media performance, exhibition space, and “Tar Bar.” The 525 sqm Silo used to be used for storing woodchips and will now become a digitized communication point to connect the building with its surroundings. Now nearing its 100th anniversary, the proposal aims to at least double its lifespan.

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Henning Larsen has just revealed the design for Smyril Line's new headquarters and ferry terminal in Torshavn, the capital of the Faroe Islands. The building pays homage to traditional Faroese fishing boats and the historic Eastern harbor while embracing the picturesque backdrop of abundant landscapes and open seas. The new headquarters serves three functions: a ferry terminal, an office building, and a logistics center.