This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Many of us agree with Roman Mars of 99% Invisible when he says that "we tend to not notice well-designed things"—yet many also agree that design is often perceived as being for only a select few. Consequently, we must ask ourselves what is truly democratic when it comes to design, and from there, help define and contribute our vision toward a more just society.

From the perspective of design and architecture, we can approach the democratization of design from various angles—from incorporating design into everyday needs to designing inclusively. At the core of it all lies the search for solutions that improve accessibility and livability in our daily lives.

The construction industry is one of the largest producers of pollutants and waste globally in its daily operations. To put this into perspective, in the mid-1990s in Great Britain, construction processes generated nearly 10 million tons of post-industrial waste. Approximately a decade ago, over 3.5 billion new bricks were used annually, while around 2.5 billion were demolished; of that total, only about 140 million were reused, with the rest sent to landfills.

When addressing the recycling process of construction materials, several obstacles stand in the way of achieving a comprehensive and effective outcome. First, careless demolition can make the process highly complex, as materials destined for different recycling streams are often mixed together. Furthermore, not all materials can be recycled or processed efficiently, as many still require costly or overly complex processes. However, the construction industry—a major contributor to waste production and greenhouse gas emissions—has also developed multiple new technologies to improve its practices. This is where the WOOL2LOOP project comes in, aiming to resolve one of the greatest challenges in applying a circular approach to construction and demolition waste.

Born in Quito in 1947, Guadalupe Ibarra settled in Cuenca during her adolescence due to her father's military career. It was there that she decided to study architecture, enrolling at the University of Cuenca in 1963. An outstanding student, Ibarra earned her degree in 1970, becoming the first Ecuadorian woman to graduate as an architect in the country. 

In November 2022, the Network of Latin American Architecture Biennials REDBAAL will mark its first ten fruitful years, celebrating this milestone by launching the Fourth Edition of the Oscar Niemeyer Award for Latin American Architecture, the prestigious ON-04 Prize. This August, the jury's decision was announced, revealing the top three winners and recognizing the work of architects from Brazil and Mexico.

The first woman to receive an architecture degree in Argentina was Filandia Pizzul in 1928 from the University of Buenos Aires, more than 50 years after the program was first established. Starting in 1874, the architecture program operated independently of the Department of Sciences, where these studies had been housed since 1865. She was a pioneer in several fields, also becoming the first woman to complete courses at the Civil Aviation Directorate in 1928, earning pilot's license No. 181.

The results of the XIV Yucatan Architecture Biennial have been announced. A total of 17 accolades were awarded, including 1 gold medal, 6 silver medals, and 10 honorable mentions across 15 different categories. The jury comprised architects Edgar Herrera, Manuel Herrera, Felipe Leal, and Carlos Rodríguez. Read on to discover the winners.

Paint is synonymous with color, even when it is white. It is the simplest way to restore and correct imperfections on any surface, whether interior or exterior. Without detracting from this significant aesthetic benefit, paint also possesses composition-based properties that turn an attractive, well-finished project into a healthy building—one with a lower environmental impact throughout its life cycle.

What do we mean by heritage? This is one of the main questions raised by Alejandro Orellana, director of Relatos de Barrios—a Chilean project that seeks to reclaim the heritage and historical value of housing complexes, highlighting the community dimension behind the lives of their residents.

A documentary and a book are the results of their experience with the “CCU Worker Housing” in La Serena, later renamed the “Rengifo Housing Complex.” Designed in 1957 by architect Carlos Feuereisen Polanco and built in 1958 by Negochea and Vergara, it represents a characteristic housing typology of the city.

Exacerbated by the pandemic, the housing crisis has become a global phenomenon. Rising prices, lack of access, and poor housing policies have resulted in greater scarcity and precarious conditions. Chile is no exception. Indeed, according to the latest reports issued by the Chilean Chamber of Construction (CChC), there are “more than 700,000 families experiencing overcrowding and irreparable housing, in addition to 81,000 families living in informal settlements.”

Set in the heart of one of the world's most arid deserts, the Nasca aqueducts form a hydraulic system that, for nearly two thousand years, has demonstrated advanced geological and hydrological knowledge. This system allows water to be sourced for both human consumption and agriculture, creating fertile oases in the desert. The Nasca Aqueducts represent a unique hydraulic system in the Americas, owing to their distinct design, construction technique, location, and function. They serve as an exceptional testament to the capacity of ancient societies to overcome adverse conditions, offering solutions that could be applied to the climate challenges of our time.

How do we experience cities? What moves us? What do we remember about them? Monuments? Museums? Are we merely tourists, or do we live the city as an experience? Art is part of the urban fabric—a way to create new paths, lifestyles, and reference points that lead us to identify the unique spaces and moments experienced within it. Art is not confined to museums; it is in the streets, on the walls, and on the buildings that shape the city. Public space dialogues with artistic expression, engaging people, neighborhoods, cities, and an interconnected world to create new modes of community within a culture that is attentive to and understands our contexts and ecosystems. 

