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Goma Oficina is a collective of architects working across various fields, reclaiming the multifaceted role of the architect beyond housing projects and major competition entries. As a member of this collective, Maria Cau Levy has been experimenting with printmaking, stepping beyond traditional architectural boundaries. In shaping her aesthetic, conceptual identity, and visual language, the young architect has developed a series of studies exploring geometric patterns.
On the occasion of the third edition of the EA USS Workshop, of which ArchDaily is a media partner, Ernesto Silva, Director of the School of Architecture at Universidad San Sebastián, reflects on the origins of this initiative, which held its first session in 2016 with the international participation of Juan Herreros, and a year later with Alberto Veiga, founding partner of Estudio Barozzi Veiga.
During a meeting with Juan Herreros in 2015, the idea of hosting a workshop in Chile first emerged. While initially it seemed like an extremely difficult initiative to realize, the project soon began to take shape after Enrique Walker joined the conversation. The workshop finally came to fruition in October 2016 thanks to the support and generosity of the Faculty of Architecture at Universidad San Sebastián, when Juan Herreros and Enrique Walker led the first workshop of this series at EAUSS: Typological Corrections.
Elsa Mäkiniemi – Elissa Aalto was a Finnish architect who worked alongside her husband, Alvar Aalto, from 1949 onward. Following Alvar's passing, she directed the firm Alvar Aalto & Co. until her own death in 1994.
She completed Alvar Aalto's unfinished projects and defended his completed works against unwarranted alterations.
The Civic Center in Boca Sur, designed by Smiljan Radic, functions as a framework for public programs. It houses the Fourth Fire Station of San Pedro de la Paz, multipurpose rooms, a strip of small commercial shops, a library, a footbridge that serves as bleachers over the sports court, an alarm tower with a clock, sand pits, and trees, among other elements.
Framed within the *‘Quiero Mi Barrio’* (2008) community development program, the project sought to revitalize degraded and highly vulnerable areas, addressing the relationship between the immediate context and the activities occurring within it. To this end, the design process was informed by working sessions and an ongoing dialogue with the community.
"I have two words to leave you with: inclusion and shine," McDormand said at the end of her speech after winning the top award for best actress. From drama to real life, what does that have to do with this? Two words from another discipline that resonate in architecture. Inclusion and shining may not seem related at first, but one way to interpret them (by combining them) is that by including ourselves as a society, we unleash the full brightness of our potential. And that is a small but powerful message for how we interact in the practice of our profession, achieving greater relevance in the pursuit of our social role.
Accordingly, this publication features women with brilliant minds who play an important role in the country, linking architecture and urbanism with other disciplines. They contribute from different angles: one from criticism, another from art, another from education, one from drawing, a few from history... further enriching a profession so deeply connected to ways of living. For Women's Month, in honor of diversity and democracy, we bring them together to share a reflection on the future of architecture in Peru. Although they are different—some opening minds, others generating knowledge, and others building—they share that spark in their eyes when they speak confidently about their work, and that is what we frame here.
As the announcement of the next Pritzker Architecture Prize laureate approaches, we interviewed economist and architecture critic André Corrêa do Lago, the first Brazilian to join the jury of the world's highest architectural honor.
Having already recognized two Brazilian architects—Oscar Niemeyer (1988) and Paulo Mendes da Rocha (2006)—it is surprising that in the prize's 40-year history, no Brazilian had ever been appointed to the jury. On this, Corrêa do Lago notes that "it must be acknowledged, however, that there has always been a diverse regional representation on the jury, including from Latin America."
Today, 470 cities across 36 countries identify as educating cities and are networked through the International Association of Educating Cities (IAEC), which, in its founding charter, argues that cities possess a raw educational potential waiting to be unlocked. Beyond the IAEC, other municipalities have also taken on the challenge of connecting spaces, people, and actions around learning processes that prioritize the holistic development of their inhabitants.
Around one in the morning in Cairo, despite the darkness of the night, everything feels yellow. Arriving in a city of 9 million people, with an airport that handles 3 million daily, is overwhelming, staggering—or, as Lovecraft might describe those lurking in the dark, indescribable and unnameable. In the gloom of a hotel room that saw its glory days long ago, I can see the Great Pyramid of Giza in the distance, shrouded behind the ever-present haze.
The relentless city devours almost everything in its path; the desert resists, tourism does its part, and, for now, the Sphinx simply watches. Restoration and archaeological work are always underway around the historic sites; you brush the dust off your feet only to uncover ancient remains. Saqqara—the Step Pyramid—is perpetually draped in massive scaffolding of dry wood, weathered from years of waiting for the next discovery that might finally let each prop rest. The heat in Cairo is stifling, and while collective memory associates the city with the pyramids and the Sphinx, its daily life breathes desert, diversity, tourism, commerce, and religion.
