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In May 2024, the floods that hit Rio Grande do Sul exposed a contradiction common to contemporary cities. Many were built alongside rivers and shaped by their presence, yet spent decades trying to control water without incorporating its dynamics into urban planning. Extreme weather events will intensify that vulnerability. More than two years later, reconstruction in the Brazilian state has progressed, infrastructure has been restored, and new protection strategies are taking shape. But are these cities rebuilding their relationship with water, or only restoring the systems that failed?

The occupation of flood-prone areas, soil sealing, ecosystem degradation, and reliance on aging drainage systems have increased municipalities' vulnerability. The disaster was not merely hydrological; it also resulted from decades of urban planning decisions that urgently need reconsideration. 

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Following a seven-year pause, Amman Design Week returned in 2026 under the theme "Accumulations," bringing together designers, makers, and cultural practitioners to reflect on the work shaping Jordan's design landscape. The fourth edition, held from October 2 to 17, 2026, marked a new chapter for the event, with architects Sarah Hejazin and Bisher Tabbaa, founders of the architecture and design practice FADAA, serving as co-directors. Their appointment also brought their research-driven approach to the event's broader program, which explored the relationships between daily practices, cultural memories, and material environments. During the event, we had the opportunity to speak with Sarah Hejazin and Bisher Tabbaa about the thinking behind this year's theme, their approach to material investigations, and how practicing in Jordan informs their work across architecture, objects, and public space.

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Whether in residential interiors, workplaces, hospitality environments, or public spaces, the relationship between aesthetic intentions and technical performance can redefine how surfaces are used and how they perform. A material selected for its specific color, texture, or finish must remain visually coherent when applied to furniture fronts, cabinetry, countertops, and other interior elements. Yet how can architects and designers create visually distinctive and tactilely engaging interiors while preserving their original design intentions across different applications?

The Eames Institute of Infinite Curiosity has unveiled the masterplan for its forthcoming archives in Marin County, California. The project, designed by Swiss architects Herzog & de Meuron and Bay Area-based EHDD, transforms a mid-century modern warehouse into a cultural destination, with art installation space, flexible galleries, learning and gathering spaces, a theater, and dining offerings. The large-scale adaptive reuse project is accompanied by a transformation of the gardens and grounds of the surrounding 88.5-acre site, led by Field Operations. While the Institute's Eames Archives will form one part of the museum, its exhibitions and programming are intended to extend far beyond the work of Charles and Ray Eames, bringing together different disciplines, creative processes, and ideas.

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AC Milan and FC Internazionale Milano (Inter) have unveiled the design for Generali Stadium, a 71,500-seat venue planned to become the shared home of the two football clubs in Milan, Italy. Designed by Foster + Partners and MANICA, the new stadium will be built alongside the existing San Siro as part of a 281,000-square-meter redevelopment of the surrounding area. The project follows years of discussions over the future of the historic venue, which the clubs acquired in 2025 with the intention of replacing it. Construction is expected to begin in 2028, with the stadium scheduled to host its first match during the 2031/32 season, subject to planning approvals.

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Outdoor kitchens are no longer just an exclusive accessory; they have become a natural extension of the home. Gardens, terraces, and porches are transforming into spaces where cooking and, above all, entertaining can take place without having to step inside. In addition to offering convenience, this solution increases property value and responds to a lifestyle that is increasingly connected to the outdoors.

This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.

Post–World War I modernism broke sharply with historicist and neoclassical traditions, stripping buildings of ornamentation and historical or religious reference to focus on priorities, clarity, and efficiency. Architecture embraced rationality and social reform, while art moved in the opposite direction, exploring self-expression, experimentation, and freedom from academic conventions.

This tension between objective order and subjective perception has defined a threshold between the arts evident in contemporary architectural practices, where personal intuition increasingly gives way to measurable facts. Is our pursuit of answers, facts, and truths distancing us from something fundamentally human: questions, doubt, and ambiguity? The answer may lie in public, building-integrated art, a practice that sits precisely at that threshold, and asks practitioners in architecture and urban design to trust values that resist direct measurement.

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