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Although the construction industry has spent years making strides in new fields such as biomaterials, nanotechnology, and 3D printing, it simultaneously remains one of the slowest to adopt new technology. Many of these innovations never progress past the experimental stage. How can this situation be reversed?

Celebrating its 35th anniversary, this edition of CasaCor brings together projects by 68 renowned professionals spread across more than 10,000 square meters inside a landmark of São Paulo modernism, the Conjunto Nacional. Under the theme “Particular Infinite,” this year's exhibition focuses on the accumulation of time, on the stories already told and those we tell about ourselves. In this universe of ways of inhabiting the world, and of the traces we leave around us—from finger marks on the walls to the dust we carry on the soles of our shoes—we are always searching for something that is ours alone, inexhaustibly our own.

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Featuring a spectacular amorphous structure, Bloodlust Wine Bar is located in Ejido El Porvenir, in the heart of Valle de Guadalupe, Baja California, Mexico. Its origins date back to late 2019, conceived by the vision of Juliette Cheanne, Poncho Muriedas, and Yuri Muriedas—three highly creative minds with a single shared mission: to bring to life a gastronomic space that, in addition to featuring an inimitable architectural facade designed by surrealist illustrator Jaime Zuverza, would offer an immersive auditory and visual experience to all who visit.

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How do we actually give citizens the ability to discover and understand what is happening around their cities? This is one of the key questions raised by Eva Franch, artistic director alongside Beth Galí and José Luis de Vicente of Model - Barcelona Architectures Festival.

How do we bring these issues to the table, into public debate, and into the public sphere? One answer could lie in augmented realities—technologies that allow us to visualize parts of the real world overlaid with new information through a technological device. For this architecture event, in addition to the five temporary physical installations scattered throughout the city, five augmented reality installations were produced, reflecting the event's different themes: Between-Generations, Between-Cultures, Between-Species, Between-Classes, and Between-Materials.

Nature-based solutions (NBS) have become widely recognized as efficient approaches for adapting cities to the climate crisis and mitigating increasingly frequent disasters. Projects such as rain gardens, linear parks, hillside restoration, and urban agriculture help make cities more resilient to extreme weather events, while generating additional benefits for society, the economy, and the environment.

The World Cup will take place between November and December. This scheduling is due to the fact that average temperatures in the host nation, Qatar, can soar to 40 to 50°C during June and July.

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CityMakers is working with ArchDaily to publish a series of articles, conversations, and interviews with the various actors in urban co-production behind the CityMakers Barcelona Lab 2022, an event taking place from November 14 to 18. For this edition, Víctor Torres, an architect with a Master's in Territorial Planning and Environmental Management from the University of Barcelona, presents his article "Renaturalizing the City from the Smallest Scale: The Neighborhood."

The 2022 Shenzhen Creative Home Design Week (hereinafter referred to as "Design Week") has successfully concluded. Against the ongoing backdrop of the pandemic, ArchDaily partnered with MEFine to present a themed design forum, "One Step Ahead: Contemporary Reflections on Dwelling." Hosted as part of "Design Out Loud"—a forum series dedicated to design and creativity curated by Design Dome—the event has successfully come to a close, leaving behind a wealth of memorable insights.

Since ArchDaily launched its recruitment services, we have received job postings from architecture firms of various scales across China, from Beijing and Shenzhen to Hangzhou. With their unique styles, these practices are active across diverse architectural sectors, seeking talented designers to join their teams. Below is a curated selection of eight firms currently hiring, along with some of their representative projects. We encourage interested readers to apply.

"Domingos Libro" is hosted by Carmelo from Enorme Studio, delving into forgotten architectural publications, books, and architecture magazines from the '60s, '70s, and '80s that hold some of the most fascinating backstories.

After a hiatus in 2022, the series returned with episode 19, titled “Siempre Joven” (Forever Young). It focuses on Ettore Sottsass Jr. and how, at 62—when mere mortals would be contemplating retirement—he founded a studio alongside four twenty-somethings that would change the history of design.

Arturo Arrieta

Within the framework of the project "Inclusive Preparation, Effective Response: Strengthening community preparedness and protection systems through an inclusive and gender-sensitive approach in the communities of the Cantagallo area in Lima," developed by the consortium of Plan International, COOPI - Cooperazione Internazionale, and Humanity Inclusion, the studio Arquitectura del Medio, led by Alejandro Merino and Gianella Díaz, seeks to implement a demonstration project in the Shipibo-Konibo Community of Cantagallo in the district of Rímac, Lima, taking environmental considerations and replicability into account.