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At more than 3,800 meters above sea level and on the shores of Lake Titicaca, the city of Puno stands as the folklore capital of Peru, where architecture, archaeology, and dance intersect. It is not only home to the Candelaria festival—declared an Intangible Cultural Heritage of Humanity by UNESCO in 2014—but also sits just a few kilometers from the vast archaeological legacy of the Pucará and Tiwanaku cultures. Additionally, visitors can travel to the floating islands of Uros, Amantaní, and Taquile on the world's highest navigable lake.
Before going any further, if you are not accustomed to this altitude, we recommend drinking coca tea regularly or chewing coca leaves, which can be purchased at any local store. Furthermore, the weather can be highly unpredictable; a single day can bring sun, rain, and hail, so keep this in mind when choosing what to wear. Lastly, in Peru, streets that are at least ten blocks long, narrow, and usually one-way are called jirones (abbreviated as Jr.).
The LIMPAR SANTANA project involves constructing a sustainable basic sanitation system to clean up the waterways of Quilombo de Santana, in the state of Rio de Janeiro, aiming to improve the quality of drinking water in local homes.
Based on an assessment of the area's topography, geotechnics, and geography, the proposal suggests using evapotranspiration basins—a system that treats effluent through natural filtration and evaporation via banana leaves—and biodigester tank systems that convert wastewater into a usable byproduct for agriculture.
What happens when we juxtapose two works by two renowned architects, Mies van der Rohe and Rem Koolhaas, completed twenty-five years apart? We find the answer in the following article by the Arkrit Collective.
La propuesta El Final del “Efecto Arenal” presentada por el equipo de OOIIO Arquitectura ha obtenido una Mención Especial en el “Europan 14”, el concurso de urbanismo para jóvenes arquitectos más importante a nivel internacional en la actualidad. El proyecto destaca por su representación gráfica a través de un cómic, explorando nuevas formas de comunicación arquitectónica.
El emplazamiento propuesto por el concurso es uno de los ejes marcados por el Plan General vigente de la localidad de El Arenal (Playa de Palma de Mallorca) para su peatonalización y su puesta en valor, mejorando la conexión de la playa con el barrio en el que viven permanente sus habitantes. En el entorno hay una serie de problemas urbanísticos como un centro comercial en desuso que sin embargo presenta un gran potencial como contenedor de futuras actividades y es el elemento de rótula entre el mundo turístico y el mundo local.
“A thesis is like a pig; everything in it can be put to use,” concluded Umberto Eco in his book How to Write a Thesis. Indeed, these research projects, developed through four or five years of intense effort and sacrifice, become extraordinary tools and inexhaustible sources of information for both students and professionals looking to delve into a specific topic within their field of knowledge.
In Spain, the 2008 economic crisis triggered a notable increase in the number of architects who chose to pursue a doctoral thesis as a way to continue their academic training and expand their career options. Coupled with the rigorous training that Spanish architects typically receive, this has led to a vast body of exceptionally high-quality research, serving as an invaluable reference resource for both students and practitioners.
This article compiles 10 doctoral theses focused on major Spanish architects whose careers spanned the 20th century and who, for various reasons, left an indelible mark on the history of Spanish architecture during this period.
Presenting a project in a clear and convincing manner can be a major challenge—even a torment for many students. When you add high doses of caffeine, sleep deprivation, and a jury ready to evaluate your work, we can all agree that, once the moment arrives, it is impossible not to tremble inside (at best) and outside (in most cases).
If Muhammad will not go to the mountain, the mountain must go to Muhammad. If the elderly do not go to city hall—sparing themselves the clear hassle of tedious paperwork—city hall goes to them. In a largely unplanned city like Lima, where design for older adults and people with disabilities is rarely prioritized, getting around or participating in social activities requires double the effort. Consequently, they often choose to stay home to avoid the hassle.
Bringing services closer through mobile architecture—going beyond static physical buildings—is an idea worth putting into practice. Under this approach, the Municipality of Miraflores is rolling out a bus equipped with diverse functions that are valuable to the neighborhood, and particularly essential for a demographic with limited mobility. Architecture in action is capable of adapting an "ordinary" bus for this "multifunctional" purpose. Once again, the profession demonstrates its power to connect, support, and bring people together...
Intervening in historic buildings is always a highly delicate matter. In architecture, whether through restoration or spatial adaptive reuse, intervention projects are often necessary to breathe “new life” into abandoned or altered structures, modifying or upgrading their use.
Alongside the challenge of preserving existing structures without abruptly altering their original design, there is also the task of introducing annex buildings or elements capable of meeting the intrinsic needs of each program without “harming” or compromising the character of the original buildings.
After receiving more than 70 submissions from various Argentine universities and cities, our editorial team selected 10 of them, focusing on projects that demonstrated critical thinking regarding contemporary issues, formal execution, and representation. The selection not only highlights projects that delivered the best possible architecture through simple design tailored to their context, program, and users, but also those showing significant attention to human scale, mediation, transition, and new ways of approaching urban architecture.
Discover our 10 highlighted projects below.
Alô, alô, W/Brasil… Alô, alô, W/Brasil… / Jacarezinho! Avião! Jacarezinho! Avião! / Cuidado com o disco voador / Tira essa escada daí / Essa escada é pra ficar aqui fora / Eu vou chamar o síndico / Tim Maia! Tim Maia! Tim Maia! Tim Maia!
Upon entering one of these modern gated communities, designed with the latest urban planning engineering, one experiences a calming sense of having finally found order and security. We quickly realize that this is a way of life in which precariousness, risk, and uncertainty have seemingly been abolished. The space is homogeneous, governed by specific stylistic rules. Inside, locations are well-distributed, and positions are comfortably occupied. Security forces feel genuinely present, albeit private. The streets are well-paved and signposted, despite a slight excess of signs dictating directions and rules of use. The houses display their inevitable front lawns, without fences. Everything else is functional, managed, and clean. The image of this island of serenity captures the illusions of the average Brazilian consumer dream: a region insulated from the rest of the world, where one can freely cultivate a sense of community among equals. It offers a return to nature, a worry-free life, abundant in leisure and the company of peers—a shared destiny manifesting in countless variations: vertical, horizontal, residential, commercial, private, and even public.
Every Sunday morning, 120 kilometers of Bogotá are transformed into an extensive cycling circuit. This is La Ciclovía, a cultural and recreational initiative in which some of the Colombian capital's streets are designated as wide bike paths, allowing both residents and tourists to travel across Bogotá by bicycle.
In a radio interview broadcast by RCN, architect Jaime Ortiz recalls the origins of the ciclovía in the 1970s, when it emerged as a proposal developed alongside other architects to open up major avenues as cycling spaces every Sunday.
Experts have various visions for the future of architecture, but one thing is certain: it must evolve alongside technology, with a primary focus on efficiency. Digital architecture, for example, is already a reality, as is the use of virtual reality in architecture. As a result, competition among professionals and firms is forcing a shift in how they approach the market.
Those who only know how to work individually will be left behind. There is no room for vanity—the new era must be collaborative.
Barcelona is an ideal city, boasting a surprisingly rich cultural scene, vibrant neighborhoods full of life, miles of beaches, and an idyllic year-round climate. Yet, without a doubt, it is its architecture that stands as a must-see for visitors and residents alike. The Sagrada Família, Park Güell, and Casa Milà are some of the most famous architectural landmarks and, consequently, the most visited by the tourists arriving daily in this magnificent city.
While there is growing interest in exploring the architecture that lies beyond the city's major icons and symbols, many tourists still bypass—or are simply unaware of—brilliant contemporary works such as Jordi Badia's Can Framis Museum, or the recent restoration of Sala Beckett by architects Flores & Prats, which received a jury mention in the 2017 Spanish Architecture Awards.
Over the last twenty years, the world has never been so connected. At the turn of the century, the digital realm seems to have invaded analogue layers, redefining standards, lifestyles, interactions, and the way we connect and use spaces. This social redefinition is strongly attributed to Generation Z—the cohort born during the transition from the 20th to the 21st century, between the 1990s and 2010s. But do you know the defining characteristics of this group?
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Following two weeks of enthusiastic voting, ArchDaily readers have narrowed down more than 300 nominees to the top 10 finalists of the year.
During the nomination phase, we witnessed how this award highlights the collective progress and evolving boundaries of architecture. These shortlisted projects represent the most inspiring, impactful, and resonant works chosen by our readers.
The finalists showcase a diverse spectrum of practice, spanning established industry leaders alongside emerging boutique firms with highly distinct design voices. Collectively, these projects also highlight architecture's profound capacity to improve our built environment.
Dear readers,
As the end of the year approaches, we would like to thank you all once again for making 2018 our best year yet. Thanks to your continuous support and our close connection with our readers, we now reach far more architects around the world, inspiring them to create better urban environments.
